Beard, William. The Artist as Monster: The Cinema of David Cronenberg. Revised and and Expanded, University of Toronto Press, 2006, http://ezproxy.library.qmul.ac.uk/login?url=https://www.jstor.org/stable/10.3138/j.ctt1mkbdc3.
Brown, Simon. Screening Stephen King: Adaptation and the Horror Genre on Film and Television. University of Texas Press, 2018, https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=5181670.
Browning, Mark. Stephen King on the Big Screen. Intellect Books, 2009, http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781841503271&uid=^u.
---. Stephen King on the Small Screen. Intellect, 2011, https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=685154.
Burger, Alissa. Teaching Stephen King: Horror, the Supernatural, and New Approaches to Literature. Palgrave Macmillan, 2016, http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781137483911&uid=^u.
Clifford Simplican, Stacy. ‘Timing Problems: When Care and Violence Converge in Stephen King’s Horror Novel’. Hypatia, vol. 32, no. 2, May 2017, pp. 397–414, https://doi.org/10.1111/hypa.12322.
Cocks, Geoffrey, et al. Depth of Field: Stanley Kubrick, Film, and the Uses of History. University of Wisconsin Press, https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=3445102.
Collings, Michael R. Scaring Us to Death: The Impact of Stephen King on Popular Culture. 2nd ed., rev.Expanded, vol. 63, Borgo Press.
Conrich, Ian. Horror Zone: The Cultural Experience of Contemporary Horror Cinema. I.B. Tauris, 2010, http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9786000018733&uid=^u.
Conrich, Ian, and David Woods. The Cinema of John Carpenter: The Technique of Terror. Wallflower, 2004.
Creed, Barbara. The Monstrous-Feminine: Film, Feminism, Psychoanalysis. Routledge, 1993, http://ezproxy.library.qmul.ac.uk/login?url=https://www.taylorfrancis.com/books/9780203820513.
Davis, Jonathan P. Stephen King’s America. Bowling Green State University Popular Press.
Dumm, Gary. The Gothic World of Stephen King: Landscape of Nightmares. Edited by Gary Hoppenstand and Ray B. Browne, Bowling Green State University Popular Press.
Foss, Katherine A., editor. Demystifying the Big House: Exploring Prison Experience and Media Representations. Southern Illinois University Press, 2018, http://ezproxy.library.qmul.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1841214.
Hornbeck, Elizabeth Jean. ‘Who’s Afraid of the Big Bad Wolf?: Domestic Violence in The Shining’. Feminist Studies, vol. 42, no. 3, 2016, https://doi.org/10.15767/feministstudies.42.3.0689.
Jenkins, Greg. Stanley Kubrick and the Art of Adaptation: Three Novels, Three Films. McFarland, http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781476608846&uid=^u.
Kermode, Mark. The Shawshank Redemption (BFI Classics). British Film Institute, 2003.
King, Stephen. Carrie. Hodder & Stoughton, 2011.
---. Christine. Hodder Paperbacks, 2018.
---. Different Seasons. Hodder, 2012.
---. Four Past Midnight. Hodder, 2012.
---. Night Shift. Hodder, 2012.
---. On Writing: A Memoir of the Craft. Hodder, 2012.
---. Pet Sematary. Hodder, 2011.
---. Salem’s Lot. Hodder, 2011.
---. Skeleton Crew. Hodder, 2012.
---. The Dead Zone. Hodder, 2011.
---. The Dead Zone. Hodder, 2011.
---. The Shining. Hodder, 2011.
Kuberski, Philip. Kubrick’s Total Cinema: Philosophical Themes and Formal Qualities. Bloomsbury Academic, 2014, http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781441149565&uid=^u.
Magistrale, Tony. Hollywood’s Stephen King. 1st ed, Palgrave Macmillan, 2003, http://ezproxy.library.qmul.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=188805.
---. Landscape of Fear: Stephen King’s American Gothic. Bowling Green State University, Popular Press.
---. Student Companion to Edgar Allan Poe. Greenwood Press, 2001, https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=3000502.
Magistrale, Tony and EBSCOhost. The Films of Stephen King: From Carrie to Secret Window. 1st ed, Palgrave Macmillan, 2008, http://ezproxy.library.qmul.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=258088.
Murphy, Bernice M. The Rural Gothic in American Popular Culture: Backwoods Horror and Terror in the Wilderness. Palgrave Macmillan, 2013, http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781137353726&uid=^u.
Pezzotta, Elisa. Stanley Kubrick: Adapting the Sublime. University Press of Mississippi, 2016, https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=1181931.
Prince, Stephen. American Cinema of the 1980s: Themes and Variations. Berg, 2007, https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=316410.
Punter, David, editor. A New Companion to the Gothic. Paperback ed., 2015, vol. 79, Wiley Blackwell, 2012, https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=843409.
Quart, Leonard, and Albert Auster. American Film and Society since 1945. 2nd ed, Greenwood Press, 1991, http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781440833229&uid=^u.
Robinson, Sally. Marked Men: White Masculinity in Crisis. Columbia University Press, 2000, https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=909181.
Ross, Steven J. Movies and American Society. Blackwell Pub, 2002.
Royer, Carl, et al. The Spectacle of Isolation in Horror Films: Dark Parades. Haworth Press, 2005, https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=1123168.
Russell, Sharon A. Revisiting Stephen King: A Critical Companion. Greenwood Press, 2002, https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=3000904.
Sears, John. Stephen King’s Gothic. University of Wales Press, 2011, https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=863118.
Shary, Timothy. Teen Movies: American Youth on Screen. Wallflower, 2005, http://ezproxy.library.qmul.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=658168.
Stephen King. Misery. Hodder Paperbacks, 7AD, https://www.amazon.co.uk/Misery-Stephen-King/dp/1444720716/ref=sr_1_15?s=books&ie=UTF8&qid=1538054042&sr=1-15&keywords=stephen+king.
Strengell, Heidi. Stephen King: Monsters Live in Ordinary People. Duckworth, 2007, https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=3444818.
Weinstock, Jeffrey Andrew. Spectral America: Phantoms and the National Imagination. University of Wisconsin Press/Popular Press.
---, editor. The Cambridge Companion to American Gothic. Cambridge University Press, 2017, http://ezproxy.library.qmul.ac.uk/login?url=https://doi.org/10.1017/9781316337998.
Williams, Tony. Hearths of Darkness: The Family in the American Horror Film. Updated edition, University Press of Mississippi, 2014, https://ebookcentral.proquest.com/lib/gmul-ebooks/detail.action?docID=3039942.
Wood, Robin. Hollywood from Vietnam to Reagan-- and Beyond. Expanded and rev. Ed, Columbia University Press, 2003, http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9780231507578&uid=^u.