Beard, W. (2006). The artist as monster: the cinema of David Cronenberg (Revised and and expanded). University of Toronto Press. http://ezproxy.library.qmul.ac.uk/login?url=https://www.jstor.org/stable/10.3138/j.ctt1mkbdc3
Brown, S. (2018). Screening Stephen King: adaptation and the horror genre on film and television. University of Texas Press. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=5181670
Browning, M. (2009). Stephen King on the big screen. Intellect Books. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781841503271&uid=^u
Browning, M. (2011). Stephen King on the small screen. Intellect. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=685154
Burger, A. (2016). Teaching Stephen King: horror, the supernatural, and new approaches to literature. Palgrave Macmillan. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781137483911&uid=^u
Clifford Simplican, S. (2017). Timing Problems: When Care and Violence Converge in Stephen King’s Horror Novel. Hypatia, 32(2), 397–414. https://doi.org/10.1111/hypa.12322
Cocks, G., Diedrick, J., & Perusek, G. W. (n.d.). Depth of field: Stanley Kubrick, film, and the uses of history. University of Wisconsin Press. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=3445102
Collings, M. R. (n.d.). Scaring us to death: the impact of Stephen King on popular culture (2nd ed., rev.expanded, Vol. 63). Borgo Press.
Conrich, I. (2010). Horror zone: the cultural experience of contemporary horror cinema. I.B. Tauris. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9786000018733&uid=^u
Conrich, I., & Woods, D. (2004). The Cinema of John Carpenter: the Technique of Terror. Wallflower.
Creed, B. (1993). The Monstrous-Feminine: Film, Feminism, Psychoanalysis. Routledge. http://ezproxy.library.qmul.ac.uk/login?url=https://www.taylorfrancis.com/books/9780203820513
Davis, J. P. (n.d.). Stephen King’s America. Bowling Green State University Popular Press.
Dumm, G. (n.d.). The Gothic world of Stephen King: landscape of nightmares (G. Hoppenstand & R. B. Browne, Eds.). Bowling Green State University Popular Press.
Foss, K. A. (Ed.). (2018). Demystifying the big house: exploring prison experience and media representations. Southern Illinois University Press. http://ezproxy.library.qmul.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1841214
Hornbeck, E. J. (2016). Who’s Afraid of the Big Bad Wolf?: Domestic Violence in The Shining. Feminist Studies, 42(3). https://doi.org/10.15767/feministstudies.42.3.0689
Jenkins, G. (n.d.). Stanley Kubrick and the art of adaptation: three novels, three films. McFarland. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781476608846&uid=^u
Kermode, M. (2003). The Shawshank Redemption (BFI Classics). British Film Institute.
King, S. (2011a). Carrie. Hodder & Stoughton.
King, S. (2011b). Pet sematary. Hodder.
King, S. (2011c). Salem’s lot. Hodder.
King, S. (2011d). The dead zone. Hodder.
King, S. (2011e). The dead zone. Hodder.
King, S. (2011f). The shining. Hodder.
King, S. (2012a). Four past midnight. Hodder.
King, S. (2012b). Night shift. Hodder.
King, S. (2012c). On writing: a memoir of the craft. Hodder.
King, S. (2012d). Skeleton crew. Hodder.
King, S. (2018). Christine. Hodder Paperbacks.
King, S., King, S., King, S., King, S., & King, S. (2012). Different seasons. Hodder.
Kuberski, P. (2014). Kubrick’s total cinema: philosophical themes and formal qualities. Bloomsbury Academic. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781441149565&uid=^u
Magistrale, T. (n.d.). Landscape of fear: Stephen King’s American Gothic. Bowling Green State University, Popular Press.
Magistrale, T. (2001). Student companion to Edgar Allan Poe. Greenwood Press. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=3000502
Magistrale, T. (2003). Hollywood’s Stephen King (1st ed). Palgrave Macmillan. http://ezproxy.library.qmul.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=188805
Magistrale, T. & EBSCOhost. (2008). The films of Stephen King: from Carrie to Secret window (1st ed). Palgrave Macmillan. http://ezproxy.library.qmul.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=258088
Murphy, B. M. (2013). The rural gothic in American popular culture: backwoods horror and terror in the wilderness. Palgrave Macmillan. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781137353726&uid=^u
Pezzotta, E. (2016). Stanley Kubrick: adapting the sublime. University Press of Mississippi. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=1181931
Prince, S. (2007). American Cinema of the 1980s: Themes and Variations. Berg. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=316410
Punter, D. (Ed.). (2012). A new companion to the gothic (Paperback ed., 2015, Vol. 79). Wiley Blackwell. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=843409
Quart, L., & Auster, A. (1991). American film and society since 1945 (2nd ed). Greenwood Press. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781440833229&uid=^u
Robinson, S. (2000). Marked men: white masculinity in crisis. Columbia University Press. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=909181
Ross, S. J. (2002). Movies and American Society (Vol. 10). Blackwell Pub.
Royer, C., Royer, D., & ProQuest (Firm). (2005). The spectacle of isolation in horror films: dark parades. Haworth Press. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=1123168
Russell, S. A. (2002). Revisiting Stephen King: a critical companion. Greenwood Press. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=3000904
Sears, J. (2011). Stephen King’s gothic. University of Wales Press. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=863118
Shary, T. (2005). Teen movies: American youth on screen. Wallflower. http://ezproxy.library.qmul.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=658168
Stephen King. (7 C.E.). Misery. Hodder Paperbacks. https://www.amazon.co.uk/Misery-Stephen-King/dp/1444720716/ref=sr_1_15?s=books&ie=UTF8&qid=1538054042&sr=1-15&keywords=stephen+king
Strengell, H. (2007). Stephen King: monsters live in ordinary people. Duckworth. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=3444818
Weinstock, J. A. (n.d.). Spectral America: phantoms and the national imagination. University of Wisconsin Press/Popular Press.
Weinstock, J. A. (Ed.). (2017). The Cambridge Companion to American Gothic. Cambridge University Press. http://ezproxy.library.qmul.ac.uk/login?url=https://doi.org/10.1017/9781316337998
Williams, T. (2014). Hearths of darkness: the family in the American horror film (Updated edition). University Press of Mississippi. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=3039942
Wood, R. (2003). Hollywood from Vietnam to Reagan-- and beyond (Expanded and rev. ed). Columbia University Press. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9780231507578&uid=^u
