1
Murphy BM. The rural gothic in American popular culture: backwoods horror and terror in the wilderness. Basingstoke, Hampshire: : Palgrave Macmillan 2013. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781137353726&uid=^u
2
Quart L, Auster A. American film and society since 1945. 2nd ed. Greenwood Press 1991. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781440833229&uid=^u
3
Wood R. Hollywood from Vietnam to Reagan-- and beyond. Expanded and rev. ed. New York: : Columbia University Press 2003. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9780231507578&uid=^u
4
Ross SJ. Movies and American Society. Oxford: : Blackwell Pub 2002.
5
Prince S. American Cinema of the 1980s: Themes and Variations. New Brunswick, N.J: : Berg 2007. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=316410
6
Weinstock JA. Spectral America: phantoms and the national imagination. Madison: : University of Wisconsin Press/Popular Press
7
Robinson S. Marked men: white masculinity in crisis. New York: : Columbia University Press 2000. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=909181
8
Weinstock JA, editor. The Cambridge Companion to American Gothic. American gothic: : Cambridge University Press 2017. http://ezproxy.library.qmul.ac.uk/login?url=https://doi.org/10.1017/9781316337998
9
Punter D, editor. A new companion to the gothic. Paperback ed., 2015. Chichester, West Sussex: : Wiley Blackwell 2012. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=843409
10
Magistrale T. Student companion to Edgar Allan Poe. Westport, Conn: : Greenwood Press 2001. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=3000502
11
Creed B. The Monstrous-Feminine: Film, Feminism, Psychoanalysis. London: : Routledge 1993. http://ezproxy.library.qmul.ac.uk/login?url=https://www.taylorfrancis.com/books/9780203820513
12
Williams T. Hearths of darkness: the family in the American horror film. Updated edition. Jackson: : University Press of Mississippi 2014. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=3039942
13
Cocks G, Diedrick J, Perusek GW. Depth of field: Stanley Kubrick, film, and the uses of history. Madison, Wis: : University of Wisconsin Press https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=3445102
14
Jenkins G. Stanley Kubrick and the art of adaptation: three novels, three films. Jefferson, N.C.: : McFarland http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781476608846&uid=^u
15
Pezzotta E. Stanley Kubrick: adapting the sublime. Jackson: : University Press of Mississippi 2016. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=1181931
16
Kuberski P. Kubrick’s total cinema: philosophical themes and formal qualities. New York: : Bloomsbury Academic 2014. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781441149565&uid=^u
17
Conrich I, Woods D. The Cinema of John Carpenter: the Technique of Terror. London: : Wallflower 2004.
18
Foss KA, editor. Demystifying the big house: exploring prison experience and media representations. Carbondale, IL: : Southern Illinois University Press 2018. http://ezproxy.library.qmul.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1841214
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Shary T. Teen movies: American youth on screen. London: : Wallflower 2005. http://ezproxy.library.qmul.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=658168
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Conrich I. Horror zone: the cultural experience of contemporary horror cinema. London: : I.B. Tauris 2010. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9786000018733&uid=^u
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Royer C, Royer D, ProQuest (Firm). The spectacle of isolation in horror films: dark parades. New York: : Haworth Press 2005. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=1123168
22
Beard W. The artist as monster: the cinema of David Cronenberg. Revised and and expanded. Toronto: : University of Toronto Press 2006. http://ezproxy.library.qmul.ac.uk/login?url=https://www.jstor.org/stable/10.3138/j.ctt1mkbdc3
23
Magistrale T. Landscape of fear: Stephen King’s American Gothic. [Bowling Green, Ohio]: : Bowling Green State University, Popular Press
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Dumm G. The Gothic world of Stephen King: landscape of nightmares. Bowling Green, Ohio: : Bowling Green State University Popular Press
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Sears J. Stephen King’s gothic. Cardiff, Wales: : University of Wales Press 2011. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=863118
26
Collings MR. Scaring us to death: the impact of Stephen King on popular culture. 2nd ed., rev.expanded. San Bernardino, Calif: : Borgo Press
27
Burger A. Teaching Stephen King: horror, the supernatural, and new approaches to literature. Houndmills, Basingstoke, Hampshire: : Palgrave Macmillan 2016. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781137483911&uid=^u
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Russell SA. Revisiting Stephen King: a critical companion. Westport, Conn: : Greenwood Press 2002. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=3000904
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Davis JP. Stephen King’s America. Bowling Green, OH: : Bowling Green State University Popular Press
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Strengell H. Stephen King: monsters live in ordinary people. London: : Duckworth 2007. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=3444818
31
Clifford Simplican S. Timing Problems: When Care and Violence Converge in Stephen King’s Horror Novel. Hypatia 2017;32:397–414. doi:10.1111/hypa.12322
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Magistrale T, EBSCOhost. The films of Stephen King: from Carrie to Secret window. 1st ed. New York: : Palgrave Macmillan 2008. http://ezproxy.library.qmul.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=258088
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Brown S. Screening Stephen King: adaptation and the horror genre on film and television. Austin, [Texas]: : University of Texas Press 2018. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=5181670
34
Kermode M. The Shawshank Redemption (BFI Classics). London: : British Film Institute 2003.
35
Magistrale T. Hollywood’s Stephen King. 1st ed. New York: : Palgrave Macmillan 2003. http://ezproxy.library.qmul.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=188805
36
Browning M. Stephen King on the big screen. Bristol, UK: : Intellect Books 2009. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781841503271&uid=^u
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Browning M. Stephen King on the small screen. Bristol, UK: : Intellect 2011. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=685154
38
Hornbeck EJ. Who’s Afraid of the Big Bad Wolf?: Domestic Violence in The Shining. Feminist Studies 2016;42. doi:10.15767/feministstudies.42.3.0689
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King S. On writing: a memoir of the craft. London: : Hodder 2012.
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King S. Carrie. London: : Hodder & Stoughton 2011.
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King S. Christine. Hodder Paperbacks 2018.
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King S. Skeleton crew. London: : Hodder 2012.
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King S. The dead zone. London: : Hodder 2011.
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King S. Pet sematary. London: : Hodder 2011.
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King S. Night shift. London: : Hodder 2012.
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King S, King S, King S, et al. Different seasons. London: : Hodder 2012.
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Stephen King. Misery. Hodder Paperbacks 7AD. https://www.amazon.co.uk/Misery-Stephen-King/dp/1444720716/ref=sr_1_15?s=books&ie=UTF8&qid=1538054042&sr=1-15&keywords=stephen+king
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King S. Salem’s lot. London: : Hodder 2011.
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King S. The shining. London: : Hodder 2011.
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King S. The dead zone. London: : Hodder 2011.
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King S. Four past midnight. London: : Hodder 2012.