‘1:1 The Cinema of Attractions Prezi’
‘1:2 Rise of the Story Film Prezi’
‘1:3 Birth of a Nation Prezi by Guy Westwell on Prezi’ <https://doi.org/[object Object]>
‘1:4 Performance Prezi’
‘1:5 Sound Prezi’
‘1:6 Censorship Prezi’
‘1:8 Narrative Prezi’
‘1:9 Mise-En-Scene and Cinematography Prezi’
‘1.10 Classical Hollywood Cinema Prezi’
‘2.1 Editing Prezi’
‘2:2 Race, Communism and the Hollywood Blacklist Prezi’
‘2.3 Technology Prezi’
‘2:8 New Hollywood Prezi’
‘2:11 Lone Star (i) Prezi’
‘10 Moments of Subjectivity on Film - YouTube’ <https://www.youtube.com/watch?time_continue=744&v=eQa--gJ412M>
‘10 Things You (Probably) Never Knew about the Shower Scene in Psycho | BFI’ <http://www.bfi.org.uk/news-opinion/news-bfi/interviews/psycho-shower-scene-alfred-hitchcock>
‘24 HOUR PSYCHO - YouTube’ <https://www.youtube.com/watch?v=a31q2ZQcETw>
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‘A Movie’, 1958 <https://doi.org/https://www.dailymotion.com/video/x248brc>
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‘A Short History of Black US Indie Cinema | BFI’ <http://www.bfi.org.uk/news-opinion/news-bfi/features/short-history-black-us-indie-cinema>
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Allen, Robert Clyde and Gomery, Douglas, Film History: Theory and Practice (New York: McGraw-Hill, 1993)
‘American Cinema, 1895-1915 - Cinema and Media Studies - Oxford Bibliographies’ <http://www.oxfordbibliographies.com/view/document/obo-9780199791286/obo-9780199791286-0074.xml?rskey=ke838o&result=3&q=>
‘American Independent Cinema - Cambridge Books Online - Cambridge University Press’ <https://www-cambridge-org.ezproxy.library.qmul.ac.uk/core/books/american-independent-cinema/725FC9FADFF5FC85BDCA493B4265F02E#>
‘American Independent Cinema - Cinema and Media Studies - Oxford Bibliographies’ <http://www.oxfordbibliographies.com.ezproxy.library.qmul.ac.uk/view/document/obo-9780199791286/obo-9780199791286-0061.xml>
‘Archive - Reverse Shot’ <http://reverseshot.org/archive/entry/2027/standard_gauge>
‘ASC: The American Society of Cinematographers’
B. Pettey, Homer, Film Noir (Edinburgh: Edinburgh Univ Press, 2016)
Barsam, Richard Meran, and Dave Monahan, Looking at Movies: An Introduction to Film, 5th edition (New York: W.W. Norton & Company, 2015)
———, Looking at Movies: An Introduction to Film, 5th edition (New York: W.W. Norton & Company, 2015)
———, Looking at Movies: An Introduction to Film, 5th edition (New York: W.W. Norton & Company, 2015)
———, Looking at Movies: An Introduction to Film, 5th edition (New York: W.W. Norton & Company, 2015)
———, Looking at Movies: An Introduction to Film, 5th edition (New York: W.W. Norton & Company, 2015)
———, Looking at Movies: An Introduction to Film, 5th edition (New York: W.W. Norton & Company, 2015)
———, Looking at Movies: An Introduction to Film, 5th edition (New York: W.W. Norton & Company, 2015)
———, Looking at Movies: An Introduction to Film, 5th edition (New York: W.W. Norton & Company, 2015)
———, Looking at Movies: An Introduction to Film, 5th edition (New York: W.W. Norton & Company, 2015)
———, Looking at Movies: An Introduction to Film, 5th edition (New York: W.W. Norton & Company, 2015)
———, Looking at Movies: An Introduction to Film, 5th edition (New York: W.W. Norton & Company, 2015)
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‘BBC Radio 4 - Moral Maze, “Decolonising” the Curriculum’ <https://www.bbc.co.uk/programmes/m0002h1j>
Belton, John, Widescreen Cinema (Harvard U. P., 1993), Harvard film studies
