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Freeborn, Richard. (2002). Absurdity and Residency: An Approach to Chekhov’s The Seagull. New Zealand Slavonic Journal. http://wt3cf4et2l.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Absurdity+and+Residency%3A+An+Approach+to+Chekhov%27s+The+Seagull&rft.jtitle=New+Zealand+Slavonic+Journal&rft.au=Freeborn%2C+Richard&rft.date=2002&rft.issn=0028-8683&rft.volume=36&rft.spage=81&rft.externalDocID=R03363539&paramdict=en-UK
Golumb, H. (2014). A new poetics of Chekhov’s plays: presence through absence. http://ebookcentral.proquest.com.ezproxy.library.qmul.ac.uk/lib/gmul-ebooks/reader.action?docID=1652828
Gottlieb, V., & Allain, P. (Eds.). (2000a). Cambridge Companion to Chekhov. https://literature-proquest-com.ezproxy.library.qmul.ac.uk/ShowJournalArticles.do?area=cambridgeCompanion&journalName=The%20Cambridge%20Companion%20to%20Chekhov
Gottlieb, V., & Allain, P. (Eds.). (2000b). Cambridge Companion to Chekhov. https://literature-proquest-com.ezproxy.library.qmul.ac.uk/ShowJournalArticles.do?area=cambridgeCompanion&journalName=The%20Cambridge%20Companion%20to%20Chekhov
Leach, R., & Borovsʹkyĭ, V. (1999). A history of Russian theatre. Cambridge University Press.
Rayfield, D. (1999). Understanding Chekhov: a critical study of Chekhov’s prose and drama. Bristol Classical.
