1.
Murphy BM. The Rural Gothic in American Popular Culture: Backwoods Horror and Terror in the Wilderness. Palgrave Macmillan; 2013. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781137353726&uid=^u
2.
Quart L, Auster A. American Film and Society since 1945. 2nd ed. Greenwood Press; 1991. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781440833229&uid=^u
3.
Wood R. Hollywood from Vietnam to Reagan-- and Beyond. Expanded and rev. ed. Columbia University Press; 2003. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9780231507578&uid=^u
4.
Ross SJ. Movies and American Society. Vol 10. Blackwell Pub; 2002.
5.
Prince S. American Cinema of the 1980s: Themes and Variations. Berg; 2007. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=316410
6.
Weinstock JA. Spectral America: Phantoms and the National Imagination. University of Wisconsin Press/Popular Press
7.
Robinson S. Marked Men: White Masculinity in Crisis. Columbia University Press; 2000. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=909181
8.
Weinstock JA, ed. The Cambridge Companion to American Gothic. Cambridge University Press; 2017. http://ezproxy.library.qmul.ac.uk/login?url=https://doi.org/10.1017/9781316337998
9.
Punter D, ed. A New Companion to the Gothic. Vol 79. Paperback ed., 2015. Wiley Blackwell; 2012. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=843409
10.
Magistrale T. Student Companion to Edgar Allan Poe. Greenwood Press; 2001. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=3000502
11.
Creed B. The Monstrous-Feminine: Film, Feminism, Psychoanalysis. Routledge; 1993. http://ezproxy.library.qmul.ac.uk/login?url=https://www.taylorfrancis.com/books/9780203820513
12.
Williams T. Hearths of Darkness: The Family in the American Horror Film. Updated edition. University Press of Mississippi; 2014. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=3039942
13.
Cocks G, Diedrick J, Perusek GW. Depth of Field: Stanley Kubrick, Film, and the Uses of History. University of Wisconsin Press https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=3445102
14.
Jenkins G. Stanley Kubrick and the Art of Adaptation: Three Novels, Three Films. McFarland http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781476608846&uid=^u
15.
Pezzotta E. Stanley Kubrick: Adapting the Sublime. University Press of Mississippi; 2016. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=1181931
16.
Kuberski P. Kubrick’s Total Cinema: Philosophical Themes and Formal Qualities. Bloomsbury Academic; 2014. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781441149565&uid=^u
17.
Conrich I, Woods D. The Cinema of John Carpenter: The Technique of Terror. Wallflower; 2004.
18.
Foss KA, ed. Demystifying the Big House: Exploring Prison Experience and Media Representations. Southern Illinois University Press; 2018. http://ezproxy.library.qmul.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1841214
19.
Shary T. Teen Movies: American Youth on Screen. Wallflower; 2005. http://ezproxy.library.qmul.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=658168
20.
Conrich I. Horror Zone: The Cultural Experience of Contemporary Horror Cinema. I.B. Tauris; 2010. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9786000018733&uid=^u
21.
Royer C, Royer D, ProQuest (Firm). The Spectacle of Isolation in Horror Films: Dark Parades. Haworth Press; 2005. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=1123168
22.
Beard W. The Artist as Monster: The Cinema of David Cronenberg. Revised and and expanded. University of Toronto Press; 2006. http://ezproxy.library.qmul.ac.uk/login?url=https://www.jstor.org/stable/10.3138/j.ctt1mkbdc3
23.
Magistrale T. Landscape of Fear: Stephen King’s American Gothic. Bowling Green State University, Popular Press
24.
Dumm G. The Gothic World of Stephen King: Landscape of Nightmares. (Hoppenstand G, Browne RB, eds.). Bowling Green State University Popular Press
25.
Sears J. Stephen King’s Gothic. University of Wales Press; 2011. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=863118
26.
Collings MR. Scaring Us to Death: The Impact of Stephen King on Popular Culture. Vol 63. 2nd ed., rev.expanded. Borgo Press
27.
Burger A. Teaching Stephen King: Horror, the Supernatural, and New Approaches to Literature. Palgrave Macmillan; 2016. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781137483911&uid=^u
28.
Russell SA. Revisiting Stephen King: A Critical Companion. Greenwood Press; 2002. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=3000904
29.
Davis JP. Stephen King’s America. Bowling Green State University Popular Press
30.
Strengell H. Stephen King: Monsters Live in Ordinary People. Duckworth; 2007. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=3444818
31.
Clifford Simplican S. Timing Problems: When Care and Violence Converge in Stephen King’s Horror Novel. Hypatia. 2017;32(2):397-414. doi:10.1111/hypa.12322
32.
Magistrale T, EBSCOhost. The Films of Stephen King: From Carrie to Secret Window. 1st ed. Palgrave Macmillan; 2008. http://ezproxy.library.qmul.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=258088
33.
Brown S. Screening Stephen King: Adaptation and the Horror Genre on Film and Television. University of Texas Press; 2018. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=5181670
34.
Kermode M. The Shawshank Redemption (BFI Classics). British Film Institute; 2003.
35.
Magistrale T. Hollywood’s Stephen King. 1st ed. Palgrave Macmillan; 2003. http://ezproxy.library.qmul.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=188805
36.
Browning M. Stephen King on the Big Screen. Intellect Books; 2009. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781841503271&uid=^u
37.
Browning M. Stephen King on the Small Screen. Intellect; 2011. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=685154
38.
Hornbeck EJ. Who’s Afraid of the Big Bad Wolf?: Domestic Violence in The Shining. Feminist Studies. 2016;42(3). doi:10.15767/feministstudies.42.3.0689
39.
King S. On Writing: A Memoir of the Craft. Hodder; 2012.
40.
King S. Carrie. Hodder & Stoughton; 2011.
41.
King S. Christine. Hodder Paperbacks; 2018.
42.
King S. Skeleton Crew. Hodder; 2012.
43.
King S. The Dead Zone. Hodder; 2011.
44.
King S. Pet Sematary. Hodder; 2011.
45.
King S. Night Shift. Hodder; 2012.
46.
King S, King S, King S, King S, King S. Different Seasons. Hodder; 2012.
47.
Stephen King. Misery. Hodder Paperbacks; 7AD. https://www.amazon.co.uk/Misery-Stephen-King/dp/1444720716/ref=sr_1_15?s=books&ie=UTF8&qid=1538054042&sr=1-15&keywords=stephen+king
48.
King S. Salem’s Lot. Hodder; 2011.
49.
King S. The Shining. Hodder; 2011.
50.
King S. The Dead Zone. Hodder; 2011.
51.
King S. Four Past Midnight. Hodder; 2012.