@book{Allen, Robert Clyde_Gomery, Douglas_1993, address={New York}, title={Film history: theory and practice}, publisher={McGraw-Hill}, author={Allen, Robert Clyde and Gomery, Douglas}, year={1993} }
@book{B. Pettey_2016, address={Edinburgh}, title={Film noir}, publisher={Edinburgh Univ Press}, author={B. Pettey, Homer}, year={2016} }
@book{Barsam_Monahan_2015a, address={New York}, edition={5th edition}, title={Looking at movies: an introduction to film}, publisher={W.W. Norton & Company}, author={Barsam, Richard Meran and Monahan, Dave}, year={2015} }
@book{Barsam_Monahan_2015b, address={New York}, edition={5th edition}, title={Looking at movies: an introduction to film}, publisher={W.W. Norton & Company}, author={Barsam, Richard Meran and Monahan, Dave}, year={2015} }
@book{Barsam_Monahan_2015c, address={New York}, edition={5th edition}, title={Looking at movies: an introduction to film}, publisher={W.W. Norton & Company}, author={Barsam, Richard Meran and Monahan, Dave}, year={2015} }
@book{Barsam_Monahan_2015d, address={New York}, edition={5th edition}, title={Looking at movies: an introduction to film}, publisher={W.W. Norton & Company}, author={Barsam, Richard Meran and Monahan, Dave}, year={2015} }
@book{Barsam_Monahan_2015e, address={New York}, edition={5th edition}, title={Looking at movies: an introduction to film}, publisher={W.W. Norton & Company}, author={Barsam, Richard Meran and Monahan, Dave}, year={2015} }
@book{Barsam_Monahan_2015f, address={New York}, edition={5th edition}, title={Looking at movies: an introduction to film}, publisher={W.W. Norton & Company}, author={Barsam, Richard Meran and Monahan, Dave}, year={2015} }
@book{Barsam_Monahan_2015g, address={New York}, edition={5th edition}, title={Looking at movies: an introduction to film}, publisher={W.W. Norton & Company}, author={Barsam, Richard Meran and Monahan, Dave}, year={2015} }
@book{Barsam_Monahan_2015h, address={New York}, edition={5th edition}, title={Looking at movies: an introduction to film}, publisher={W.W. Norton & Company}, author={Barsam, Richard Meran and Monahan, Dave}, year={2015} }
@book{Barsam_Monahan_2015i, address={New York}, edition={5th edition}, title={Looking at movies: an introduction to film}, publisher={W.W. Norton & Company}, author={Barsam, Richard Meran and Monahan, Dave}, year={2015} }
@book{Barsam_Monahan_2015j, address={New York}, edition={5th edition}, title={Looking at movies: an introduction to film}, publisher={W.W. Norton & Company}, author={Barsam, Richard Meran and Monahan, Dave}, year={2015} }
@book{Barsam_Monahan_2015k, address={New York}, edition={5th edition}, title={Looking at movies: an introduction to film}, publisher={W.W. Norton & Company}, author={Barsam, Richard Meran and Monahan, Dave}, year={2015} }
@book{Belton, John_1993, title={Widescreen cinema}, volume={Harvard film studies}, publisher={Harvard U. P.}, author={Belton, John}, year={1993} }
@book{Bernstein, Matthew_2000, address={London}, title={Controlling Hollywood: Censorship and Regulation in the Studio Era}, publisher={Athlone}, author={Bernstein, Matthew}, year={2000} }
@book{Biberman_Wilson_Monaco, address={New York}, edition={Fiftieth anniversary ed}, title={Salt of the earth: the story of a film}, publisher={Harbor Electronic Pub}, author={Biberman, H. J. and Wilson, Michael and Monaco, James} }
@book{Biskind, Peter_1999, address={London}, title={Easy Riders, Raging Bulls: How the Sex ‘n’ Drugs ‘n’ Rock’n’roll Generation Saved Hollywood}, publisher={Bloomsbury}, author={Biskind, Peter}, year={1999} }
@book{Bordwell, David_American Council of Learned Societies_2006, address={Berkeley}, title={The Way Hollywood Tells It: Story and Style in Modern Movies}, publisher={University of California Press}, author={Bordwell, David and American Council of Learned Societies}, year={2006} }
@inbook{Bordwell, David_Staiger, Janet_Thompson, Kristin_1985, address={London}, title={‘Classical Narration’ in The Classical Hollywood Cinema: Film Style & Mode of Production to 1960}, publisher={Routledge & Kegan Paul}, author={Bordwell, David and Staiger, Janet and Thompson, Kristin}, year={1985} }
