1.
Thorne, R.: Samurai films. Kamera, Harpenden (2008).
2.
Gerow, A.A.: Kitano Takeshi. British Film Institute, [London] (2007).
3.
Karatsu, R.: Between Comedy and Kitsch: Kitano’s ‘Zatoichi’ and Kurosawa’s Traditions of ‘Jidaigeki’ Comedies. (2006).
4.
Taylor-Jones, K.E.: Rising Sun, Divided Land: Japanese and South Korean Filmmakers.
5.
Burch, N.: To the Distant Observer: Form and Meaning in the Japanese Cinema.
6.
Redmond, S.: The cinema of Takeshi Kitano: flowering blood. Wallflower Press, London (2012).
7.
Silver, A.: The samurai film. Overlook Press, Woodstock, NY (2005).
8.
Standish, I.: A new history of Japanese cinema: a century of narrative film. Continuum, New York (2006).
9.
Silver, A.: The samurai film. Overlook Press, Woodstock, NY (2005).
10.
Toplin, R.B.: Reel History: In Defense of Hollywood. University Press of Kansas, Lawrence (2002).
11.
Burgoyne, R.: The Hollywood historical film. Blackwell Pub, Malden, MA (2008).
12.
Rosenstone, R.A.: History on film/film on history. Routledge, an imprint of the Taylor & Francis Group, Abingdon, Oxon (2018).
13.
Stubbs, J.: Historical film: a critical introduction. Bloomsbury Academic, New York (2013).
14.
Dolski, M., Edwards, S., Sayer, F.: Histories on Screen: The Past and Present in Anglo-American Cinema and Television. Bloomsbury Academic (2018).
15.
Standish, I.: A new history of Japanese cinema: a century of narrative film. Continuum, New York (2006).
16.
Bordwell, D., Thompson, K.: Film Art: An Introduction. McGraw-Hill, New York (2010).
17.
Giannetti, L.D.: Understanding Movies. Pearson/Prentice Hall (2005).
18.
Patricia White, Timothy Corrigan: The Film Experience. Palgrave Macmillan (2004).
19.
Marcks, G.: ‘A Credible Witness’ [’Close-up’ column from Film Quarterly magazine]. Film Quarterly. 60, 3–3 (2006). https://doi.org/10.1525/fq.2006.60.1.3.
20.
Prince, S.: Firestorm: American Film in the Age of Terrorism. Columbia University Press (2009).
21.
TERMS FOR FILM ANALYSIS: Mise en scene.
22.
Doherty, T.: ‘United 93’ [review in Cineaste magazine]. Cineaste. 31, 73–75 (2006). https://doi.org/https://www.jstor.org/stable/i40079420.
23.
Gavin Smith: Mission Statement [interview with director Paul Greengrass in Film Comment magazine]. Film Comment. 42, 24–28.
24.
Von Tunzelmann, A.: Reel history: the world according to the movies. Atlantic Books, London (2016).
25.
Westwell, G.: Parallel lines: Post-9/11 American Cinema [chapter 4: ‘Return to Ground Zero’. Wallflower Press, New York (2014).
26.
Burgoyne, R.: The Hollywood historical film [chapter 6 on United 93]. Blackwell Pub, Malden, MA (2008).
27.
Ford, E.: ‘Let’s Roll: Hollywood Takes on 9/11’, in Briefel and Miller (eds), Horror After 9/11 [pp. 41-52 on United 93]. Presented at the (2011).
28.
Gavron, S.: The Making of the Feature Film Suffragette, Women’s History Review. 24, 985–995 (2015).
29.
De Pascalis, I.A.: Film review: Suffragette, in the European Journal of Women’s Studies. European Journal of Women’s Studies. 24, 189–192 (2017). https://doi.org/10.1177/1350506817691866.
30.
Lewis, H.: "These were voiceless women. We gave them a voice.” Interview with screenwriter Abi Morgan in the New Statesman, https://www.newstatesman.com/culture/film/2015/10/abi-morgan-these-were-voiceless-women-we-gave-them-voice.
31.
Seabourne, G.: ‘Deeds, Words and Drama’ [review of Suffragette in Feminist Legal Studies]. Feminist Legal Studies. 24, 115–119 (2016). https://doi.org/10.1007/s10691-015-9307-3.
32.
Smyth, J.E.: ‘The Past, Present, and Future of Women’s History on Screen: An Interview with Sarah Gavron’ [article in Cineaste]. Cineaste. 41, 18–21 (2015). https://doi.org/https://www.jstor.org/stable/i26356379.
33.
Stevens, I.: ‘Militant Tendencies’ [an interview with Carey Mulligan in Sight and Sound]. 25, 32–34 (2015). https://doi.org/https://reader.exacteditions.com/issues/57835/spread/35.
