1
Kuhn, Annette, Westwell, Guy. A Dictionary of Film Studies. Oxford: : Oxford University Press 2020. https://www.oxfordreference.com/view/10.1093/acref/9780199587261.001.0001/acref-9780199587261
2
Shepard, David. Landmarks of Early Film. 1997. doi:https://www.youtube.com/results?search_query=landmarks+of+early+film
3
1:1 The cinema of attractions Prezi.
4
Barsam RM, Monahan D. Looking at movies: an introduction to film. 5th edition. New York: : W.W. Norton & Company 2015.
5
Elsässer, T., Barker, Adam. Early Cinema: Space, Frame, Narrative. London: : British Film Institute Publishing 1990.
6
Inventing Entertainment: the Early Motion Pictures and Sound Recordings of the Edison Companies.
7
The University of Exeter - The Bill Douglas Centre for the History of Cinema and Popular Culture.
8
Newly Digitized Phenakistoscope Animations That Pre-Date GIFs by Over 150 Years | Colossal. http://www.thisiscolossal.com/2015/10/newly-digitized-phenakistoscopes/
9
American Cinema, 1895-1915 - Cinema and Media Studies - Oxford Bibliographies. http://www.oxfordbibliographies.com/view/document/obo-9780199791286/obo-9780199791286-0074.xml?rskey=ke838o&result=3&q=
10
Musser, Charles, British Film Institute. Before the Nickelodeon: The Early Cinema of Edwin S. Porter. 1982. doi:https://www.youtube.com/results?search_query=before+the+nickelodeon+the+early+cinema+of+edwin+s.+porter
11
1:2 Rise of the story film Prezi.
12
Barsam RM, Monahan D. Looking at movies: an introduction to film. 5th edition. New York: : W.W. Norton & Company 2015.
13
Cook, Pam. The Cinema Book. 3rd ed. London: : BFI 2007.
14
Daring Daylight Burglary. https://www.youtube.com/watch?v=t8npdTSVnZ0
15
Women Film Pioneers Project. https://wfpp.cdrs.columbia.edu/
16
Why ‘Be Natural’, About First Female Director, May Be The Best Film In Cannes | Deadline. http://deadline.com/2018/05/be-natural-documentary-first-female-director-best-cannes-1202389720/
17
Film Studies 101: The A-Z Of The Birth Of Cinema | Features | Empire. http://www.empireonline.com/features/film-studies-101-birth-of-cinema
18
Films | The Public Domain Review.
19
The Birth of a Nation. https://www.amazon.co.uk/BIRTH-NATION-Masters-Cinema-DVD/dp/B00CGZ6BPU/ref=sr_1_1_twi_dvd_2?ie=UTF8&qid=1471514400&sr=8-1&keywords=birth+of+a+nation
20
1:3 Birth of a Nation Prezi by Guy Westwell on Prezi. doi:[object Object]
21
Stokes M. Introduction’ in D.W. Griffith’s The Birth of a Nation: A History of ‘The Most Controversial Motion Picture of all Time’. New York: : Oxford University Press 2007. doi:https://www-vlebooks-com.ezproxy.library.qmul.ac.uk/vleweb/Product/Index/89981?page=0
22
How Spike Lee Got Revenge on One of the Most Racist Movies Ever. http://screencrush.com/blackkklansman-birth-of-a-nation-griffith/
23
Spike Lee on Birth of a Nation’s horrific social effects, Jordan Peele, more (full) | BlackkKlansman - YouTube. https://www.youtube.com/watch?v=LAIL8ZbTJVI
24
Silent film of black couple’s kiss added to National Film Registry. https://news.uchicago.edu/story/silent-film-black-couples-kiss-discovered-added-national-film-registry?fbclid=IwAR3r-q721GlNUQ7RpwF2g9S8s5mksV2ZBvxIiylPRTVQylVaTuUkPP8Brb4
25
Black Study, Black Struggle | Boston Review. http://bostonreview.net/forum/robin-d-g-kelley-black-study-black-struggle
26
Cook DA. A History of Narrative Film. 4th ed. New York: : W.W. Norton 2004.