@book{Bordwell, David_Thompson, Kristin_2008, address={Boston}, edition={8th ed}, title={Film Art: An Introduction}, publisher={McGraw Hill}, author={Bordwell, David and Thompson, Kristin}, year={2008} }
@book{Bould_2009, address={London}, title={The Cinema of John Sayles: Lone Star}, volume={Directors’ cuts}, publisher={Wallflower Press}, author={Bould, Mark}, year={2009} }
@book{Carney_1994, address={Cambridge [England]}, title={‘Selves in the making,’ in The films of John Cassavetes: pragmatism, modernism, and the movies}, volume={Cambridge film classics}, url={http://catdir.loc.gov/catdir/toc/cam025/93004474.html}, publisher={Cambridge University Press}, author={Carney, Raymond}, year={1994} }
@misc{1977, title={Killer of Sheep}, url={http://shop.bfi.org.uk/killer-of-sheep-dvd-bluray.html#.V7cJgK7uc-8}, author={Charles Burnett}, year={1977} }
@misc{ContraPoints_2016, title={Why I Quit Academia - YouTube}, url={https://www.youtube.com/watch?v=JNAAAfLi0pM}, author={ContraPoints}, year={2016} }
@book{Cook_2004, address={New York}, edition={4th ed}, title={A History of Narrative Film}, publisher={W.W. Norton}, author={Cook, David A.}, year={2004} }
@book{Cook, Pam_2007a, address={London}, edition={3rd ed}, title={The Cinema Book}, publisher={BFI}, author={Cook, Pam}, year={2007} }
@book{Cook, Pam_2007b, address={London}, edition={3rd ed}, title={The Cinema Book}, publisher={BFI}, author={Cook, Pam}, year={2007} }
@book{Cook, Pam_2007c, address={London}, edition={3rd ed}, title={The Cinema Book}, publisher={BFI}, author={Cook, Pam}, year={2007} }
@book{Cook, Pam_2007d, address={London}, edition={3rd ed}, title={The Cinema Book}, publisher={BFI}, author={Cook, Pam}, year={2007} }
@misc{Corpus Fluxus_2017, address={[United Kingdom]}, edition={3-disc dual format edition}, title={Film (2017)}, url={https://vimeo.com/227365573}, publisher={British Film Institute}, author={Corpus Fluxus}, year={2017} }
@misc{Curtiz, Michael_Warner Bros. Pictures_1942, address={[U.K.]}, title={Casablanca}, url={http://bobnational.net/record/253219}, publisher={Warner Home Video (UK) Ltd}, author={Curtiz, Michael and Warner Bros. Pictures}, year={1942} }
@book{Davis, Mike_2000, address={London}, edition={Rev. and expanded ed}, title={Magical urbanism: Latinos reinvent the US city}, publisher={Verso}, author={Davis, Mike}, year={2000} }
@article{Deborah Shaw, title={Films you should watch to counter American anti-migrant rhetoric}, url={https://theconversation.com/films-you-should-watch-to-counter-american-anti-migrant-rhetoric-69540}, journal={The Conversation}, author={Deborah Shaw} }
@misc{Deren, Maya_Itō, Teiji_Hammid, Alexander_1943, address={New York, NY}, title={Maya Deren: Experimental Films}, publisher={Mystic Fire Video}, author={Deren, Maya and Itō, Teiji and Hammid, Alexander}, year={1943} }
@book{Deren, Maya_McPherson, Bruce R._2004, address={Kingston, N.Y.}, edition={1st ed}, title={Essential Deren: collected writings on film}, url={http://catdir.loc.gov/catdir/toc/ecip0422/2004020351.html}, publisher={Documentext}, author={Deren, Maya and McPherson, Bruce R.}, year={2004} }
@book{Doherty, Thomas Patrick_1999, address={New York}, title={Pre-code Hollywood: sex, immorality, and insurrection in American cinema, 1930-1934}, volume={Film and culture}, publisher={Columbia University Press}, author={Doherty, Thomas Patrick}, year={1999} }
@book{Elsässer, T._Barker, Adam_1990, address={London}, title={Early Cinema: Space, Frame, Narrative}, publisher={British Film Institute Publishing}, author={Elsässer, T. and Barker, Adam}, year={1990} }
@book{Fischer, Lucy_1998, address={London}, title={‘Sound/Silence & Country/City’ in Sunrise: A Song of Two Humans}, volume={BFI film classics}, publisher={British Film Institute}, author={Fischer, Lucy}, year={1998} }
@book{Fojas, Camilla_2008, address={Austin}, title={Border bandits: Hollywood on the southern frontier}, publisher={University of Texas Press}, author={Fojas, Camilla}, year={2008} }