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‘BFI | Sight & Sound | Is Citizen Kane Still the Greatest ... of All Time’
Biberman, H. J., Michael Wilson, and James Monaco, Salt of the Earth: The Story of a Film, Fiftieth anniversary ed (New York: Harbor Electronic Pub)
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‘Black Study, Black Struggle | Boston Review’ <http://bostonreview.net/forum/robin-d-g-kelley-black-study-black-struggle>
‘Border Film Project’
Bordwell, David and American Council of Learned Societies, The Way Hollywood Tells It: Story and Style in Modern Movies (Berkeley: University of California Press, 2006)
Bordwell, David, Staiger, Janet, and Thompson, Kristin, ‘“Classical Narration” in The Classical Hollywood Cinema: Film Style & Mode of Production to 1960’ (London: Routledge & Kegan Paul, 1985)
Bordwell, David and Thompson, Kristin, Film Art: An Introduction, 8th ed (Boston: McGraw Hill, 2008)
Bould, Mark, The Cinema of John Sayles: Lone Star (London: Wallflower Press, 2009), Directors’ cuts
‘Buster Keaton | Senses of Cinema’
‘Buster Keaton - The Art of the Gag - YouTube’ <https://www.youtube.com/watch?v=UWEjxkkB8Xs>
‘Careers Video Collection: How to Avoid CV Mistakes - QMplus Media’ <https://media.qmplus.qmul.ac.uk/media/Careers+Video+CollectionA+How+to+avoid+CV+mistakes/0_uwhbussv>
Carney, Raymond, ‘Selves in the Making,’ in The Films of John Cassavetes: Pragmatism, Modernism, and the Movies (Cambridge [England]: Cambridge University Press, 1994), Cambridge film classics <http://catdir.loc.gov/catdir/toc/cam025/93004474.html>
‘Casablanca - Cinema and Media Studies - Oxford Bibliographies’ <http://www.oxfordbibliographies.com/view/document/obo-9780199791286/obo-9780199791286-0210.xml?rskey=UCZK6v&result=55>
Charles Burnett, ‘Killer of Sheep’, 1977 <http://shop.bfi.org.uk/killer-of-sheep-dvd-bluray.html#.V7cJgK7uc-8>
‘Check Out This 15-Minute History Lesson on Frame Rates’ <https://nofilmschool.com/2015/12/check-out-15-minute-history-lesson-frame-rates?fbclid=IwAR0PKYh1mAvTYq-wPHI9FVKGHt-rDhesvhDnRDkYoUqSjkTAhMny6cBZg0Y>
‘CLOSE-UP | Free Radicals: A Story of Experimental Film’ <https://doi.org/https://www.closeupfilmcentre.com/film_programmes/2012/free-radicals-a-history-of-experimental-film/>
‘“Complete Nudity Is Never Permitted”: The Motion Picture Production Code of 1930’
‘Composition Techniques for Widescreen Aspect Ratios’ <http://vimeo.com/68830484>
ContraPoints, ‘Why I Quit Academia - YouTube’, 2016 <https://www.youtube.com/watch?v=JNAAAfLi0pM>
Cook, David A., A History of Narrative Film, 4th ed (New York: W.W. Norton, 2004)
Cook, Pam, The Cinema Book, 3rd ed (London: BFI, 2007)
———, The Cinema Book, 3rd ed (London: BFI, 2007)
———, The Cinema Book, 3rd ed (London: BFI, 2007)
———, The Cinema Book, 3rd ed (London: BFI, 2007)
Corpus Fluxus, ‘Film (2017)’ ([United Kingdom]: British Film Institute, 2017) <https://vimeo.com/227365573>
Curtiz, Michael and Warner Bros. Pictures, ‘Casablanca’ ([U.K.]: Warner Home Video (UK) Ltd, 1942) <http://bobnational.net/record/253219>
‘Daring Daylight Burglary’ <https://www.youtube.com/watch?v=t8npdTSVnZ0>
‘Davidbordwell.Net : Essays’
Davis, Mike, Magical Urbanism: Latinos Reinvent the US City, Rev. and expanded ed (London: Verso, 2000)
Deborah Shaw, ‘Films You Should Watch to Counter American Anti-Migrant Rhetoric’, The Conversation <https://theconversation.com/films-you-should-watch-to-counter-american-anti-migrant-rhetoric-69540>