27
The Birth of a Nation; BFI Classic. British Film Inst 2015.
28
Lang R. The Birth of a Nation: D.W. Griffith, Director. New Brunswick, N.J.: : Rutgers University Press 1994.
29
The Birth of a Nation - Cinema and Media Studies - Oxford Bibliographies. http://www.oxfordbibliographies.com/view/document/obo-9780199791286/obo-9780199791286-0070.xml
30
The Birth of a Nation review. https://www.theguardian.com/film/2016/jan/26/the-birth-of-a-nation-review-sundance-slavery-epic-as-brutal-as-braveheart
31
Keaton, Buster, Cline, Edward F. The High Sign. 1921. doi:https://www.youtube.com/results?search_query=the+high+sign+buster+keaton
32
Keaton, Buster. Our Hospitality. 1923. doi:https://www.youtube.com/results?search_query=our+hospitality+1923+full+movie
33
1:4 Performance Prezi.
34
Barsam RM, Monahan D. Looking at movies: an introduction to film. 5th edition. New York: : W.W. Norton & Company 2015.
35
Buster Keaton | Senses of Cinema.
36
Video Essay: Our Hospitality. doi:https://vimeo.com/channels/videoessaysonfilm/121528307
37
Smile, Buster! | Farran Nehme | The Baffler. doi:https://thebaffler.com/salvos/smile-buster
38
Keaton, Buster. The Buster Keaton chronicles: The General. 1927. doi:https://www.youtube.com/results?search_query=buster+keaton+the+general
39
Corpus Fluxus. Film (2017). 2017.https://vimeo.com/227365573
40
Manhatta (1921). https://www.youtube.com/watch?v=qduvk4zu_hs
41
Murnau, F.W. (Friedrich Wilhelm), Fox Film Corporation. Sunrise: A Song of Two Humans (1927). 1927;Masters of Cinema (1). doi:https://www.youtube.com/results?search_query=sunrise+a+song+of+two+humans+
43
Barsam RM, Monahan D. Looking at movies: an introduction to film. 5th edition. New York: : W.W. Norton & Company 2015.
44
Fischer, Lucy. ‘Sound/Silence & Country/City’ in Sunrise: A Song of Two Humans. London: : British Film Institute 1998.
45
Melinda Szaloky. Sounding Images in Silent Film: Visual Acoustics in Murnau’s ‘Sunrise’. Cinema Journal 2002;41:109–31.http://www.jstor.org/stable/1225854?pq-origsite=summon&seq=1#page_scan_tab_contents
46
Allen, Robert Clyde, Gomery, Douglas. Film history: theory and practice. New York: : McGraw-Hill 1993.
47
Finding His Voice - 1929 Max Fleischer cartoon - YouTube.
49
Jerry Goldsmith Online.
50
Top 10 Movie Sound Effects We All Recognize.
51
Rain is sizzling bacon, cars are lions roaring: the art of sound in movies | Jordan Kisner | Film | The Guardian. http://www.theguardian.com/film/2015/jul/22/rain-is-sizzling-bacon-cars-lions-roaring-art-of-sound-in-movies
52
Motifs of Movement and Modernity on Vimeo. https://vimeo.com/170535380
53
Buster Keaton - The Art of the Gag - YouTube. https://www.youtube.com/watch?v=UWEjxkkB8Xs
54
Ruggles, Wesley, West, Mae, Paramount Pictures. I’m No Angel. 1933.
56
Doherty, Thomas Patrick. Pre-code Hollywood: sex, immorality, and insurrection in American cinema, 1930-1934. New York: : Columbia University Press 1999.
57
Cook, Pam. The Cinema Book. 3rd ed. London: : BFI 2007.
58
‘Complete Nudity Is Never Permitted’: The Motion Picture Production Code of 1930.