@misc{Ford, John_Walter Wanger Productions_United Artists_1939, address={[U.K.]}, title={Stagecoach}, publisher={Universal Pictures (UK) Ltd}, author={Ford, John and Walter Wanger Productions and United Artists}, year={1939} }
@book{Gibbs, John Edward_2002, address={London}, title={Mise-en-scène: film style and interpretation}, volume={Short cuts}, publisher={Wallflower}, author={Gibbs, John Edward}, year={2002} }
@book{Grainge, Paul_2003, address={Manchester}, title={Memory and Popular Film}, volume={Inside popular film}, publisher={Manchester University Press}, author={Grainge, Paul}, year={2003} }
@book{1983, title={El Norte}, url={https://www.amazon.co.uk/Criterion-Collection-Norte-Region-NTSC/dp/B001ILTUKQ/ref=sr_1_1?s=dvd&ie=UTF8&qid=1471604403&sr=1-1&keywords=el+norte}, author={Gregory Nava}, year={1983} }
@misc{Hawks_1946, title={The Big Sleep}, publisher={Warner Home Video (UK) Ltd}, author={Hawks, Howard}, year={1946} }
@misc{Hopper_Columbia Pictures Corporation_1969, address={[U.K.]}, title={Easy Rider}, publisher={Sony Pictures Home Entertainment}, author={Hopper, Dennis and Columbia Pictures Corporation}, year={1969} }
@book{Horwath_King_Elsaesser_2004, address={Amsterdam}, title={The Last Great American Picture Show: New Hollywood Cinema in the 1970s}, volume={Film Culture in Transition}, publisher={Amsterdam University Press}, author={Horwath, Alexander and King, Noel and Elsaesser, Thomas}, year={2004} }
@book{Jacobs, Lea_1991, address={London}, title={The Wages of Sin: Censorship and the Fallen Woman Film, 1928-1942}, volume={Wisconsin studies in film}, publisher={University of Wisconsin Press}, author={Jacobs, Lea}, year={1991} }
@misc{1959, title={Shadows}, url={https://www.amazon.co.uk/Shadows-John-Cassavetes-Collection-Blu-ray/dp/B007A0FWWY/ref=sr_1_1?s=dvd&ie=UTF8&qid=1471531405&sr=1-1&keywords=shadows+cassavetes}, author={John Cassavetes}, year={1959} }
@book{Kaplan_1998, address={London}, edition={New ed}, title={Women in Film Noir}, publisher={B.F.I.}, author={Kaplan, E. Ann}, year={1998} }
@misc{Keaton, Buster_1923, address={[U.K.]}, title={Our Hospitality}, DOI={https://www.youtube.com/results?search_query=our+hospitality+1923+full+movie}, publisher={Network}, author={Keaton, Buster}, year={1923} }
@misc{Keaton, Buster_1927, address={[U.K.]}, title={The Buster Keaton chronicles: The General}, DOI={https://www.youtube.com/results?search_query=buster+keaton+the+general}, publisher={Network}, author={Keaton, Buster}, year={1927} }
@misc{Keaton, Buster_Cline, Edward F._1921, title={The High Sign}, DOI={https://www.youtube.com/results?search_query=the+high+sign+buster+keaton}, author={Keaton, Buster and Cline, Edward F.}, year={1921} }
@book{King, Geoff_2002, address={London}, title={New Hollywood Cinema: An introduction}, publisher={I.B. Tauris}, author={King, Geoff}, year={2002} }
@book{Kolker_2004, address={New York}, title={Alfred Hitchcock’s Psycho: A Casebook}, volume={Casebooks in criticism}, url={http://catdir.loc.gov/catdir/toc/ecip047/2003016992.html}, publisher={Oxford University Press}, author={Kolker, Robert Phillip}, year={2004} }
@book{Krutnik_2007, address={New Brunswick, N.J.}, title={‘Un-American’ Hollywood: Politics and Film in the Blacklist Era}, url={http://catdir.loc.gov/catdir/toc/ecip0710/2007006054.html}, publisher={Rutgers University Press}, author={Krutnik, Frank}, year={2007} }
@book{Kuhn, Annette_Westwell, Guy_2020, address={Oxford}, title={A Dictionary of Film Studies}, url={https://www.oxfordreference.com/view/10.1093/acref/9780199587261.001.0001/acref-9780199587261}, publisher={Oxford University Press}, author={Kuhn, Annette and Westwell, Guy}, year={2020} }
@book{Lacey, Nick_2005, address={Houndmills, Basingstoke, Hampshire}, title={Introduction to film}, publisher={Palgrave Macmillan}, author={Lacey, Nick}, year={2005} }
@book{Lang_1994, address={New Brunswick, N.J.}, title={The Birth of a Nation: D.W. Griffith, Director}, volume={Rutgers films in print}, publisher={Rutgers University Press}, author={Lang, Robert}, year={1994} }
