Beard, William. 2006. The Artist as Monster: The Cinema of David Cronenberg. Revised and and Expanded. Toronto: University of Toronto Press. http://ezproxy.library.qmul.ac.uk/login?url=https://www.jstor.org/stable/10.3138/j.ctt1mkbdc3.
Brown, Simon. 2018. Screening Stephen King: Adaptation and the Horror Genre on Film and Television. Austin, [Texas]: University of Texas Press. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=5181670.
Browning, Mark. 2009. Stephen King on the Big Screen. Bristol, UK: Intellect Books. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781841503271&uid=^u.
———. 2011. Stephen King on the Small Screen. Bristol, UK: Intellect. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=685154.
Burger, Alissa. 2016. Teaching Stephen King: Horror, the Supernatural, and New Approaches to Literature. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781137483911&uid=^u.
Clifford Simplican, Stacy. 2017. ‘Timing Problems: When Care and Violence Converge in Stephen King’s Horror Novel’. Hypatia 32 (2): 397–414. https://doi.org/10.1111/hypa.12322.
Cocks, Geoffrey, James Diedrick, and Glenn W. Perusek. n.d. Depth of Field: Stanley Kubrick, Film, and the Uses of History. Madison, Wis: University of Wisconsin Press. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=3445102.
Collings, Michael R. n.d. Scaring Us to Death: The Impact of Stephen King on Popular Culture. 2nd ed., rev.Expanded. Vol. 63. San Bernardino, Calif: Borgo Press.
Conrich, Ian. 2010. Horror Zone: The Cultural Experience of Contemporary Horror Cinema. London: I.B. Tauris. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9786000018733&uid=^u.
Conrich, Ian, and David Woods. 2004. The Cinema of John Carpenter: The Technique of Terror. London: Wallflower.
Creed, Barbara. 1993. The Monstrous-Feminine: Film, Feminism, Psychoanalysis. London: Routledge. http://ezproxy.library.qmul.ac.uk/login?url=https://www.taylorfrancis.com/books/9780203820513.
Davis, Jonathan P. n.d. Stephen King’s America. Bowling Green, OH: Bowling Green State University Popular Press.
Dumm, Gary. n.d. The Gothic World of Stephen King: Landscape of Nightmares. Edited by Gary Hoppenstand and Ray B. Browne. Bowling Green, Ohio: Bowling Green State University Popular Press.
Foss, Katherine A., ed. 2018. Demystifying the Big House: Exploring Prison Experience and Media Representations. Carbondale, IL: Southern Illinois University Press. http://ezproxy.library.qmul.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1841214.
Hornbeck, Elizabeth Jean. 2016. ‘Who’s Afraid of the Big Bad Wolf?: Domestic Violence in The Shining’. Feminist Studies 42 (3). https://doi.org/10.15767/feministstudies.42.3.0689.
Jenkins, Greg. n.d. Stanley Kubrick and the Art of Adaptation: Three Novels, Three Films. Jefferson, N.C.: McFarland. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781476608846&uid=^u.
Kermode, Mark. 2003. The Shawshank Redemption (BFI Classics). London: British Film Institute.
King, Stephen. 2011a. Carrie. London: Hodder & Stoughton.
———. 2011b. Pet Sematary. London: Hodder.
———. 2011c. Salem’s Lot. London: Hodder.
———. 2011d. The Dead Zone. London: Hodder.
———. 2011e. The Dead Zone. London: Hodder.
———. 2011f. The Shining. London: Hodder.
———. 2012a. Four Past Midnight. London: Hodder.
———. 2012b. Night Shift. London: Hodder.
———. 2012c. On Writing: A Memoir of the Craft. London: Hodder.
———. 2012d. Skeleton Crew. London: Hodder.
———. 2018. Christine. Hodder Paperbacks.
King, Stephen, Stephen King, Stephen King, Stephen King, and Stephen King. 2012. Different Seasons. London: Hodder.
Kuberski, Philip. 2014. Kubrick’s Total Cinema: Philosophical Themes and Formal Qualities. New York: Bloomsbury Academic. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781441149565&uid=^u.
Magistrale, Tony. 2001. Student Companion to Edgar Allan Poe. Westport, Conn: Greenwood Press. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=3000502.
———. 2003. Hollywood’s Stephen King. 1st ed. New York: Palgrave Macmillan. http://ezproxy.library.qmul.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=188805.
———. n.d. Landscape of Fear: Stephen King’s American Gothic. [Bowling Green, Ohio]: Bowling Green State University, Popular Press.
Magistrale, Tony and EBSCOhost. 2008. The Films of Stephen King: From Carrie to Secret Window. 1st ed. New York: Palgrave Macmillan. http://ezproxy.library.qmul.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=258088.
Murphy, Bernice M. 2013. The Rural Gothic in American Popular Culture: Backwoods Horror and Terror in the Wilderness. Basingstoke, Hampshire: Palgrave Macmillan. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781137353726&uid=^u.
Pezzotta, Elisa. 2016. Stanley Kubrick: Adapting the Sublime. Jackson: University Press of Mississippi. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=1181931.
Prince, Stephen. 2007. American Cinema of the 1980s: Themes and Variations. New Brunswick, N.J: Berg. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=316410.
Punter, David, ed. 2012. A New Companion to the Gothic. Paperback ed., 2015. Vol. 79. Chichester, West Sussex: Wiley Blackwell. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=843409.
Quart, Leonard, and Albert Auster. 1991. American Film and Society since 1945. 2nd ed. Greenwood Press. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781440833229&uid=^u.
Robinson, Sally. 2000. Marked Men: White Masculinity in Crisis. New York: Columbia University Press. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=909181.
Ross, Steven J. 2002. Movies and American Society. Vol. 10. Oxford: Blackwell Pub.
Royer, Carl, Diana Royer, and ProQuest (Firm). 2005. The Spectacle of Isolation in Horror Films: Dark Parades. New York: Haworth Press. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=1123168.
Russell, Sharon A. 2002. Revisiting Stephen King: A Critical Companion. Westport, Conn: Greenwood Press. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=3000904.
Sears, John. 2011. Stephen King’s Gothic. Cardiff, Wales: University of Wales Press. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=863118.
Shary, Timothy. 2005. Teen Movies: American Youth on Screen. London: Wallflower. http://ezproxy.library.qmul.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=658168.
Stephen King. 7AD. Misery. Hodder Paperbacks. https://www.amazon.co.uk/Misery-Stephen-King/dp/1444720716/ref=sr_1_15?s=books&ie=UTF8&qid=1538054042&sr=1-15&keywords=stephen+king.
Strengell, Heidi. 2007. Stephen King: Monsters Live in Ordinary People. London: Duckworth. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=3444818.
Weinstock, Jeffrey Andrew, ed. 2017. The Cambridge Companion to American Gothic. American gothic: Cambridge University Press. http://ezproxy.library.qmul.ac.uk/login?url=https://doi.org/10.1017/9781316337998.
———. n.d. Spectral America: Phantoms and the National Imagination. Madison: University of Wisconsin Press/Popular Press.
Williams, Tony. 2014. Hearths of Darkness: The Family in the American Horror Film. Updated edition. Jackson: University Press of Mississippi. https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=3039942.
Wood, Robin. 2003. Hollywood from Vietnam to Reagan-- and Beyond. Expanded and rev. Ed. New York: Columbia University Press. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9780231507578&uid=^u.