59
Policing Cinema: Movies and Censorship in Early-Twentieth-Century America. http://quod.lib.umich.edu.ezproxy.library.qmul.ac.uk/cgi/t/text/text-idx?c=acls;cc=acls;idno=heb08132.0001.001;view=toc;node=heb08132.0001.001%3A9
60
Leff, Leonard J., Simmons, Jerold. The Dame in the Kimono: Hollywood, Censorship and the Production Code from the 1920s to the 1960s. London: : Weidenfeld and Nicolson 1990.
61
Jacobs, Lea. The Wages of Sin: Censorship and the Fallen Woman Film, 1928-1942. London: : University of Wisconsin Press 1991.
62
Education resources | British Board of Film Classification. http://www.bbfc.co.uk/education-resources
63
Ford, John, Walter Wanger Productions, United Artists. Stagecoach. 1939.
65
Barsam RM, Monahan D. Looking at movies: an introduction to film. 5th edition. New York: : W.W. Norton & Company 2015.
66
Lacey, Nick. Introduction to film. Houndmills, Basingstoke, Hampshire: : Palgrave Macmillan 2005.
67
Bordwell, David, American Council of Learned Societies. The Way Hollywood Tells It: Story and Style in Modern Movies. Berkeley: : University of California Press 2006.
68
John Ford’s Vision of the West.
69
10 Moments of Subjectivity on Film - YouTube. https://www.youtube.com/watch?time_continue=744&v=eQa--gJ412M
70
Observations on film art : Understanding film narrative: The trailer. http://www.davidbordwell.net/blog/2014/01/12/understanding-film-narrative-the-trailer/
71
Welles, Orson. Citizen Kane. 1941.http://bobnational.net/record/227123
72
1:9 Mise-en-scene and cinematography Prezi.
73
Barsam RM, Monahan D. Looking at movies: an introduction to film. 5th edition. New York: : W.W. Norton & Company 2015.
74
Barsam RM, Monahan D. Looking at movies: an introduction to film. 5th edition. New York: : W.W. Norton & Company 2015.
75
BFI | Sight & Sound | Is Citizen Kane still the greatest ... of all time.
76
ASC: The American Society of Cinematographers.
77
Steadicam progress – the career of Paul Thomas Anderson in five shots.
78
Oxford Bibliographies - Citizen Kane.
79
Ross, Benjamin. RKO 281. 1999.
80
Is Kane still the greatest ... of all time | British Film Institute.
81
Curtiz, Michael, Warner Bros. Pictures. Casablanca. 1942.http://bobnational.net/record/253219
82
1.10 Classical Hollywood Cinema Prezi.
83
Barsam RM, Monahan D. Looking at movies: an introduction to film. 5th edition. New York: : W.W. Norton & Company 2015.
84
Cook, Pam. The Cinema Book. 3rd ed. London: : BFI 2007.
85
Bordwell, David, Staiger, Janet, Thompson, Kristin. ‘Classical Narration’ in The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. London: : Routledge & Kegan Paul 1985.
86
davidbordwell.net : essays.
87
Observations on film art : The classical Hollywood whatzis. http://www.davidbordwell.net/blog/2018/06/10/the-classical-hollywood-whatzis/
88
Bernstein, Matthew. Controlling Hollywood: Censorship and Regulation in the Studio Era. London: : Athlone 2000.
89
Casablanca - Cinema and Media Studies - Oxford Bibliographies. http://www.oxfordbibliographies.com/view/document/obo-9780199791286/obo-9780199791286-0210.xml?rskey=UCZK6v&result=55
90
Deren, Maya, Itō, Teiji, Hammid, Alexander. Maya Deren: Experimental Films. 1943.
91
Sitney, P. Adams. Visionary Film: the American Avant-garde, 1943-2000. 3rd ed. Oxford: : Oxford University Press 2002.
92
O’Pray M. The Avant-garde Film: Forms, Themes and Passions. London: : Wallflower 2003.