@book{Leff, Leonard J._Simmons, Jerold_1990, address={London}, title={The Dame in the Kimono: Hollywood, Censorship and the Production Code from the 1920s to the 1960s}, publisher={Weidenfeld and Nicolson}, author={Leff, Leonard J. and Simmons, Jerold}, year={1990} }
@article{ title={Tex-Sex-Mex: American identities, Lone Stars, and the politics of racialized sexuality}, volume={9}, number={3}, journal={American literary history}, author={Limon, Jose E.} }
@article{Melinda Szaloky_2002, title={Sounding Images in Silent Film: Visual Acoustics in Murnau’s ‘Sunrise’}, volume={41}, url={http://www.jstor.org/stable/1225854?pq-origsite=summon&seq=1#page_scan_tab_contents}, number={2}, journal={Cinema Journal}, publisher={University of Texas PressSociety for Cinema & Media StudiesUniversity of Texas Press}, author={Melinda Szaloky}, year={2002}, pages={109–131} }
@article{ title={Lines of Demarcation in a Town Called Frontera: A Review of John Sayles’ Lone Star}, volume={27}, number={1}, journal={New Mexico law review}, author={Montoya, Margaret E.}, pages={223–240} }
@misc{Murnau, F.W. (Friedrich Wilhelm)_Fox Film Corporation_1927, address={[U.K.]}, title={Sunrise: A Song of Two Humans (1927)}, volume={Masters of Cinema (1)}, DOI={https://www.youtube.com/results?search_query=sunrise+a+song+of+two+humans+}, publisher={Eureka Video}, author={Murnau, F.W. (Friedrich Wilhelm) and Fox Film Corporation}, year={1927} }
@misc{Musser, Charles_British Film Institute_1982, address={London, England}, title={Before the Nickelodeon: The Early Cinema of Edwin S. Porter}, DOI={https://www.youtube.com/results?search_query=before+the+nickelodeon+the+early+cinema+of+edwin+s.+porter}, publisher={BFI}, author={Musser, Charles and British Film Institute}, year={1982} }
@book{Naremore_2008, address={Berkeley}, edition={Updated and expanded ed}, title={More than night: film noir in its contexts}, url={http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016360916&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA}, publisher={University of California Press}, author={Naremore, James}, year={2008} }
@book{Nichols, Bill_2001, address={Berkeley}, title={Maya Deren and the American avant-garde}, url={http://www.loc.gov/catdir/bios/ucal052/2001027112.html}, publisher={University of California Press}, author={Nichols, Bill}, year={2001} }
@book{O’Pray_2003a, address={London}, title={The Avant-garde Film: Forms, Themes and Passions}, volume={Short cuts (London, England)}, publisher={Wallflower}, author={O’Pray, Michael}, year={2003} }
@book{O’Pray_2003b, address={London}, title={The Avant-garde Film: Forms, Themes and Passions}, volume={Short cuts (London, England)}, publisher={Wallflower}, author={O’Pray, Michael}, year={2003} }
@misc{Posner, Bruce_Shepard, David_2005, address={New York}, title={Unseen cinema: early American avant-garde film ; 1894 - 1941 ; a DVD retrospective from the world’s leading film collections, 5: Picturing a metropolis : New York City unveiled}, publisher={Anthology Film Archives [u.a.]}, author={Posner, Bruce and Shepard, David}, year={2005} }
@misc{Ray, Nicholas_1955, address={[U.K.]}, title={Rebel Without a Cause}, url={http://bobnational.net/record/30453}, publisher={Warner Home Video (UK) Ltd}, author={Ray, Nicholas}, year={1955} }
@book{Rhodes_British Film Institute_2011, address={London}, title={Meshes of the Afternoon}, volume={BFI film classics}, publisher={Palgrave Macmillan on behalf of the British Film Institute}, author={Rhodes, John David and British Film Institute}, year={2011} }
@misc{Ross, Benjamin_1999, address={[EU]}, title={RKO 281}, publisher={Prism Leisure Corp}, author={Ross, Benjamin}, year={1999} }
@misc{Ruggles, Wesley_West, Mae_Paramount Pictures_1933, address={[U.K.]}, title={I’m No Angel}, publisher={Universal Pictures (UK) Ltd}, author={Ruggles, Wesley and West, Mae and Paramount Pictures}, year={1933} }
@misc{Sayles, John_1996, address={Burbank, CA}, title={Lone Star}, url={http://bobnational.net/record/283807}, publisher={Warner Home Video}, author={Sayles, John}, year={1996} }
