Beardow, F. (2003) Little Vera. London: I.B. Tauris, pp. 72–91. Available at: http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9780857714428&uid=^u.
Berghahn, D. (2006) ‘Do the right thing? Female allegories of nation in Aleksandr Askoldov’s Komissar (USSR, 1967/87) and Konrad wolf’s Der Geteilte Himmel (GDR, 1964): Historical Journal of Film, Radio and Television: Vol 26, No 4’, Historical Journal of Film, Radio and Television, 26(4), pp. 561–577. Available at: https://www-tandfonline-com.ezproxy.library.qmul.ac.uk/doi/abs/10.1080/01439680600916884.
Berry, Ellen E (1998) ‘Grief and Simulation in Kira Muratova’s The Aesthenic Syndrome’, The Russian review (Stanford) [Preprint], (3). Available at: https://www.jstor.org/stable/131957.
Bulgakowa, O. (1993) ‘The Hydra of the Soviet Cinema: The Metamorphoses of the Soviet Film Heroine’, in Red women on the silver screen: Soviet women and cinema from the beginning to the end of the Communist era. London: Pandora.
Burns, P E (1982) ‘An NEP Moscow address: Abram Room’s Third Meshchanskaia (Bed and sofa) in historical context’, Film & history [Preprint], (4). Available at: https://muse.jhu.edu/article/400643.
Cheu, H. (2007) Cinematic Howling : Women’s Films, Women’s Film Theories. Vancouver and Toronto: UBC Press. Available at: https://ebookcentral-proquest-com.ezproxy.library.qmul.ac.uk/lib/gmul-ebooks/reader.action?docID=3412419&ppg=60.
Elena Monastireva-Ansdell (2006) ‘Redressing the Commissar: Thaw Cinema Revises Soviet Structuring Myths’, The Russian Review, 65(2). Available at: https://www-jstor-org.ezproxy.library.qmul.ac.uk/stable/3664399?pq-origsite=summon&seq=1#metadata_info_tab_contents.
Haskell, M. (1999) ‘The Woman’s Film’, in Feminist film theory: a reader. Edinburgh: Edinburgh University Press.
Healey, D. (2018) Russian homophobia from Stalin to Sochi. London: Bloomsbury Academic, an imprint of Bloomsbury Publishing, pp. 131–147. Available at: http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781350000797&uid=^u.
Holmgren, B. (2007) ‘The Blue Angel and Blackface: Redeeming Entertainment in Aleksandrov’s Circus’, Russian Review, 66(1). Available at: https://doi.org/10.1111/j.1467-9434.2006.00427.x.
Horton, A. and Brashinsky, M. (2013) ‘Between Joy and Suicide: Fathers, Daughters and Little Vera’, in The Russian Cinema Reader,. Boston, MA: Academic Studies Press. Available at: https://ebookcentral-proquest-com.ezproxy.library.qmul.ac.uk/lib/gmul-ebooks/reader.action?docID=3110539&ppg=103.
Kaganovsky, L. (2013) ‘The Cultural Logic of Late Socialism’, in R. Salys (ed.) The Russian Cinema Reader (Volume II, The Thaw to the Present). Boston MA: Academic Studies Press. Available at: http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781618113764&uid=^u.
Kolbovskii, A. (2008) ‘‘Valeriia Gai-Germanika: Everybody Dies But Me (Vse umrut, a ia ostanus’, 2008)’, Kinokultura [Preprint], (22). Available at: http://www.kinokultura.com/2008/22r-vseumrut.shtml.
Mayne, J. (no date) Kino and the woman question: feminism and Soviet silent film. Columbus: Ohio State University Press, pp. 110–139.
Mikhailova, T. and Lipovetsky, M. (eds) (2013) ‘Flight without Wings: The Subjectivity of a Female War Veteran in Shepit’ko’s Wings,’’, in The Russian Cinema Reader (Volume II, The Thaw to the Present). Boston: Academic Studies Press, pp. 70–83. Available at: http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781618113764&uid=^u.
Northrop, D. (2001) ‘Nationalizing Backwardness: Gender, Empire, and Uzbek Identity’, in R. Suny and T. Martin (eds) A State of Nations: Nation-Making in the Age of Lenin and Stalin. Oxford, pp. 191–222. Available at: https://ebookcentral-proquest-com.ezproxy.library.qmul.ac.uk/lib/gmul-ebooks/reader.action?docID=430519&ppg=204.
Oudakerova, L. (2017) ‘A Walk Through the Ruins’, in The cinema of the Soviet thaw: space, materiality, movement. Bloomington, Indiana: Indiana University Press, pp. 116–149. Available at: https://doi.org/10.2307/j.ctt1zxz0fb.8.
Prokhorova, E. (no date) ‘The Post-Utopian Body Politic’, in Gender and national identity in twentieth-century Russian culture. DeKalb: Northern Illinois University Press, pp. 131–135.
Rachel Morley (2003) ‘Gender Relations in the Films of Evgenii Bauer’, The Slavonic and East European Review, 81(1). Available at: https://www-jstor-org.ezproxy.library.qmul.ac.uk/stable/4213623?pq-origsite=summon&seq=1#metadata_info_tab_contents.
Rimgaila Salys (2007) ‘Art Deco Aesthetics in Grigorii Aleksandrov’s “The Circus”’, The Russian Review, 66(1). Available at: https://www-jstor-org.ezproxy.library.qmul.ac.uk/stable/20620476?pq-origsite=summon&seq=2#metadata_info_tab_contents.
Steve Neale (1993) ‘Masculinity as Spectacle’, in S. Cohan and R. Hark (eds) Screening the Male: Exploring Masculinities in Hollywood Cinema. New York, pp. 9–20. Available at: https://ebookcentral-proquest-com.ezproxy.library.qmul.ac.uk/lib/gmul-ebooks/reader.action?docID=179867&ppg=20.
Stollery, M. (2000) Alternative empires: European modernist cinemas and cultures of imperialism. Exeter: University of Exeter Press.
Szaniawski, J. (2013) The cinema of Alexander Sokurov: figures of paradox. New York: Columbia University Press, pp. 185–217. Available at: https://www.jstor.org/stable/10.7312/szan16734.
Taubman, J. (no date) Kira Muratova. London: I.B. Tauris. Available at: http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9786000007812&uid=^u.
Vassilieva, J. (2014) ‘“Becoming-Girl” in the New Russian Cinema: Youth and Valeria Gai Germanika’s Films and Television’, Camera Obscura: Feminism, Culture, and Media Studies, 29(1 85), pp. 59–79. Available at: https://doi.org/10.1215/02705346-2408516.
White, P. (1998) ‘Feminism in Film’, in The Oxford guide to film studies. Oxford: Oxford University Press. Available at: http://www.loc.gov/catdir/enhancements/fy0603/97044590-t.html.
Wood, E. (1997) The Baba and the Comrade: Gender and Politics in Revolutionary Russia. Bloomington, IN: Indiana University Press. Available at: https://www-fulcrum-org.ezproxy.library.qmul.ac.uk/concern/monographs/8049g532n.