93
Rhodes JD, British Film Institute. Meshes of the Afternoon. London: : Palgrave Macmillan on behalf of the British Film Institute 2011.
94
Nichols, Bill. Maya Deren and the American avant-garde. Berkeley: : University of California Press 2001. http://www.loc.gov/catdir/bios/ucal052/2001027112.html
95
Deren, Maya, McPherson, Bruce R. Essential Deren: collected writings on film. 1st ed. Kingston, N.Y.: : Documentext 2004. http://catdir.loc.gov/catdir/toc/ecip0422/2004020351.html
96
Posner, Bruce, Shepard, David. Unseen cinema: early American avant-garde film ; 1894 - 1941 ; a DVD retrospective from the world’s leading film collections, 5: Picturing a metropolis : New York City unveiled. 2005.
97
Unseen Cinema website. http://www.unseen-cinema.com/
98
CLOSE-UP | Free Radicals: A Story of Experimental Film. doi:https://www.closeupfilmcentre.com/film_programmes/2012/free-radicals-a-history-of-experimental-film/
99
Hawks H. The Big Sleep. 1946.
100
Naremore J. More than night: film noir in its contexts. Updated and expanded ed. Berkeley: : University of California Press 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016360916&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
101
Spicer A. Film noir. Harlow, England: : Longman 2002.
102
B. Pettey H. Film noir. Edinburgh: : Edinburgh Univ Press 2016.
103
Kaplan EA. Women in Film Noir. New ed. London: : B.F.I. 1998.
104
Silver A, Ward E. Film noir: An Encyclopedic Reference to the American Style. 3rd ed. London: : Duckworth 2008.
105
Salt of the Earth. 1954.https://www.amazon.co.uk/SALT-OF-THE-EARTH/dp/B00WMCOQNG/ref=sr_1_3_twi_dvd_3?ie=UTF8&qid=1471529431&sr=8-3&keywords=salt+of+the+earth+film
106
2:2 Race, Communism and the Hollywood Blacklist Prezi.
107
Wilson M, Rosenfelt DS. Salt of the Earth: Screenplay [open access]. Old Westbury, NY: : Feminist Press 1978. https://atomicanxietyblog.files.wordpress.com/2012/09/salt-of-the-earth-commentary.pdf
108
Salt of the Earth: Made of labour, by labour, for labour | Film | The Guardian. doi:https://www.youtube.com/results?search_query=salt+of+the+earth+film
109
Krutnik F. ‘Un-American’ Hollywood: Politics and Film in the Blacklist Era. New Brunswick, N.J.: : Rutgers University Press 2007. http://catdir.loc.gov/catdir/toc/ecip0710/2007006054.html
110
Shaw T. Hollywood’s Cold War. Edinburgh: : Edinburgh University Press 2007.
111
Trumbo. 2016.https://www.amazon.co.uk/Trumbo-DVD-Bryan-Cranston/dp/B01AO0YR9K/ref=sr_1_1?ie=UTF8&qid=1471603064&sr=8-1&keywords=trumbo
112
Trumbo - Radio Play. doi:https://learningonscreen.ac.uk/ondemand/index.php/prog/010BF53C?bcast=108249697
113
Biberman HJ, Wilson M, Monaco J. Salt of the earth: the story of a film. Fiftieth anniversary ed. New York: : Harbor Electronic Pub
114
Salt of the Earth: The Movie Hollywood Could Not Stop | HistoryNet. http://www.historynet.com/salt-of-the-earth-the-movie-hollywood-could-not-stop.htm
115
‘Salt of the Earth’ by Deborah Rosenfelt. http://www.ejumpcut.org/archive/onlinessays/jc12-13folder/saltofearth.html
116
Ray, Nicholas. Rebel Without a Cause. 1955.http://bobnational.net/record/30453
117
2.3 Technology Prezi.
118
Cook, Pam. The Cinema Book. 3rd ed. London: : BFI 2007.