@book{Shaw_2007, address={Edinburgh}, title={Hollywood’s Cold War}, publisher={Edinburgh University Press}, author={Shaw, Tony}, year={2007} }
@misc{Shepard, David_1997, address={Chatsworth, CA}, title={Landmarks of Early Film}, DOI={https://www.youtube.com/results?search_query=landmarks+of+early+film}, publisher={Image Entertainment}, author={Shepard, David}, year={1997} }
@book{Silver_Ward_2008, address={London}, edition={3rd ed}, title={Film noir: An Encyclopedic Reference to the American Style}, publisher={Duckworth}, author={Silver, Alain and Ward, Elizabeth}, year={2008} }
@book{Sitney, P. Adams_2002, address={Oxford}, edition={3rd ed}, title={Visionary Film: the American Avant-garde, 1943-2000}, publisher={Oxford University Press}, author={Sitney, P. Adams}, year={2002} }
@book{Spicer_2002, address={Harlow, England}, title={Film noir}, volume={Inside film}, publisher={Longman}, author={Spicer, Andrew}, year={2002} }
@book{Stokes_2007, address={New York}, title={Introduction’ in D.W. Griffith’s The Birth of a Nation: A History of ‘The Most Controversial Motion Picture of all Time’}, url={http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016408291&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA}, DOI={https://www-vlebooks-com.ezproxy.library.qmul.ac.uk/vleweb/Product/Index/89981?page=0}, publisher={Oxford University Press}, author={Stokes, Melvyn}, year={2007} }
@misc{Welles, Orson_1941, address={[U.K.]}, title={Citizen Kane}, url={http://bobnational.net/record/227123}, publisher={Universal Pictures}, author={Welles, Orson}, year={1941} }
@article{Whitehouse, title={Remember to Forget the Alamo: The Dynamics of Cultural Memory in John Sayles’ Lone Star}, volume={16}, DOI={10.1093/litthe/16.3.291}, number={3}, journal={Literature and Theology}, author={Whitehouse, G.}, pages={291–310} }
@book{Wilson_Rosenfelt_1978, address={Old Westbury, NY}, title={Salt of the Earth: Screenplay [open access]}, url={https://atomicanxietyblog.files.wordpress.com/2012/09/salt-of-the-earth-commentary.pdf}, publisher={Feminist Press}, author={Wilson, Michael and Rosenfelt, Deborah Silverton}, year={1978} }
@misc{GO FOR SISTERS Movie Trailer_5AD, url={https://www.youtube.com/watch?v=fQ4vCFepS9Y&feature=youtu.be}, year={5AD} }
@misc{Salt of the Earth_1954, url={https://www.amazon.co.uk/SALT-OF-THE-EARTH/dp/B00WMCOQNG/ref=sr_1_3_twi_dvd_3?ie=UTF8&qid=1471529431&sr=8-3&keywords=salt+of+the+earth+film}, year={1954} }
@misc{A Movie_1958, url={http://www.imdb.com/title/tt0051952/?ref_=nm_knf_i1}, DOI={https://www.dailymotion.com/video/x248brc}, year={1958} }
@misc{Standard Gauge_1984, url={http://www.imdb.com/title/tt1910623/}, DOI={https://www.youtube.com/watch?v=PReZQdjJhEk}, year={1984} }
@book{The Birth of a Nation; BFI Classic_2015, publisher={British Film Inst}, year={2015} }
@misc{Trumbo_2016, url={https://www.amazon.co.uk/Trumbo-DVD-Bryan-Cranston/dp/B01AO0YR9K/ref=sr_1_1?ie=UTF8&qid=1471603064&sr=8-1&keywords=trumbo}, year={2016} }
@misc{1:1 The cinema of attractions Prezi }
@misc{Inventing Entertainment: the Early Motion Pictures and Sound Recordings of the Edison Companies }
@misc{The University of Exeter - The Bill Douglas Centre for the History of Cinema and Popular Culture }
@misc{Newly Digitized Phenakistoscope Animations That Pre-Date GIFs by Over 150 Years | Colossal, url={http://www.thisiscolossal.com/2015/10/newly-digitized-phenakistoscopes/} }
@misc{American Cinema, 1895-1915 - Cinema and Media Studies - Oxford Bibliographies, url={http://www.oxfordbibliographies.com/view/document/obo-9780199791286/obo-9780199791286-0074.xml?rskey=ke838o&result=3&q=} }
@misc{1:2 Rise of the story film Prezi }
@misc{Daring Daylight Burglary, url={https://www.youtube.com/watch?v=t8npdTSVnZ0} }
@misc{Women Film Pioneers Project, url={https://wfpp.cdrs.columbia.edu/} }
@misc{Why ‘Be Natural’, About First Female Director, May Be The Best Film In Cannes | Deadline, url={http://deadline.com/2018/05/be-natural-documentary-first-female-director-best-cannes-1202389720/} }
