1.
Thorne R. Samurai Films. Kamera; 2008.
2.
Gerow AA. Kitano Takeshi. British Film Institute; 2007.
3.
Karatsu R. Between Comedy and Kitsch: Kitano’s ‘Zatoichi’ and Kurosawa’s Traditions of ‘Jidaigeki’ Comedies. Published online 2006. https://www.nottingham.ac.uk/scope/documents/2006/october-2006/karatsu.pdf
4.
Taylor-Jones KE. Rising Sun, Divided Land: Japanese and South Korean Filmmakers. https://books.google.co.uk/books?id=SfaEAAAAQBAJ&pg=PA112&dq=Zatoichi+Kitano&hl=en&sa=X&ved=0ahUKEwih9cLn14LZAhViJMAKHZHxDGUQ6AEIQDAF#v=onepage&q=Zatoichi&f=false
5.
Burch N. To the Distant Observer: Form and Meaning in the Japanese Cinema. https://books.google.co.uk/books?id=lLtyz275-GYC&printsec=frontcover&dq=to+the+distant+observer&hl=en&sa=X&ved=0ahUKEwih3srA1YLZAhVCCsAKHVjTAHYQ6AEIKDAA#v=onepage&q=zatoichi&f=false
6.
Redmond S. The Cinema of Takeshi Kitano: Flowering Blood. Wallflower Press; 2012.
7.
Silver A. The Samurai Film. Expanded and rev. ed. Overlook Press; 2005.
8.
Standish I. A New History of Japanese Cinema: A Century of Narrative Film. Continuum; 2006. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781441161543&uid=^u
9.
Silver A. The Samurai Film. Expanded and rev. ed. Overlook Press; 2005.
10.
Toplin RB. Reel History: In Defense of Hollywood. Vol Culture America. University Press of Kansas; 2002. http://www.loc.gov/catdir/toc/fy036/2002005421.html
11.
Burgoyne R. The Hollywood Historical Film. Blackwell Pub; 2008:148-169. http://catdir.loc.gov/catdir/toc/ecip0720/2007024732.html
12.
Rosenstone RA. History on Film/Film on History. Third edition. Routledge, an imprint of the Taylor & Francis Group; 2018.
13.
Stubbs J. Historical Film: A Critical Introduction. Bloomsbury Academic; 2013.
14.
Dolski M, Edwards S, Sayer F. Histories on Screen: The Past and Present in Anglo-American Cinema and Television. Bloomsbury Academic; 2018. http://web.b.ebscohost.com.ezproxy.library.qmul.ac.uk/ehost/detail/detail?vid=0&sid=233fb874-9db4-411d-add1-ae63de73e6f0%40pdc-v-sessmgr06&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#db=nlebk&AN=1659018
15.
Standish I. A New History of Japanese Cinema: A Century of Narrative Film. Continuum; 2006. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781441161543&uid=^u
16.
Bordwell D, Thompson K. Film Art: An Introduction. 9th ed. McGraw-Hill; 2010. http://scans.hebis.de/HEBCGI/show.pl?25538592_toc.html
17.
Giannetti LD. Understanding Movies. 10th edition. Pearson/Prentice Hall; 2005.
18.
Patricia White, Timothy Corrigan. The Film Experience. Palgrave Macmillan; 2004.
19.
Marcks G. ‘A Credible Witness’ [’Close-up’ column from Film Quarterly magazine]. Film Quarterly. 2006;60(1):3-3. doi:10.1525/fq.2006.60.1.3
20.
Prince S. Firestorm: American Film in the Age of Terrorism. Columbia University Press; 2009:106-114. http://wt3cf4et2l.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.title=Firestorm&rft.au=Prince%2C+Stephen&rft.date=2009-01-01&rft.pub=Columbia+University+Press&rft.isbn=9780231148719&rft.externalDBID=n%2Fa&rft.externalDocID=362903&paramdict=en-UK
21.
TERMS FOR FILM ANALYSIS: Mise en scene.
22.
Doherty T. ‘United 93’ [review in Cineaste magazine]. Cineaste. 2006;31:73-75. doi:https://www.jstor.org/stable/i40079420
23.
Gavin Smith. Mission Statement [interview with director Paul Greengrass in Film Comment magazine]. Film Comment. 42:24-28. https://www.filmcomment.com/article/united-93-paul-greengrass-review/
24.
Von Tunzelmann A. Reel History: The World According to the Movies. Atlantic Books; 2016. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781782396475&uid=^u
25.
Westwell G. Parallel Lines: Post-9/11 American Cinema [Chapter 4: ‘Return to Ground Zero’. Wallflower Press; 2014.