119
Composition Techniques for Widescreen Aspect Ratios. http://vimeo.com/68830484
120
The Changing Shape of Cinema: The History of Aspect Ratio. http://vimeo.com/68830569#
121
Bordwell, David, Thompson, Kristin. Film Art: An Introduction. 8th ed. Boston: : McGraw Hill 2008.
122
Belton, John. Widescreen cinema. Harvard U. P. 1993.
123
BBC News - World’s first colour moving pictures discovered.
124
‘You’ve Gotta Do Something’: Cosmic Mobility and the Future of Mankind in Rebel Without a Cause - Bright Lights Film Journal. http://brightlightsfilm.com/youve-gotta-something-cosmic-mobility-future-mankind-rebel-without-cause/#
125
How La La Land Pulled Off That Stunning Highway Dance Sequence | Vanity Fair. doi:https://www.google.com/search?q=how+la-la+land+pulled+off+that+stunning+highway+dance+sequence&ie=utf-8&oe=utf-8&client=firefox-b-e
126
Check Out This 15-Minute History Lesson on Frame Rates. https://nofilmschool.com/2015/12/check-out-15-minute-history-lesson-frame-rates?fbclid=IwAR0PKYh1mAvTYq-wPHI9FVKGHt-rDhesvhDnRDkYoUqSjkTAhMny6cBZg0Y
127
A Movie. 1958. doi:https://www.dailymotion.com/video/x248brc
129
Barsam RM, Monahan D. Looking at movies: an introduction to film. 5th edition. New York: : W.W. Norton & Company 2015.
130
The Creepy World of Bruce Conner. The New York Review of Bookshttps://www.nybooks.com/daily/2016/07/15/creepy-world-of-bruce-conner/
131
Fallout - Some Notes on the Films of Bruce Conner. http://www.centerforvisualmusic.org/library/WMConnerFallout.htm
132
O’Pray M. The Avant-garde Film: Forms, Themes and Passions. London: : Wallflower 2003.
133
Unseen Cinema website. http://www.unseen-cinema.com/
134
Standard Gauge. 1984. doi:https://www.youtube.com/watch?v=PReZQdjJhEk
135
Watch an Excerpt of Crossroads, Bruce Conner’s Restored Masterpiece - Vogue. https://www.vogue.com/article/bruce-conner-restored-crossroads-film
136
Archive - Reverse Shot. http://reverseshot.org/archive/entry/2027/standard_gauge
137
INDEX OF EDITORS – Edited By. http://womenfilmeditors.princeton.edu/index/
138
Psycho (1960). doi:https://learningonscreen.ac.uk/ondemand/index.php/prog/0000E859?bcast=122012920
139
Barsam RM, Monahan D. Looking at movies: an introduction to film. 5th edition. New York: : W.W. Norton & Company 2015.
140
‘Safe and Unsafe Space,’ in Richard Maltby, Hollywood Cinema, 2nd Edition. https://www.wiley.com/en-gb/Hollywood+Cinema,+2nd+Edition-p-9780631216155
141
BERNARD HERRMANN: Hitchcock’s Maestro (TRT 15 min) Produced by Gary Leva on Vimeo. https://vimeo.com/159254489
142
Psycho - How Alfred Hitchcock Manipulates An Audience - YouTube. https://www.youtube.com/watch?v=xm-9E275D9c
143
24 HOUR PSYCHO - YouTube. https://www.youtube.com/watch?v=a31q2ZQcETw
144
78/52: Hitchcock’s Shower Scene - Official Trailer I HD I IFC Midnight - YouTube. https://www.youtube.com/watch?v=rNHwKKdirxo
145
10 things you (probably) never knew about the shower scene in Psycho | BFI. http://www.bfi.org.uk/news-opinion/news-bfi/interviews/psycho-shower-scene-alfred-hitchcock
146
Psycho - Cinema and Media Studies - Oxford Bibliographies. http://www.oxfordbibliographies.com.ezproxy.library.qmul.ac.uk/view/document/obo-9780199791286/obo-9780199791286-0051.xml
