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White P. Feminism in Film. The Oxford guide to film studies [Internet]. Oxford: Oxford University Press; 1998. Available from: http://www.loc.gov/catdir/enhancements/fy0603/97044590-t.html
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Bulgakowa O. The Hydra of the Soviet Cinema: The Metamorphoses of the Soviet Film Heroine. Red women on the silver screen: Soviet women and cinema from the beginning to the end of the Communist era. London: Pandora; 1993.
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Rachel Morley. Gender Relations in the Films of Evgenii Bauer. The Slavonic and East European Review [Internet]. Modern Humanities Research Association; 2003;81(1). Available from: https://www-jstor-org.ezproxy.library.qmul.ac.uk/stable/4213623?pq-origsite=summon&seq=1#metadata_info_tab_contents
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Wood E. The Baba and the Comrade: Gender and Politics in Revolutionary Russia [Internet]. Bloomington, IN: Indiana University Press; 1997. Available from: https://www-fulcrum-org.ezproxy.library.qmul.ac.uk/concern/monographs/8049g532n
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Mayne J. Kino and the woman question: feminism and Soviet silent film. Columbus: Ohio State University Press; p. 110–139.
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Burns, P E. An NEP Moscow address: Abram Room’s Third Meshchanskaia (Bed and sofa) in historical context. Film & history [Internet]. 1982 Dec 1;(4). Available from: https://muse.jhu.edu/article/400643
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Northrop D. Nationalizing Backwardness: Gender, Empire, and Uzbek Identity. In: Suny R, Martin T, editors. A State of Nations: Nation-Making in the Age of Lenin and Stalin [Internet]. Oxford; 2001. p. 191–222. Available from: https://ebookcentral-proquest-com.ezproxy.library.qmul.ac.uk/lib/gmul-ebooks/reader.action?docID=430519&ppg=204
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Stollery M. Alternative empires: European modernist cinemas and cultures of imperialism. Exeter: University of Exeter Press; 2000.
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Holmgren B. The Blue Angel and Blackface: Redeeming Entertainment in Aleksandrov’s Circus. Russian Review. 2007 Jan;66(1).
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Rimgaila Salys. Art Deco Aesthetics in Grigorii Aleksandrov’s ‘The Circus’. The Russian Review [Internet]. Wiley; 2007;66(1). Available from: https://www-jstor-org.ezproxy.library.qmul.ac.uk/stable/20620476?pq-origsite=summon&seq=2#metadata_info_tab_contents
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Elena Monastireva-Ansdell. Redressing the Commissar: Thaw Cinema Revises Soviet Structuring Myths. The Russian Review [Internet]. Wiley; 2006;65(2). Available from: https://www-jstor-org.ezproxy.library.qmul.ac.uk/stable/3664399?pq-origsite=summon&seq=1#metadata_info_tab_contents
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Berghahn D. Do the right thing? Female allegories of nation in Aleksandr Askoldov’s Komissar (USSR, 1967/87) and Konrad wolf’s Der Geteilte Himmel (GDR, 1964): Historical Journal of Film, Radio and Television: Vol 26, No 4. Historical Journal of Film, Radio and Television [Internet]. 2006;26(4):561–577. Available from: https://www-tandfonline-com.ezproxy.library.qmul.ac.uk/doi/abs/10.1080/01439680600916884
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Cheu H. Cinematic Howling : Women’s Films, Women’s Film Theories [Internet]. Vancouver and Toronto: UBC Press; 2007. Available from: https://ebookcentral-proquest-com.ezproxy.library.qmul.ac.uk/lib/gmul-ebooks/reader.action?docID=3412419&ppg=60
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Oudakerova L. A Walk Through the Ruins. The cinema of the Soviet thaw: space, materiality, movement [Internet]. Bloomington, Indiana: Indiana University Press; 2017. p. 116–149. Available from: https://www.jstor.org/stable/10.2307/j.ctt1zxz0fb.8
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Mikhailova T, Lipovetsky M, editors. Flight without Wings: The Subjectivity of a Female War Veteran in Shepit’ko’s Wings,’. The Russian Cinema Reader (Volume II, The Thaw to the Present) [Internet]. Boston: Academic Studies Press; 2013. p. 70–83. Available from: http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781618113764&uid=^u
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Berry, Ellen E. Grief and Simulation in Kira Muratova’s The Aesthenic Syndrome. The Russian review (Stanford) [Internet]. 1998;(3). Available from: https://www.jstor.org/stable/131957
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Taubman J. Kira Muratova [Internet]. London: I.B. Tauris; Available from: http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9786000007812&uid=^u
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Vassilieva J. ‘Becoming-Girl’ in the New Russian Cinema: Youth and Valeria Gai Germanika’s Films and Television. Camera Obscura: Feminism, Culture, and Media Studies. 2014 Jan 1;29(1 85):59–79.
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Kolbovskii A. ‘Valeriia Gai-Germanika: Everybody Dies But Me (Vse umrut, a ia ostanus’, 2008). Kinokultura [Internet]. 2008;(22). Available from: http://www.kinokultura.com/2008/22r-vseumrut.shtml
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Steve Neale. Masculinity as Spectacle. In: Cohan S, Hark R, editors. Screening the Male: Exploring Masculinities in Hollywood Cinema [Internet]. New York; 1993. p. 9–20. Available from: https://ebookcentral-proquest-com.ezproxy.library.qmul.ac.uk/lib/gmul-ebooks/reader.action?docID=179867&ppg=20
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Haskell M. The Woman’s Film. Feminist film theory: a reader. Edinburgh: Edinburgh University Press; 1999.
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Kaganovsky L. The Cultural Logic of Late Socialism. In: Salys R, editor. The Russian Cinema Reader (Volume II, The Thaw to the Present) [Internet]. Boston MA: Academic Studies Press; 2013. Available from: http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781618113764&uid=^u
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Prokhorova E. The Post-Utopian Body Politic. Gender and national identity in twentieth-century Russian culture. DeKalb: Northern Illinois University Press; p. 131–135.
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Horton A, Brashinsky M. Between Joy and Suicide: Fathers, Daughters and Little Vera. The Russian Cinema Reader, [Internet]. Boston, MA: Academic Studies Press; 2013. Available from: https://ebookcentral-proquest-com.ezproxy.library.qmul.ac.uk/lib/gmul-ebooks/reader.action?docID=3110539&ppg=103
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Beardow F. Little Vera [Internet]. London: I.B. Tauris; 2003. p. 72–91. Available from: http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9780857714428&uid=^u
26.
Healey D. Russian homophobia from Stalin to Sochi [Internet]. London: Bloomsbury Academic, an imprint of Bloomsbury Publishing; 2018. p. 131–147. Available from: http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781350000797&uid=^u
27.
Szaniawski J. The cinema of Alexander Sokurov: figures of paradox [Internet]. New York: Columbia University Press; 2013. p. 185–217. Available from: https://www.jstor.org/stable/10.7312/szan16734