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P. White, ‘Feminism in Film’, in The Oxford guide to film studies, Oxford: Oxford University Press, 1998 [Online]. Available: http://www.loc.gov/catdir/enhancements/fy0603/97044590-t.html
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O. Bulgakowa, ‘The Hydra of the Soviet Cinema: The Metamorphoses of the Soviet Film Heroine’, in Red women on the silver screen: Soviet women and cinema from the beginning to the end of the Communist era, London: Pandora, 1993.
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Rachel Morley, ‘Gender Relations in the Films of Evgenii Bauer’, The Slavonic and East European Review, vol. 81, no. 1, 2003 [Online]. Available: https://www-jstor-org.ezproxy.library.qmul.ac.uk/stable/4213623?pq-origsite=summon&seq=1#metadata_info_tab_contents
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E. Wood, The Baba and the Comrade: Gender and Politics in Revolutionary Russia. Bloomington, IN: Indiana University Press, 1997 [Online]. Available: https://www-fulcrum-org.ezproxy.library.qmul.ac.uk/concern/monographs/8049g532n
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J. Mayne, Kino and the woman question: feminism and Soviet silent film. Columbus: Ohio State University Press, pp. 110–139.
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Burns, P E, ‘An NEP Moscow address: Abram Room’s Third Meshchanskaia (Bed and sofa) in historical context’, Film & history, no. 4, Dec. 1982 [Online]. Available: https://muse.jhu.edu/article/400643
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D. Northrop, ‘Nationalizing Backwardness: Gender, Empire, and Uzbek Identity’, in A State of Nations: Nation-Making in the Age of Lenin and Stalin, R. Suny and T. Martin, Eds. Oxford, 2001, pp. 191–222 [Online]. Available: https://ebookcentral-proquest-com.ezproxy.library.qmul.ac.uk/lib/gmul-ebooks/reader.action?docID=430519&ppg=204
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M. Stollery, Alternative empires: European modernist cinemas and cultures of imperialism, vol. Exeter studies in film history. Exeter: University of Exeter Press, 2000.
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B. Holmgren, ‘The Blue Angel and Blackface: Redeeming Entertainment in Aleksandrov’s Circus’, Russian Review, vol. 66, no. 1, Jan. 2007, doi: 10.1111/j.1467-9434.2006.00427.x.
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Rimgaila Salys, ‘Art Deco Aesthetics in Grigorii Aleksandrov’s “The Circus”’, The Russian Review, vol. 66, no. 1, 2007 [Online]. Available: https://www-jstor-org.ezproxy.library.qmul.ac.uk/stable/20620476?pq-origsite=summon&seq=2#metadata_info_tab_contents
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Elena Monastireva-Ansdell, ‘Redressing the Commissar: Thaw Cinema Revises Soviet Structuring Myths’, The Russian Review, vol. 65, no. 2, 2006 [Online]. Available: https://www-jstor-org.ezproxy.library.qmul.ac.uk/stable/3664399?pq-origsite=summon&seq=1#metadata_info_tab_contents
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D. Berghahn, ‘Do the right thing? Female allegories of nation in Aleksandr Askoldov’s Komissar (USSR, 1967/87) and Konrad wolf’s Der Geteilte Himmel (GDR, 1964): Historical Journal of Film, Radio and Television: Vol 26, No 4’, Historical Journal of Film, Radio and Television, vol. 26, no. 4, pp. 561–577, 2006 [Online]. Available: https://www-tandfonline-com.ezproxy.library.qmul.ac.uk/doi/abs/10.1080/01439680600916884
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H. Cheu, Cinematic Howling : Women’s Films, Women’s Film Theories. Vancouver and Toronto: UBC Press, 2007 [Online]. Available: https://ebookcentral-proquest-com.ezproxy.library.qmul.ac.uk/lib/gmul-ebooks/reader.action?docID=3412419&ppg=60
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L. Oudakerova, ‘A Walk Through the Ruins’, in The cinema of the Soviet thaw: space, materiality, movement, Bloomington, Indiana: Indiana University Press, 2017, pp. 116–149 [Online]. Available: https://www.jstor.org/stable/10.2307/j.ctt1zxz0fb.8
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T. Mikhailova and M. Lipovetsky, Eds., ‘Flight without Wings: The Subjectivity of a Female War Veteran in Shepit’ko’s Wings,’’, in The Russian Cinema Reader (Volume II, The Thaw to the Present), Boston: Academic Studies Press, 2013, pp. 70–83 [Online]. Available: http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781618113764&uid=^u
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Berry, Ellen E, ‘Grief and Simulation in Kira Muratova’s The Aesthenic Syndrome’, The Russian review (Stanford), no. 3, 1998 [Online]. Available: https://www.jstor.org/stable/131957
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J. Taubman, Kira Muratova, vol. 4. London: I.B. Tauris [Online]. Available: http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9786000007812&uid=^u
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J. Vassilieva, ‘“Becoming-Girl” in the New Russian Cinema: Youth and Valeria Gai Germanika’s Films and Television’, Camera Obscura: Feminism, Culture, and Media Studies, vol. 29, no. 1 85, pp. 59–79, Jan. 2014, doi: 10.1215/02705346-2408516.
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A. Kolbovskii, ‘‘Valeriia Gai-Germanika: Everybody Dies But Me (Vse umrut, a ia ostanus’, 2008)’, Kinokultura, no. 22, 2008 [Online]. Available: http://www.kinokultura.com/2008/22r-vseumrut.shtml
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Steve Neale, ‘Masculinity as Spectacle’, in Screening the Male: Exploring Masculinities in Hollywood Cinema, S. Cohan and R. Hark, Eds. New York, 1993, pp. 9–20 [Online]. Available: https://ebookcentral-proquest-com.ezproxy.library.qmul.ac.uk/lib/gmul-ebooks/reader.action?docID=179867&ppg=20
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M. Haskell, ‘The Woman’s Film’, in Feminist film theory: a reader, Edinburgh: Edinburgh University Press, 1999.
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L. Kaganovsky, ‘The Cultural Logic of Late Socialism’, in The Russian Cinema Reader (Volume II, The Thaw to the Present), R. Salys, Ed. Boston MA: Academic Studies Press, 2013 [Online]. Available: http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781618113764&uid=^u
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E. Prokhorova, ‘The Post-Utopian Body Politic’, in Gender and national identity in twentieth-century Russian culture, DeKalb: Northern Illinois University Press, pp. 131–135.
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A. Horton and M. Brashinsky, ‘Between Joy and Suicide: Fathers, Daughters and Little Vera’, in The Russian Cinema Reader, Boston, MA: Academic Studies Press, 2013 [Online]. Available: https://ebookcentral-proquest-com.ezproxy.library.qmul.ac.uk/lib/gmul-ebooks/reader.action?docID=3110539&ppg=103
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F. Beardow, Little Vera. London: I.B. Tauris, 2003, pp. 72–91 [Online]. Available: http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9780857714428&uid=^u
[26]
D. Healey, Russian homophobia from Stalin to Sochi. London: Bloomsbury Academic, an imprint of Bloomsbury Publishing, 2018, pp. 131–147 [Online]. Available: http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781350000797&uid=^u
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J. Szaniawski, The cinema of Alexander Sokurov: figures of paradox. New York: Columbia University Press, 2013, pp. 185–217 [Online]. Available: https://www.jstor.org/stable/10.7312/szan16734