26.
Burgoyne R. The Hollywood Historical Film [Chapter 6 on United 93]. Blackwell Pub; 2008:148-169.
27.
Ford E. ‘Let’s Roll: Hollywood Takes on 9/11’, in Briefel and Miller (eds), Horror After 9/11 [pp. 41-52 on United 93]. In: University of Texas Press; 2011:41-52. http://catalogue.library.qmul.ac.uk/uhtbin/cgisirsi/x/0/0/57/5/3?searchdata1=1350974%7BCKEY%7D&user_id=WEBSERVER#
28.
Gavron S. The Making of the Feature Film Suffragette, Women’s History Review. 2015;24(6):985-995. http://www-tandfonline-com.ezproxy.library.qmul.ac.uk/doi/abs/10.1080/09612025.2015.1074007
29.
De Pascalis IA. Film review: Suffragette, in the European Journal of Women’s Studies. European Journal of Women’s Studies. 2017;24(2):189-192. doi:10.1177/1350506817691866
30.
Lewis H. "These were voiceless women. We gave them a voice.” Interview with screenwriter Abi Morgan in the New Statesman. Published 16AD. https://www.newstatesman.com/culture/film/2015/10/abi-morgan-these-were-voiceless-women-we-gave-them-voice
31.
Seabourne G. ‘Deeds, Words and Drama’ [review of Suffragette in Feminist Legal Studies]. Feminist Legal Studies. 2016;24(1):115-119. doi:10.1007/s10691-015-9307-3
32.
Smyth JE. ‘The Past, Present, and Future of Women’s History on Screen: An Interview with Sarah Gavron’ [article in Cineaste]. Cineaste. 2015;41:18-21. doi:https://www.jstor.org/stable/i26356379
33.
Stevens I. ‘Militant Tendencies’ [an interview with Carey Mulligan in Sight and Sound]. 2015;25(11):32-34. doi:https://reader.exacteditions.com/issues/57835/spread/35
34.
Von Tunzelmann A. ‘Suffragette: Tough Questions Disenfranchised Despite Earnest Attempt’ [article in The Guardian]. Published 22AD. https://www.theguardian.com/film/2015/oct/22/suffragette-film-carey-mulligan-maud-watts-working-class-womens-suffrage-movement-violence
35.
Bartley P. Emmeline Pankhurst. Routledge https://ebookcentral-proquest-com.ezproxy.library.qmul.ac.uk/lib/gmul-ebooks/detail.action?docID=1075396
36.
Pankhurst S. The Suffragette Movement: An Intimate Account of Persons and Ideals. [1st ed. reprinted]. Virago; 1977.
37.
Smith HL. The British Women’s Suffrage Campaign, 1866-1928. 2nd ed. Pearson Longman; 2007. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781408251034&uid=^u
38.
Tosh J. The Pursuit of History. Taylor & Francis; 2013. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781408226087&uid=^u
39.
Latham B. Elizabeth I in Film and Television. McFarland; 2011. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9780786485147&uid=^u
40.
Terms for Film Analysis: The Shot.
41.
Chapman J. Past and Present: National Identity and the British Historical Film [Chapter 13 on Elizabeth]. Tauris; 2005. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9780857715579&uid=^u
42.
Knowles S. Elizabeth [film review in the journal Film and History]. 2003;33(2):78-80. http://muse.jhu.edu.ezproxy.library.qmul.ac.uk/article/396092/pdf
43.
Parrill S, Robison WB. The Tudors on Film and Television. McFarland; 2013. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781476600314&uid=^u
44.
Sweet R. Elizabeth [film review in the American Historical Review]. American Historical Review. https://academic-oup-com.ezproxy.library.qmul.ac.uk/ahr/article/104/1/297/12821/Elizabeth-Produced-by-Tim-Bevan-Eric-Fellner-and
45.
Von Tunzelmann A. Reel History: The World According to the Movies.; 2016. http://reader.vlebooks.com/reader/open?accId=10102&cite=1&isbn=9781782396475&maxCopy=18&maxPrint=18&mmLimit=0&notes=1&pageLimit=0&shareLink=%2F%2FWWW.VLEBOOKS.COM%2FVLEWEB%2FPRODUCT%2FINDEX%2F723086&startPage=0&timestamp=2019-01-04T09%3A48%3A26&userId=985458&watermark=++++++++++++++++++++++++++++++QMUL%2FYHE0OR%2BZTMTIJXXSEGPVPJYRSNKQD8AH++++++++++++++++++++++++++++++&token=xy%2fe1qbtbxmf%2fcresnEyZHXKSnQ%3d
46.