Deren, Maya, Itō, Teiji, and Hammid, Alexander, ‘Maya Deren: Experimental Films’ (New York, NY: Mystic Fire Video, 1943)
Deren, Maya and McPherson, Bruce R., Essential Deren: Collected Writings on Film, 1st ed (Kingston, N.Y.: Documentext, 2004) <http://catdir.loc.gov/catdir/toc/ecip0422/2004020351.html>
Doherty, Thomas Patrick, Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, 1930-1934 (New York: Columbia University Press, 1999), Film and culture
‘Education Resources | British Board of Film Classification’ <http://www.bbfc.co.uk/education-resources>
Elsässer, T. and Barker, Adam, Early Cinema: Space, Frame, Narrative (London: British Film Institute Publishing, 1990)
‘Fallout - Some Notes on the Films of Bruce Conner’ <http://www.centerforvisualmusic.org/library/WMConnerFallout.htm>
‘Film Studies 101: The A-Z Of The Birth Of Cinema | Features | Empire’ <http://www.empireonline.com/features/film-studies-101-birth-of-cinema>
‘Films | The Public Domain Review’
‘FilmSound.Org’
‘Finding His Voice - 1929 Max Fleischer Cartoon - YouTube’
Fischer, Lucy, ‘Sound/Silence & Country/City’ in Sunrise: A Song of Two Humans (London: British Film Institute, 1998), BFI film classics
Fojas, Camilla, Border Bandits: Hollywood on the Southern Frontier (Austin: University of Texas Press, 2008)
Ford, John, Walter Wanger Productions, and United Artists, ‘Stagecoach’ ([U.K.]: Universal Pictures (UK) Ltd, 1939)
‘Fuck the Canon (Or, How Do You Solve a Problem Like von Trier?): Teaching, Screening and Writing about Cinema in the Age of #MeToo - MAI: Feminism & Visual Culture’ <https://maifeminism.com/fuck-the-canon-or-how-do-you-solve-a-problem-like-von-trier-teaching-screening-and-writing-about-cinema-in-the-age-of-metoo/?fbclid=IwAR22CFQAjFfiQLKZKjr2nnBgz6lD2h0ufL7oQyMkICz036QFXOS0DQSjA3E>
‘Getting a Graduate Job: Directgov’
Gibbs, John Edward, Mise-En-Scène: Film Style and Interpretation (London: Wallflower, 2002), Short cuts
‘GO FOR SISTERS Movie Trailer’, 5AD <https://www.youtube.com/watch?v=fQ4vCFepS9Y&feature=youtu.be>
Grainge, Paul, Memory and Popular Film (Manchester: Manchester University Press, 2003), Inside popular film
Gregory Nava, El Norte, 1983 <https://www.amazon.co.uk/Criterion-Collection-Norte-Region-NTSC/dp/B001ILTUKQ/ref=sr_1_1?s=dvd&ie=UTF8&qid=1471604403&sr=1-1&keywords=el+norte>
Hawks, Howard, ‘The Big Sleep’ (Warner Home Video (UK) Ltd, 1946)
Hopper, Dennis and Columbia Pictures Corporation, ‘Easy Rider’ ([U.K.]: Sony Pictures Home Entertainment, 1969)
Horwath, Alexander, Noel King, and Thomas Elsaesser, The Last Great American Picture Show: New Hollywood Cinema in the 1970s (Amsterdam: Amsterdam University Press, 2004), Film Culture in Transition
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‘How Spike Lee Got Revenge on One of the Most Racist Movies Ever’ <http://screencrush.com/blackkklansman-birth-of-a-nation-griffith/>
‘How to Cross the US-Mexico Border: Making El Mar La Mar | Film | The Guardian’ <https://www.theguardian.com/film/2017/feb/15/making-el-mar-la-mar-sonoran-desert-joshua-bonnetta-jp-sniadecki>
‘INDEX OF EDITORS – Edited By’ <http://womenfilmeditors.princeton.edu/index/>
‘Inventing Entertainment: The Early Motion Pictures and Sound Recordings of the Edison Companies’
‘Is Kane Still the Greatest ... of All Time | British Film Institute’
Jacobs, Lea, The Wages of Sin: Censorship and the Fallen Woman Film, 1928-1942 (London: University of Wisconsin Press, 1991), Wisconsin studies in film
‘Jerry Goldsmith Online’