@misc{Film Studies 101: The A-Z Of The Birth Of Cinema | Features | Empire, url={http://www.empireonline.com/features/film-studies-101-birth-of-cinema} }
@misc{Films | The Public Domain Review }
@misc{The Birth of a Nation, url={https://www.amazon.co.uk/BIRTH-NATION-Masters-Cinema-DVD/dp/B00CGZ6BPU/ref=sr_1_1_twi_dvd_2?ie=UTF8&qid=1471514400&sr=8-1&keywords=birth+of+a+nation} }
@misc{1:3 Birth of a Nation Prezi by Guy Westwell on Prezi, url={https://prezi.com/xddthwuyzpyg/13-birth-of-a-nation-prezi/}, DOI={[object Object]} }
@misc{How Spike Lee Got Revenge on One of the Most Racist Movies Ever, url={http://screencrush.com/blackkklansman-birth-of-a-nation-griffith/} }
@misc{Spike Lee on Birth of a Nation’s horrific social effects, Jordan Peele, more (full) | BlackkKlansman - YouTube, url={https://www.youtube.com/watch?v=LAIL8ZbTJVI} }
@misc{Silent film of black couple’s kiss added to National Film Registry, url={https://news.uchicago.edu/story/silent-film-black-couples-kiss-discovered-added-national-film-registry?fbclid=IwAR3r-q721GlNUQ7RpwF2g9S8s5mksV2ZBvxIiylPRTVQylVaTuUkPP8Brb4} }
@misc{Black Study, Black Struggle | Boston Review, url={http://bostonreview.net/forum/robin-d-g-kelley-black-study-black-struggle} }
@misc{The Birth of a Nation - Cinema and Media Studies - Oxford Bibliographies, url={http://www.oxfordbibliographies.com/view/document/obo-9780199791286/obo-9780199791286-0070.xml} }
@misc{The Birth of a Nation review, url={https://www.theguardian.com/film/2016/jan/26/the-birth-of-a-nation-review-sundance-slavery-epic-as-brutal-as-braveheart} }
@misc{1:4 Performance Prezi }
@misc{Buster Keaton | Senses of Cinema }
@misc{Video Essay: Our Hospitality, DOI={https://vimeo.com/channels/videoessaysonfilm/121528307} }
@misc{Smile, Buster! | Farran Nehme | The Baffler, url={http://thebaffler.com/past/smile_buster}, DOI={https://thebaffler.com/salvos/smile-buster} }
@misc{Manhatta (1921), url={https://www.youtube.com/watch?v=qduvk4zu_hs} }
@misc{1:5 Sound Prezi }
@misc{Finding His Voice - 1929 Max Fleischer cartoon - YouTube }
@misc{FilmSound.org }
@misc{Jerry Goldsmith Online }
@misc{Top 10 Movie Sound Effects We All Recognize }
@misc{Rain is sizzling bacon, cars are lions roaring: the art of sound in movies | Jordan Kisner | Film | The Guardian, url={http://www.theguardian.com/film/2015/jul/22/rain-is-sizzling-bacon-cars-lions-roaring-art-of-sound-in-movies} }
@misc{Motifs of Movement and Modernity on Vimeo, url={https://vimeo.com/170535380} }
@misc{Buster Keaton - The Art of the Gag - YouTube, url={https://www.youtube.com/watch?v=UWEjxkkB8Xs} }
@misc{1:6 Censorship Prezi }
@misc{‘Complete Nudity Is Never Permitted’: The Motion Picture Production Code of 1930 }
@misc{Policing Cinema: Movies and Censorship in Early-Twentieth-Century America, url={http://quod.lib.umich.edu.ezproxy.library.qmul.ac.uk/cgi/t/text/text-idx?c=acls;cc=acls;idno=heb08132.0001.001;view=toc;node=heb08132.0001.001%3A9} }
@misc{Education resources | British Board of Film Classification, url={http://www.bbfc.co.uk/education-resources} }
@misc{1:8 Narrative Prezi }
@misc{John Ford’s Vision of the West }
@misc{10 Moments of Subjectivity on Film - YouTube, url={https://www.youtube.com/watch?time_continue=744&v=eQa--gJ412M} }
@misc{Observations on film art : Understanding film narrative: The trailer, url={http://www.davidbordwell.net/blog/2014/01/12/understanding-film-narrative-the-trailer/} }
@misc{1:9 Mise-en-scene and cinematography Prezi }
@misc{BFI | Sight & Sound | Is Citizen Kane still the greatest ... of all time }
@misc{ASC: The American Society of Cinematographers }
@misc{Steadicam progress – the career of Paul Thomas Anderson in five shots }
@misc{Oxford Bibliographies - Citizen Kane }
@misc{Is Kane still the greatest ... of all time | British Film Institute }
@misc{1.10 Classical Hollywood Cinema Prezi }
@misc{davidbordwell.net : essays }
@misc{Observations on film art : The classical Hollywood whatzis, url={http://www.davidbordwell.net/blog/2018/06/10/the-classical-hollywood-whatzis/} }