Betteridge T. ‘A Queen For All Seasons: Elizabeth I on Film’, in S. Doran and T.S. Freeman (eds), The Myth of Elizabeth. In: Palgrave Macmillan; 2003:242-259.
47.
Doran S, Freeman T. Tudors and Stuarts on Film: Historical Perspectives [Pages 242-259]. (Doran (eds.) Susan, Freeman T, eds.). Palgrave Macmillan; 2009:242-259.
48.
Ford E, Mitchell DC, Project Muse. Royal Portraits in Hollywood: Filming the Lives of Queens. University Press of Kentucky; 2009. http://catalogue.library.qmul.ac.uk/uhtbin/ezproxy.pl?url=https://muse.jhu.edu/book/10022
49.
Moss DG. A Queen for Whose Time? Elizabeth I as Icon for the Twentieth Century [article in the Journal of Popular Culture]. The Journal of Popular Culture. 2006;39(5):796-816. doi:10.1111/j.1540-5931.2006.00306.x
50.
Bronfen E, Straumann B. ‘Elizabeth I: The Cinematic Afterlife of an Early Modern Political Diva’, in Mandy Merck (ed.), The British Monarchy on Screen. In: Merck M, ed. ; 2016:132-154. http://oapen.org/search?identifier=605453
51.
Kinzler J. Visualising Victoria: Gender, Genre and History in The Young Victoria [article in the Journal of Neo-Victorian Studies]. 2011;4(2):49-65. doi:http://www.neovictorianstudies.com/
52.
Terms for Film Analysis: The Camera Angle.
53.
Fielding S. ‘The Heart of a Heartless Political World: Screening Victoria’, in Mandy Merck (ed.), The British Monarchy on Screen. http://qmul.summon.serialssolutions.com/search?utf8=%E2%9C%93&s.q=mandy+merck#!/search/document?ho=t&l=en-UK&q=mandy%20merck&id=FETCHMERGED-qmul_360marc_ssib0241670023
54.
Houston GT. The Young Victoria [review in Victorian Literature and Culture]. Published 2011. https://www-cambridge-org.ezproxy.library.qmul.ac.uk/core/journals/victorian-literature-and-culture/article/victorians-live/BE68AA3795C1A2238CB10174C4F9730D/core-reader
55.
Von Tunzelmann A. Reel History: The World According to the Movies. Atlantic Books; 2016. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781782396475&uid=^u
56.
Williams K. Queen Victoria and the Palace Martyr. In: History Today. Vol 59. ; 2009. https://search-proquest-com.ezproxy.library.qmul.ac.uk/docview/202818044?pq-origsite=summon
57.
Ford E, Mitchell DC, Project Muse. Royal Portraits in Hollywood: Filming the Lives of Queens. University Press of Kentucky; 2009. http://catalogue.library.qmul.ac.uk/uhtbin/ezproxy.pl?url=https://muse.jhu.edu/book/10022
58.
Homans M. Royal Representations: Queen Victoria and British Culture, 1837-1876. University of Chicago Press; 1998. https://quod-lib-umich-edu.ezproxy.library.qmul.ac.uk/cgi/t/text/text-idx?c=acls;idno=heb04512.0001.001
59.
Plunkett J. Queen Victoria: First Media Monarch. Oxford University Press; 2003. http://www.loc.gov/catdir/toc/fy038/2003271860.html
60.
Wilson AN. Victoria: A Life. Atlantic Books; 2014.
61.
Higson A. Andrew Higson, ‘From Political Power to the Power of the Image’, in Mandy Merck (ed.), The British Monarchy on Screen. In: ; :339-362. https://babel.hathitrust.org/cgi/pt?id=ku01.r2_46;view=1up;seq=1
62.
Terms for Film Analysis: Camera Movement.
63.
Foundas S. The King’s Speech [review in Film Comment]. Film Comment. 46:68-69. https://www.filmcomment.com/article/the-kings-speech/
64.
Gardner E. The Making of ‘The King’s Speech’. Hollywood Reporter. 416(6):118-121. https://www.hollywoodreporter.com/news/anatomy-contender-making-kings-speech-34610
65.
Kemp P. The King’s Speech [review in Sight and Sound]. Sight and Sound. 21. http://old.bfi.org.uk/sightandsound/review/5872
66.
Pigeon R. Royal Renunciation: Edward VIII and the Problems of Representation [article in Film & History]. Film & History: An Interdisciplinary Journal. 2015;45(2):13-23. http://muse.jhu.edu.ezproxy.library.qmul.ac.uk/article/604515
67.