John Cassavetes, ‘Shadows’, 1959 <https://www.amazon.co.uk/Shadows-John-Cassavetes-Collection-Blu-ray/dp/B007A0FWWY/ref=sr_1_1?s=dvd&ie=UTF8&qid=1471531405&sr=1-1&keywords=shadows+cassavetes>
‘John Cassavetes - Cinema and Media Studies - Oxford Bibliographies’ <http://www.oxfordbibliographies.com.ezproxy.library.qmul.ac.uk/view/document/obo-9780199791286/obo-9780199791286-0238.xml>
‘John Ford’s Vision of the West’
Kaplan, E. Ann, Women in Film Noir, New ed (London: B.F.I., 1998)
Keaton, Buster, ‘Our Hospitality’ ([U.K.]: Network, 1923) <https://doi.org/https://www.youtube.com/results?search_query=our+hospitality+1923+full+movie>
———, ‘The Buster Keaton Chronicles: The General’ ([U.K.]: Network, 1927) <https://doi.org/https://www.youtube.com/results?search_query=buster+keaton+the+general>
Keaton, Buster and Cline, Edward F., ‘The High Sign’, 1921 <https://doi.org/https://www.youtube.com/results?search_query=the+high+sign+buster+keaton>
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King, Geoff, New Hollywood Cinema: An Introduction (London: I.B. Tauris, 2002)
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Lang, Robert, The Birth of a Nation: D.W. Griffith, Director (New Brunswick, N.J.: Rutgers University Press, 1994), Rutgers films in print
Leff, Leonard J. and Simmons, Jerold, The Dame in the Kimono: Hollywood, Censorship and the Production Code from the 1920s to the 1960s (London: Weidenfeld and Nicolson, 1990)
‘Letters of Note: I like Words’
Limon, Jose E., ‘Tex-Sex-Mex: American Identities, Lone Stars, and the Politics of Racialized Sexuality’, American Literary History, 9.3
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Murnau, F.W. (Friedrich Wilhelm) and Fox Film Corporation, ‘Sunrise: A Song of Two Humans (1927)’ ([U.K.]: Eureka Video, 1927) <https://doi.org/https://www.youtube.com/results?search_query=sunrise+a+song+of+two+humans+>
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‘Newly Digitized Phenakistoscope Animations That Pre-Date GIFs by Over 150 Years | Colossal’ <http://www.thisiscolossal.com/2015/10/newly-digitized-phenakistoscopes/>
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O’Pray, Michael, The Avant-Garde Film: Forms, Themes and Passions (London: Wallflower, 2003), Short cuts (London, England)
———, The Avant-Garde Film: Forms, Themes and Passions (London: Wallflower, 2003), Short cuts (London, England)
‘Oxford Bibliographies - Citizen Kane’
‘Policing Cinema: Movies and Censorship in Early-Twentieth-Century America’ <http://quod.lib.umich.edu.ezproxy.library.qmul.ac.uk/cgi/t/text/text-idx?c=acls;cc=acls;idno=heb08132.0001.001;view=toc;node=heb08132.0001.001%3A9>
Posner, Bruce and Shepard, David, ‘Unseen Cinema: Early American Avant-Garde Film ; 1894 - 1941 ; a DVD Retrospective from the World’s Leading Film Collections, 5: Picturing a Metropolis : New York City Unveiled’ (New York: Anthology Film Archives [u.a.], 2005)
‘Prezi: Lone Star: Close Reading of an Academic Journal Article’ <https://doi.org/[object Object]>
‘Psycho - Cinema and Media Studies - Oxford Bibliographies’ <http://www.oxfordbibliographies.com.ezproxy.library.qmul.ac.uk/view/document/obo-9780199791286/obo-9780199791286-0051.xml>
‘Psycho - How Alfred Hitchcock Manipulates An Audience - YouTube’ <https://www.youtube.com/watch?v=xm-9E275D9c>
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‘Rain Is Sizzling Bacon, Cars Are Lions Roaring: The Art of Sound in Movies | Jordan Kisner | Film | The Guardian’ <http://www.theguardian.com/film/2015/jul/22/rain-is-sizzling-bacon-cars-lions-roaring-art-of-sound-in-movies>