34.
Von Tunzelmann, A.: ‘Suffragette: Tough Questions Disenfranchised Despite Earnest Attempt’ [article in The Guardian], https://www.theguardian.com/film/2015/oct/22/suffragette-film-carey-mulligan-maud-watts-working-class-womens-suffrage-movement-violence.
35.
Bartley, P.: Emmeline Pankhurst. Routledge.
36.
Pankhurst, S.: The suffragette movement: an intimate account of persons and ideals. Virago, London (1977).
37.
Smith, H.L.: The British women’s suffrage campaign, 1866-1928. Pearson Longman, Harlow (2007).
38.
Tosh, J.: The Pursuit of History. Taylor & Francis (2013).
39.
Latham, B.: Elizabeth I in Film and Television. McFarland (2011).
40.
Terms for Film Analysis: The Shot.
41.
Chapman, J.: Past and Present: National Identity and the British Historical Film [chapter 13 on Elizabeth]. Tauris (2005).
42.
Knowles, S.: Elizabeth [film review in the journal Film and History]. 33, 78–80 (2003).
43.
Parrill, S., Robison, W.B.: The Tudors on film and television. McFarland, Jefferson, N.C. (2013).
44.
Sweet, R.: Elizabeth [film review in the American Historical Review], https://academic-oup-com.ezproxy.library.qmul.ac.uk/ahr/article/104/1/297/12821/Elizabeth-Produced-by-Tim-Bevan-Eric-Fellner-and.
45.
Von Tunzelmann, A.: Reel History: The World According to the Movies. (2016).
46.
Betteridge, T.: ‘A Queen For All Seasons: Elizabeth I on Film’, in S. Doran and T.S. Freeman (eds), The Myth of Elizabeth. Presented at the (2003).
47.
Doran, S., Freeman, T.: Tudors and Stuarts on Film: Historical Perspectives [pages 242-259]. Palgrave Macmillan, Basingstoke (2009).
48.
Ford, E., Mitchell, D.C., Project Muse: Royal Portraits in Hollywood: Filming the Lives of Queens. University Press of Kentucky, Lexington, Ky (2009).
49.
Moss, D.G.: A Queen for Whose Time? Elizabeth I as Icon for the Twentieth Century [article in the Journal of Popular Culture]. The Journal of Popular Culture. 39, 796–816 (2006). https://doi.org/10.1111/j.1540-5931.2006.00306.x.
50.
Bronfen, E., Straumann, B.: ‘Elizabeth I: The Cinematic Afterlife of an Early Modern Political Diva’, in Mandy Merck (ed.), The British Monarchy on Screen. Presented at the (2016).
51.
Kinzler, J.: Visualising Victoria: Gender, Genre and History in The Young Victoria [article in the Journal of Neo-Victorian Studies]. 4, 49–65 (2011). https://doi.org/http://www.neovictorianstudies.com/.
52.
Terms for Film Analysis: The Camera Angle.
53.
Fielding, S.: ‘The Heart of a Heartless Political World: Screening Victoria’, in Mandy Merck (ed.), The British Monarchy on Screen, http://qmul.summon.serialssolutions.com/search?utf8=%E2%9C%93&s.q=mandy+merck#!/search/document?ho=t&l=en-UK&q=mandy%20merck&id=FETCHMERGED-qmul_360marc_ssib0241670023.
54.
Houston, G.T.: The Young Victoria [review in Victorian Literature and Culture], https://www-cambridge-org.ezproxy.library.qmul.ac.uk/core/journals/victorian-literature-and-culture/article/victorians-live/BE68AA3795C1A2238CB10174C4F9730D/core-reader.
55.
Von Tunzelmann, A.: Reel history: the world according to the movies. Atlantic Books, London (2016).
56.
Williams, K.: Queen Victoria and the Palace Martyr. In: History Today (2009).
57.
Ford, E., Mitchell, D.C., Project Muse: Royal Portraits in Hollywood: Filming the Lives of Queens. University Press of Kentucky, Lexington, Ky (2009).
58.
Homans, M.: Royal representations: Queen Victoria and British culture, 1837-1876. University of Chicago Press (1998).
59.
Plunkett, J.: Queen Victoria: First Media Monarch. Oxford University Press, New York (2003).
60.
Wilson, A.N.: Victoria: A Life. Atlantic Books, London (2014).
61.
Higson, A.: Andrew Higson, ‘From Political Power to the Power of the Image’, in Mandy Merck (ed.), The British Monarchy on Screen. Presented at the .
62.
Terms for Film Analysis: Camera Movement.
63.
Foundas, S.: The King’s Speech [review in Film Comment]. Film Comment. 46, 68–69.
64.
Gardner, E.: The Making of ‘The King’s Speech’. Hollywood Reporter. 416, 118–121.