@misc{Casablanca - Cinema and Media Studies - Oxford Bibliographies, url={http://www.oxfordbibliographies.com/view/document/obo-9780199791286/obo-9780199791286-0210.xml?rskey=UCZK6v&result=55} }
@misc{Unseen Cinema website, url={http://www.unseen-cinema.com/} }
@misc{CLOSE-UP | Free Radicals: A Story of Experimental Film, DOI={https://www.closeupfilmcentre.com/film_programmes/2012/free-radicals-a-history-of-experimental-film/} }
@misc{2:2 Race, Communism and the Hollywood Blacklist Prezi }
@misc{Salt of the Earth: Made of labour, by labour, for labour | Film | The Guardian, url={https://www.theguardian.com/film/2014/mar/10/salt-of-the-earth-labour-workers-blacklisted-filmmakers}, DOI={https://www.youtube.com/results?search_query=salt+of+the+earth+film} }
@misc{Trumbo - Radio Play, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/010BF53C?bcast=108249697}, DOI={https://learningonscreen.ac.uk/ondemand/index.php/prog/010BF53C?bcast=108249697}, publisher={BBC Radio 4} }
@misc{Salt of the Earth: The Movie Hollywood Could Not Stop | HistoryNet, url={http://www.historynet.com/salt-of-the-earth-the-movie-hollywood-could-not-stop.htm} }
@misc{‘Salt of the Earth’ by Deborah Rosenfelt, url={http://www.ejumpcut.org/archive/onlinessays/jc12-13folder/saltofearth.html} }
@misc{2.3 Technology Prezi }
@misc{Composition Techniques for Widescreen Aspect Ratios, url={http://vimeo.com/68830484} }
@misc{The Changing Shape of Cinema: The History of Aspect Ratio, url={http://vimeo.com/68830569#} }
@misc{BBC News - World’s first colour moving pictures discovered }
@misc{‘You’ve Gotta Do Something’: Cosmic Mobility and the Future of Mankind in Rebel Without a Cause - Bright Lights Film Journal, url={http://brightlightsfilm.com/youve-gotta-something-cosmic-mobility-future-mankind-rebel-without-cause/#} }
@misc{How La La Land Pulled Off That Stunning Highway Dance Sequence | Vanity Fair, url={https://www.vanityfair.com/hollywood/2017/04/la-la-land-another-day-of-sun-song-video}, DOI={https://www.google.com/search?q=how+la-la+land+pulled+off+that+stunning+highway+dance+sequence&ie=utf-8&oe=utf-8&client=firefox-b-e} }
@misc{Check Out This 15-Minute History Lesson on Frame Rates, url={https://nofilmschool.com/2015/12/check-out-15-minute-history-lesson-frame-rates?fbclid=IwAR0PKYh1mAvTYq-wPHI9FVKGHt-rDhesvhDnRDkYoUqSjkTAhMny6cBZg0Y} }
@misc{2.1 Editing Prezi }
@article{The Creepy World of Bruce Conner, url={https://www.nybooks.com/daily/2016/07/15/creepy-world-of-bruce-conner/}, journal={The New York Review of Books} }
@misc{Fallout - Some Notes on the Films of Bruce Conner, url={http://www.centerforvisualmusic.org/library/WMConnerFallout.htm} }
@misc{Unseen Cinema website, url={http://www.unseen-cinema.com/} }
@misc{Watch an Excerpt of Crossroads, Bruce Conner’s Restored Masterpiece - Vogue, url={https://www.vogue.com/article/bruce-conner-restored-crossroads-film} }
@misc{Archive - Reverse Shot, url={http://reverseshot.org/archive/entry/2027/standard_gauge} }
@misc{INDEX OF EDITORS – Edited By, url={http://womenfilmeditors.princeton.edu/index/} }
@misc{Psycho (1960), url={https://learningonscreen.ac.uk/ondemand/index.php/prog/0000E859?bcast=122400977}, DOI={https://learningonscreen.ac.uk/ondemand/index.php/prog/0000E859?bcast=122012920}, publisher={Sky Movies Select} }
@article{‘Safe and Unsafe Space,’ in Richard Maltby, Hollywood Cinema, 2nd Edition, url={https://www.wiley.com/en-gb/Hollywood+Cinema,+2nd+Edition-p-9780631216155} }
@misc{BERNARD HERRMANN: Hitchcock’s Maestro (TRT 15 min) Produced by Gary Leva on Vimeo, url={https://vimeo.com/159254489} }
@misc{Psycho - How Alfred Hitchcock Manipulates An Audience - YouTube, url={https://www.youtube.com/watch?v=xm-9E275D9c} }
@misc{24 HOUR PSYCHO - YouTube, url={https://www.youtube.com/watch?v=a31q2ZQcETw} }
@misc{78/52: Hitchcock’s Shower Scene - Official Trailer I HD I IFC Midnight - YouTube, url={https://www.youtube.com/watch?v=rNHwKKdirxo} }
@misc{10 things you (probably) never knew about the shower scene in Psycho | BFI, url={http://www.bfi.org.uk/news-opinion/news-bfi/interviews/psycho-shower-scene-alfred-hitchcock} }