147
Kolker RP. Alfred Hitchcock’s Psycho: A Casebook. New York: : Oxford University Press 2004. http://catdir.loc.gov/catdir/toc/ecip047/2003016992.html
148
Mashup of the Afternoon on Vimeo. https://vimeo.com/304454199?ref=fb-share&1&fbclid=IwAR1v06iatgc-s9ToczO8TZEOWLBnlSoVOVA1LDFIu5_IFyyww9H2uXc_bQY
149
John Cassavetes. Shadows. 1959.https://www.amazon.co.uk/Shadows-John-Cassavetes-Collection-Blu-ray/dp/B007A0FWWY/ref=sr_1_1?s=dvd&ie=UTF8&qid=1471531405&sr=1-1&keywords=shadows+cassavetes
150
Carney R. ‘Selves in the making,’ in The films of John Cassavetes: pragmatism, modernism, and the movies. Cambridge [England]: : Cambridge University Press 1994. http://catdir.loc.gov/catdir/toc/cam025/93004474.html
151
Movie Journal: The Rise of the New American Cinema, 1959-1971 - BFI. http://shop.bfi.org.uk/movie-journal-the-rise-of-the-new-american-cinema-1959-1971.html#.V9qnr4Xuc-8
152
John Cassavetes - Cinema and Media Studies - Oxford Bibliographies. http://www.oxfordbibliographies.com.ezproxy.library.qmul.ac.uk/view/document/obo-9780199791286/obo-9780199791286-0238.xml
153
Shadows: Eternal Times Square. https://www.criterion.com/current/posts/339-shadows-eternal-times-square
154
Beneath the Hollywood Style: Performance in the Cinema of John Cassavetes on Vimeo. https://vimeo.com/254632732
155
American Independent Cinema - Cambridge Books Online - Cambridge University Press. https://www-cambridge-org.ezproxy.library.qmul.ac.uk/core/books/american-independent-cinema/725FC9FADFF5FC85BDCA493B4265F02E#
156
American Independent Cinema - Cinema and Media Studies - Oxford Bibliographies. http://www.oxfordbibliographies.com.ezproxy.library.qmul.ac.uk/view/document/obo-9780199791286/obo-9780199791286-0061.xml
157
A Snapshot of Independent Film History. http://www.fandor.com/infographics/a-snapshot-of-independent-film-history
158
Resources , Queen Mary, University of London.
159
Letters of Note: I like words.
160
Getting a graduate job: Directgov.
161
Welcome to Skillset Film - Skillset.
162
Your Creative Future. doi:https://www.creativefuture.org.uk/
163
Careers Video Collection: How to avoid CV mistakes - QMplus Media. https://media.qmplus.qmul.ac.uk/media/Careers+Video+CollectionA+How+to+avoid+CV+mistakes/0_uwhbussv
164
The Undercommons: Fugitive Planning & Black Study. http://www.minorcompositions.info/wp-content/uploads/2013/04/undercommons-web.pdf
165
ContraPoints. Why I Quit Academia - YouTube. 2016.https://www.youtube.com/watch?v=JNAAAfLi0pM
166
Fuck the Canon (Or, How Do You Solve a Problem Like von Trier?): Teaching, Screening and Writing about Cinema in the Age of #MeToo - MAI: Feminism & Visual Culture. https://maifeminism.com/fuck-the-canon-or-how-do-you-solve-a-problem-like-von-trier-teaching-screening-and-writing-about-cinema-in-the-age-of-metoo/?fbclid=IwAR22CFQAjFfiQLKZKjr2nnBgz6lD2h0ufL7oQyMkICz036QFXOS0DQSjA3E
167
Start the Week - Safe spaces and snowflakes - BBC Sounds. https://www.bbc.co.uk/sounds/play/m00017py
168
BBC Radio 4 - Moral Maze, ‘Decolonising’ the Curriculum. https://www.bbc.co.uk/programmes/m0002h1j
169
Hopper D, Columbia Pictures Corporation. Easy Rider. 1969.