65.
Kemp, P.: The King’s Speech [review in Sight and Sound]. Sight and Sound. 21,.
66.
Pigeon, R.: Royal Renunciation: Edward VIII and the Problems of Representation [article in Film & History]. Film & History: An Interdisciplinary Journal. 45, 13–23 (2015).
67.
Roberts, A.: ‘How the King found his voice’ [article in The Daily Telegraph], http://www.telegraph.co.uk/news/uknews/theroyalfamily/8244564/How-the-King-found-his-voice.html.
68.
Von Tunzelmann, A.: Reel history: the world according to the movies. Atlantic Books, London (2016).
69.
Bradford, S.: George VI: The Dutiful King. Fontana, London (1991).
70.
Logue, M., Conradi, P.: The King’s speech: how one man saved the British monarchy. Quercus, London.
71.
Rehling, N.: ‘When Words Fail’: The King’s Speech as Melodrama’ in Mandy Merck (ed.), The British Monarchy On Screen. Presented at the (2016).
72.
Roberts, A.: Eminent Churchillians [chapter 1: The House of Windsor and the Politics of Appeasement]. Phoenix, London (1994).
73.
Rehling, N.: ‘When Words Fail: The King’s Speech as Melodrama’, in Mandy Merck (ed.), The British Monarchy On Screen. Presented at the (2016).
74.
Carole Boyce Davies, ‘12 Years A Slave Fails to Represent Black Resistance to Enslavement’, The Guardian, 10 January 2014., https://www.theguardian.com/world/2014/jan/10/12-years-a-slave-fails-to-show-resistence.
75.
Doherty, T.: Bringing the Slave Narrative to Screen: Steve McQueen and John Ridley’s Searing Depiction of America’s ‘Peculiar Institution’ [article in Cineaste]. Cineaste. 39, 4–8. https://doi.org/https://www.jstor.org/stable/i40138991.
76.
Massood, P.J.: 12 Years a Slave [review in the Journal of American History], https://academic-oup-com.ezproxy.library.qmul.ac.uk/jah/article-lookup/101/1/357.
77.
Gates, H.L.: 12 Years a Slave: A Conversation with Steve McQueen [article in Transition]. Transition. (2014). https://doi.org/10.2979/transition.114.185.
78.
Stephanie Li: 12 Years a Slave as a Neo-Slave Narrative [article in American Literary History]. American Literary History. 26, 326–331 (2014).
79.
Marsh, C.: 12 Years a Slave [review in Sight and Sound]. Sight and Sound. 24, (2014).
80.
Stauffer, J.: 12 Years between Life and Death [article in American Literary History]. American Literary History. 26, 317–325 (2014).
81.
Hughey, M.W., JSTOR (Organization): The white savior film: content, critics, and consumption. Temple University Press, Philadelphia (2014).
82.
Izzo, D.G. ed: Movies in the Age of Obama: The Era of Post-racial and Neo-racist Cinema. Rowman & Littlefield, Lanham, MD (2015).
83.
Chadwick, B.: The Reel Civil War: Mythmaking in American Film. Knopf, New York (2001).
84.
Cripps, T.: Making movies Black: the Hollywood message movie from World War II to the civil rights era. Oxford University Press, New York (1993).
85.
Northup, S.: Twelve Years A Slave.
86.
Dolski, M., Edwards, S., Sayer, F.: Histories on Screen : The Past and Present in Anglo-American Cinema and Television. Bloomsbury Academic (2018). https://doi.org/https://www.library.qmul.ac.uk/.
87.
Stokes, M.: American History through Hollywood Film, http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781441177476&uid=^u.
88.
Graham, A.: "We Ain’t Doin’ Civil Rights”: The Life and Times of a Genre, as Told in The Help [article in Southern Cultures]. Southern Cultures. 20, 51–64 (2014). https://doi.org/10.1353/scu.2014.0003.
89.
An Open Statement to the Fans of The Help by Association of Black Women Historians (ABWH), https://aalbc.com/reviews/the_help_historical_context.html.
90.
Hughey, M.W.: ‘Cinethetic Racism: White Redemption and Black Stereotypes in “Magical Negro” Films’ [article in Social Problems]. Social Problems [journal]. 56,.
91.
Hughey, M.W.: The White Savior Film: Content, Critics, and Consumption. Temple University Press, Philadelphia (2014).
92.
Izzo (editor), D.G.: Movies in the Age of Obama: The Era of Post-racial and Neo-racist Cinema. Rowman & Littlefield (2015).
93.
Jones, S.W.: ‘The Divided Reception of The Help’ [article in the journal Southern Cultures]. 20, 7–25.
94.
