Emerson, Caryl. The Cambridge Introduction to Russian Literature. Cambridge University Press, 2008, http://www.loc.gov/catdir/enhancements/fy0827/2008006275-t.html.
Freeborn, Richard. ‘Absurdity and Residency: An Approach to Chekhov’s The Seagull’. New Zealand Slavonic Journal, 2002, http://wt3cf4et2l.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Absurdity+and+Residency%3A+An+Approach+to+Chekhov%27s+The+Seagull&rft.jtitle=New+Zealand+Slavonic+Journal&rft.au=Freeborn%2C+Richard&rft.date=2002&rft.issn=0028-8683&rft.volume=36&rft.spage=81&rft.externalDocID=R03363539&paramdict=en-UK.
Golumb, Harai. A New Poetics of Chekhov’s Plays: Presence through Absence. 2014, http://ebookcentral.proquest.com.ezproxy.library.qmul.ac.uk/lib/gmul-ebooks/reader.action?docID=1652828.
Gottlieb, Vera, and Paul Allain, editors. Cambridge Companion to Chekhov. 2000, https://literature-proquest-com.ezproxy.library.qmul.ac.uk/ShowJournalArticles.do?area=cambridgeCompanion&journalName=The%20Cambridge%20Companion%20to%20Chekhov.
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Leach, Robert, and Viktor Borovsʹkyĭ. A History of Russian Theatre. Cambridge University Press, 1999.
Rayfield, Donald. Understanding Chekhov: A Critical Study of Chekhov’s Prose and Drama. Bristol Classical, 1999.