@misc{Psycho - Cinema and Media Studies - Oxford Bibliographies, url={http://www.oxfordbibliographies.com.ezproxy.library.qmul.ac.uk/view/document/obo-9780199791286/obo-9780199791286-0051.xml} }
@misc{Mashup of the Afternoon on Vimeo, url={https://vimeo.com/304454199?ref=fb-share&1&fbclid=IwAR1v06iatgc-s9ToczO8TZEOWLBnlSoVOVA1LDFIu5_IFyyww9H2uXc_bQY} }
@misc{Movie Journal: The Rise of the New American Cinema, 1959-1971 - BFI, url={http://shop.bfi.org.uk/movie-journal-the-rise-of-the-new-american-cinema-1959-1971.html#.V9qnr4Xuc-8} }
@misc{John Cassavetes - Cinema and Media Studies - Oxford Bibliographies, url={http://www.oxfordbibliographies.com.ezproxy.library.qmul.ac.uk/view/document/obo-9780199791286/obo-9780199791286-0238.xml} }
@misc{Shadows: Eternal Times Square, url={https://www.criterion.com/current/posts/339-shadows-eternal-times-square} }
@misc{Beneath the Hollywood Style: Performance in the Cinema of John Cassavetes on Vimeo, url={https://vimeo.com/254632732} }
@misc{American Independent Cinema - Cambridge Books Online - Cambridge University Press, url={https://www-cambridge-org.ezproxy.library.qmul.ac.uk/core/books/american-independent-cinema/725FC9FADFF5FC85BDCA493B4265F02E#} }
@misc{American Independent Cinema - Cinema and Media Studies - Oxford Bibliographies, url={http://www.oxfordbibliographies.com.ezproxy.library.qmul.ac.uk/view/document/obo-9780199791286/obo-9780199791286-0061.xml} }
@misc{A Snapshot of Independent Film History, url={http://www.fandor.com/infographics/a-snapshot-of-independent-film-history} }
@misc{Resources , Queen Mary, University of London }
@misc{Letters of Note: I like words }
@misc{Getting a graduate job: Directgov }
@misc{Welcome to Skillset Film - Skillset }
@misc{Your Creative Future, DOI={https://www.creativefuture.org.uk/} }
@misc{Careers Video Collection: How to avoid CV mistakes - QMplus Media, url={https://media.qmplus.qmul.ac.uk/media/Careers+Video+CollectionA+How+to+avoid+CV+mistakes/0_uwhbussv} }
@misc{The Undercommons: Fugitive Planning & Black Study, url={http://www.minorcompositions.info/wp-content/uploads/2013/04/undercommons-web.pdf} }
@misc{Fuck the Canon (Or, How Do You Solve a Problem Like von Trier?): Teaching, Screening and Writing about Cinema in the Age of #MeToo - MAI: Feminism & Visual Culture, url={https://maifeminism.com/fuck-the-canon-or-how-do-you-solve-a-problem-like-von-trier-teaching-screening-and-writing-about-cinema-in-the-age-of-metoo/?fbclid=IwAR22CFQAjFfiQLKZKjr2nnBgz6lD2h0ufL7oQyMkICz036QFXOS0DQSjA3E} }
@misc{Start the Week - Safe spaces and snowflakes - BBC Sounds, url={https://www.bbc.co.uk/sounds/play/m00017py} }
@misc{BBC Radio 4 - Moral Maze, ‘Decolonising’ the Curriculum, url={https://www.bbc.co.uk/programmes/m0002h1j} }
@misc{2:8 New Hollywood Prezi }
@misc{A Legacy Went Searching for a Film… Dennis Hopper and Easy Rider • Senses of Cinema, url={http://sensesofcinema.com/2010/feature-articles/a-legacy-went-searching-for-a-film%E2%80%A6-dennis-hopper-and-easy-rider/} }
@misc{A Short History of Black US Indie Cinema | BFI, url={http://www.bfi.org.uk/news-opinion/news-bfi/features/short-history-black-us-indie-cinema} }
@misc{Killer of Sheep Guide, url={https://cdn.shopify.com/s/files/1/0150/7896/files/KOSfinalPK.pdf} }
@misc{A short history of black US indie cinema | BFI, url={http://www.bfi.org.uk/news-opinion/news-bfi/features/short-history-black-us-indie-cinema} }
@misc{2:11 Lone Star (i) Prezi }
@misc{How to cross the US-Mexico border: making El Mar La Mar | Film | The Guardian, url={https://www.theguardian.com/film/2017/feb/15/making-el-mar-la-mar-sonoran-desert-joshua-bonnetta-jp-sniadecki} }
@misc{Prezi: Lone Star: close reading of an academic journal article, url={https://prezi.com/vrdt8zu5vmll/lone-star-close-reading-of-an-academic-journal-article/}, DOI={[object Object]} }
@misc{Border Film Project }
@misc{Texas-Mexican Conjunto }
@misc{Which Way Home, DOI={https://www.youtube.com/results?search_query=which+way+home+full+movie} }