170
2:8 New Hollywood Prezi.
171
Barsam RM, Monahan D. Looking at movies: an introduction to film. 5th edition. New York: : W.W. Norton & Company 2015.
172
A Legacy Went Searching for a Film… Dennis Hopper and Easy Rider • Senses of Cinema. http://sensesofcinema.com/2010/feature-articles/a-legacy-went-searching-for-a-film%E2%80%A6-dennis-hopper-and-easy-rider/
173
King, Geoff. New Hollywood Cinema: An introduction. London: : I.B. Tauris 2002.
174
Biskind, Peter. Easy Riders, Raging Bulls: How the Sex ‘n’ Drugs ‘n’ Rock’n’roll Generation Saved Hollywood. London: : Bloomsbury 1999.
175
Horwath A, King N, Elsaesser T. The Last Great American Picture Show: New Hollywood Cinema in the 1970s. Amsterdam: : Amsterdam University Press 2004.
176
Charles Burnett. Killer of Sheep. 1977.http://shop.bfi.org.uk/killer-of-sheep-dvd-bluray.html#.V7cJgK7uc-8
177
A Short History of Black US Indie Cinema | BFI. http://www.bfi.org.uk/news-opinion/news-bfi/features/short-history-black-us-indie-cinema
178
Killer of Sheep Guide. https://cdn.shopify.com/s/files/1/0150/7896/files/KOSfinalPK.pdf
179
A short history of black US indie cinema | BFI. http://www.bfi.org.uk/news-opinion/news-bfi/features/short-history-black-us-indie-cinema
180
Sayles, John. Lone Star. 1996.http://bobnational.net/record/283807
181
2:11 Lone Star (i) Prezi.
182
Gibbs, John Edward. Mise-en-scène: film style and interpretation. London: : Wallflower 2002.
183
Bould M. The Cinema of John Sayles: Lone Star. London: : Wallflower Press 2009.
184
Limon, Jose E. Tex-Sex-Mex: American identities, Lone Stars, and the politics of racialized sexuality. American literary history;9.
185
Montoya, Margaret E. Lines of Demarcation in a Town Called Frontera: A Review of John Sayles’ Lone Star. New Mexico law review;27:223–40.
186
Deborah Shaw. Films you should watch to counter American anti-migrant rhetoric. The Conversationhttps://theconversation.com/films-you-should-watch-to-counter-american-anti-migrant-rhetoric-69540
187
How to cross the US-Mexico border: making El Mar La Mar | Film | The Guardian. https://www.theguardian.com/film/2017/feb/15/making-el-mar-la-mar-sonoran-desert-joshua-bonnetta-jp-sniadecki
188
Gregory Nava. El Norte. 1983. https://www.amazon.co.uk/Criterion-Collection-Norte-Region-NTSC/dp/B001ILTUKQ/ref=sr_1_1?s=dvd&ie=UTF8&qid=1471604403&sr=1-1&keywords=el+norte
189
Prezi: Lone Star: close reading of an academic journal article. doi:[object Object]
190
Whitehouse G. Remember to Forget the Alamo: The Dynamics of Cultural Memory in John Sayles’ Lone Star. Literature and Theology;16:291–310. doi:10.1093/litthe/16.3.291
191
Grainge, Paul. Memory and Popular Film. Manchester: : Manchester University Press 2003.
192
Fojas, Camilla. Border bandits: Hollywood on the southern frontier. Austin: : University of Texas Press 2008.
193
Davis, Mike. Magical urbanism: Latinos reinvent the US city. Rev. and expanded ed. London: : Verso 2000.
195
Texas-Mexican Conjunto.
196
Which Way Home. doi:https://www.youtube.com/results?search_query=which+way+home+full+movie
197
GO FOR SISTERS Movie Trailer. 5AD.https://www.youtube.com/watch?v=fQ4vCFepS9Y&feature=youtu.be