Ray, Nicholas, ‘Rebel Without a Cause’ ([U.K.]: Warner Home Video (UK) Ltd, 1955) <http://bobnational.net/record/30453>
‘Resources , Queen Mary, University of London’
Rhodes, John David and British Film Institute, Meshes of the Afternoon (London: Palgrave Macmillan on behalf of the British Film Institute, 2011), BFI film classics
Ross, Benjamin, ‘RKO 281’ ([EU]: Prism Leisure Corp, 1999)
Ruggles, Wesley, West, Mae, and Paramount Pictures, ‘I’m No Angel’ ([U.K.]: Universal Pictures (UK) Ltd, 1933)
‘“Safe and Unsafe Space,” in Richard Maltby, Hollywood Cinema, 2nd Edition’ <https://www.wiley.com/en-gb/Hollywood+Cinema,+2nd+Edition-p-9780631216155>
‘Salt of the Earth’, 1954 <https://www.amazon.co.uk/SALT-OF-THE-EARTH/dp/B00WMCOQNG/ref=sr_1_3_twi_dvd_3?ie=UTF8&qid=1471529431&sr=8-3&keywords=salt+of+the+earth+film>
‘“Salt of the Earth” by Deborah Rosenfelt’ <http://www.ejumpcut.org/archive/onlinessays/jc12-13folder/saltofearth.html>
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‘Steadicam Progress – the Career of Paul Thomas Anderson in Five Shots’
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‘Texas-Mexican Conjunto’
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‘The Birth of a Nation - Cinema and Media Studies - Oxford Bibliographies’ <http://www.oxfordbibliographies.com/view/document/obo-9780199791286/obo-9780199791286-0070.xml>
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‘The Birth of a Nation Review’ <https://www.theguardian.com/film/2016/jan/26/the-birth-of-a-nation-review-sundance-slavery-epic-as-brutal-as-braveheart>
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‘The Creepy World of Bruce Conner’, The New York Review of Books <https://www.nybooks.com/daily/2016/07/15/creepy-world-of-bruce-conner/>
‘The Undercommons: Fugitive Planning & Black Study’ <http://www.minorcompositions.info/wp-content/uploads/2013/04/undercommons-web.pdf>
‘The University of Exeter - The Bill Douglas Centre for the History of Cinema and Popular Culture’
‘Top 10 Movie Sound Effects We All Recognize’
‘Trumbo’, 2016 <https://www.amazon.co.uk/Trumbo-DVD-Bryan-Cranston/dp/B01AO0YR9K/ref=sr_1_1?ie=UTF8&qid=1471603064&sr=8-1&keywords=trumbo>
‘Trumbo - Radio Play’ (BBC Radio 4) <https://doi.org/https://learningonscreen.ac.uk/ondemand/index.php/prog/010BF53C?bcast=108249697>
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‘Video Essay: Our Hospitality’ <https://doi.org/https://vimeo.com/channels/videoessaysonfilm/121528307>
‘Watch an Excerpt of Crossroads, Bruce Conner’s Restored Masterpiece - Vogue’ <https://www.vogue.com/article/bruce-conner-restored-crossroads-film>
‘Welcome to Skillset Film - Skillset’
Welles, Orson, ‘Citizen Kane’ ([U.K.]: Universal Pictures, 1941) <http://bobnational.net/record/227123>
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Wilson, Michael, and Deborah Silverton Rosenfelt, Salt of the Earth: Screenplay [Open Access] (Old Westbury, NY: Feminist Press, 1978) <https://atomicanxietyblog.files.wordpress.com/2012/09/salt-of-the-earth-commentary.pdf>
‘Women Film Pioneers Project’ <https://wfpp.cdrs.columbia.edu/>
‘Your Creative Future’ <https://doi.org/https://www.creativefuture.org.uk/>
‘“You’ve Gotta Do Something”: Cosmic Mobility and the Future of Mankind in Rebel Without a Cause - Bright Lights Film Journal’ <http://brightlightsfilm.com/youve-gotta-something-cosmic-mobility-future-mankind-rebel-without-cause/#>