Lott, M.: The Relationship Between the "Invisibility” of African American Women in the American Civil Rights Movement of the 1950s and 1960s and Their Portrayal in Modern Film. Journal of Black Studies. 48, 331–354 (2017). https://doi.org/10.1177/0021934717696758.
95.
Cripps, T.: Making movies Black: the Hollywood message movie from World War II to the civil rights era. Oxford University Press, New York (1993).
96.
Williams, M.V., EBSCOhost: Medgar Evers: Mississippi martyr. University of Arkansas Press, Fayetteville (2011).
97.
Dunak, K.: Review of Jackie in the  Journal of American History, https://academic-oup-com.ezproxy.library.qmul.ac.uk/jah/article-lookup/104/1/305.
98.
Lucia, C.: Review of Jackie in Cineaste. Cineaste. 42, 66–68 (2017). https://doi.org/https://www.jstor.org/stable/26356979?seq=1#metadata_info_tab_contents.
99.
Dunak, K.: Jackie Reconsidered, again: Jacqueline Kennedy and 1960s-era American womanhood. The Sixties. 11, 46–68 (2018). https://doi.org/10.1080/17541328.2017.1381797.
100.
Kaite, B.: The Pink Suit: Jacqueline Kennedy and celebrity defilement. ‘The Pink Suit: Jacqueline Kennedy and Celebrity Defilement’ in the journal, Celebrity Studies. Celebrity Studies 5, 175–196.
101.
Lucca, V.: ‘Review of “Jackie”’ in Sight & Sound magazine. 68–69. https://doi.org/https://reader.exacteditions.com/issues/56028/spread/71.
102.
Perry, B.A.: Jacqueline Kennedy: First Lady of the New Frontier. University Press of Kansas, Lawrence (2004).
103.
Teodoro, J.: ‘The State That I Am In’: Interview with director Pablo Larrain [in Film Comment], https://www.filmcomment.com/article/pablo-larrain-jackie-neruda-interview/.
104.
White, T.H.: ‘For President Kennedy: An Epilogue’, Life Magazine, 6 Dec 1963, pp. 158-159.
105.
A Tour of the White House with Mrs. John F. Kennedy (Best Quality) - YouTube, https://www.youtube.com/watch?v=T7XabXENChE. https://doi.org/https://www.dailymotion.com/video/x74jyr0.
106.
Frame, G.: The Myth of John F. Kennedy in Film and Television. Film & History: An Interdisciplinary Journal. 46, 21–34 (2016).
107.
Hogan, M.J.: The afterlife of John Fitzgerald Kennedy: a biography. Cambridge University Press, New York, NY, USA (2017).
108.
Onassis, J.K., Schlesinger, A.M., Beschloss, M.R., Kennedy, C.: Jacqueline Kennedy: historic conversations on life with John F. Kennedy, interviews with Arthur M. Schlesinger, Jr., 1964. Hyperion, New York.
109.
White, M.: Kennedy: A Cultural History of an American Icon, http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781441191564&uid=^u.
110.
Walters, B.: ‘Out of the Past: Gay Cinema and Nostalgia’, The Guardian. (3)AD.
111.
Griffiths, R.: ‘ ‘A journey without direction’: British Queer Cinema post-Jarman’ [article in the Journal of British Cinema and Television]. Journal of British Cinema and Television. 13, 590–609. https://doi.org/10.3366/jbctv.2016.0342.
112.
Kellaway, K.: When Miners and Gay Rights Activists United on the Front Line [article in The Observer newspaper]. The Observer. (31)AD.
113.
Kelliher, D.: Solidarity and Sexuality: Lesbians and Gays Support the Miners 1984-5 [article in History Workshop Journal]. History Workshop Journal. 77, 240–262 (2014). https://doi.org/10.1093/hwj/dbt012.
114.
Romney, J.: Pride [review in Film Comment], https://www.filmcomment.com/blog/film-of-the-week-pride-matthew-warchus/.
115.
Tate, T.: Pride: The Inspiring True Story Behind the Hit Film. John Blake Publishing Ltd, London, England (2017).
116.
Waters, B.: Pride [review in Sight & Sound].
117.
Cook, M.: A Gay History of Britain: Love and Sex Between Men Since the Middle Ages. Greenwood World Pub, Oxford (2007).
118.
Griffiths, R. ed: British queer cinema. Routledge, New York (2006).
119.
Robinson, L.: Gay Men and the Left in Post-War Britain. Manchester University Press (2011).
120.
Terms for Film Analysis.
121.
Terms for Film Analysis: The Angele.
122.
Von Tunzelmann, A.: Reel History: The World According to the Movies. (2016).
123.
Karatsu, R.: Between Comedy and Kitsch: Kitano’s ‘Zatoichi’ and Kurosawa’s Traditions of ‘Jidaigeki’ Comedies. (2006).