Roberts A. ‘How the King found his voice’ [article in The Daily Telegraph]. Published 6AD. http://www.telegraph.co.uk/news/uknews/theroyalfamily/8244564/How-the-King-found-his-voice.html
68.
Von Tunzelmann A. Reel History: The World According to the Movies. Atlantic Books; 2016. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781782396475&uid=^u
69.
Bradford S. George VI: The Dutiful King. Fontana; 1991.
70.
Logue M, Conradi P. The King’s Speech: How One Man Saved the British Monarchy. Quercus
71.
Rehling N. ‘When Words Fail’: The King’s Speech as Melodrama’ in Mandy Merck (ed.), The British Monarchy On Screen. In: Manchester University Press; 2016:384-405. http://www.oapen.org/search?identifier=605453
72.
Roberts A. Eminent Churchillians [Chapter 1: The House of Windsor and the Politics of Appeasement]. Phoenix; 1994.
73.
Rehling N. ‘When Words Fail: The King’s Speech as Melodrama’, in Mandy Merck (ed.), The British Monarchy On Screen. In: Manchester University Press; 2016:384-405. http://www.oapen.org/search?identifier=605453
74.
Carole Boyce Davies, ‘12 Years A Slave Fails to Represent Black Resistance to Enslavement’, The Guardian, 10 January 2014. https://www.theguardian.com/world/2014/jan/10/12-years-a-slave-fails-to-show-resistence
75.
Doherty T. Bringing the Slave Narrative to Screen: Steve McQueen and John Ridley’s Searing Depiction of America’s ‘Peculiar Institution’ [article in Cineaste]. Cineaste. 39(1):4-8. doi:https://www.jstor.org/stable/i40138991
76.
Massood PJ. 12 Years a Slave [review in the Journal of American History]. Published 2014. https://academic-oup-com.ezproxy.library.qmul.ac.uk/jah/article-lookup/101/1/357
77.
Gates HL. 12 Years a Slave: A Conversation with Steve McQueen [article in Transition]. Transition. 2014;(114). doi:10.2979/transition.114.185
78.
Stephanie Li. 12 Years a Slave as a Neo-Slave Narrative [article in American Literary History]. American Literary History. 2014;26(2):326-331. http://muse.jhu.edu.ezproxy.library.qmul.ac.uk/article/544242
79.
Marsh C. 12 Years a Slave [review in Sight and Sound]. Sight and Sound. 2014;24(2). http://www.bfi.org.uk/news-opinion/sight-sound-magazine/reviews-recommendations/film-week-12-years-slave
80.
Stauffer J. 12 Years between Life and Death [article in American Literary History]. American Literary History. 2014;26(2):317-325. http://muse.jhu.edu.ezproxy.library.qmul.ac.uk/article/544241
81.
Hughey MW, JSTOR (Organization). The White Savior Film: Content, Critics, and Consumption. Temple University Press; 2014. http://catalogue.library.qmul.ac.uk/uhtbin/ezproxy.pl?url=http://www.jstor.org/stable/j.ctt14bsx29
82.
Izzo DG, ed. Movies in the Age of Obama: The Era of Post-Racial and Neo-Racist Cinema. Rowman & Littlefield; 2015. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781442241305&uid=^u
83.
Chadwick B. The Reel Civil War: Mythmaking in American Film. 1st ed. Knopf; 2001.
84.
Cripps T. Making Movies Black: The Hollywood Message Movie from World War II to the Civil Rights Era. Oxford University Press; 1993.
85.
Northup S. Twelve Years A Slave. https://ebookcentral-proquest-com.ezproxy.library.qmul.ac.uk/lib/gmul-ebooks/detail.action?docID=797770
86.
Dolski M, Edwards S, Sayer F. Histories on Screen : The Past and Present in Anglo-American Cinema and Television. Bloomsbury Academic; 2018. doi:https://www.library.qmul.ac.uk/
87.
Stokes M. American History through Hollywood Film. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781441177476&uid=^u
88.
Graham A. "We Ain’t Doin’ Civil Rights”: The Life and Times of a Genre, as Told in The Help [article in Southern Cultures]. Southern Cultures. 2014;20(1):51-64. doi:10.1353/scu.2014.0003
89.
An Open Statement to the Fans of The Help by Association of Black Women Historians (ABWH). https://aalbc.com/reviews/the_help_historical_context.html
90.
Hughey MW. ‘Cinethetic Racism: White Redemption and Black Stereotypes in “Magical Negro” Films’ [article in Social Problems]. Social Problems [journal]. 56(3). http://www.jstor.org.ezproxy.library.qmul.ac.uk/stable/pdf/10.1525/sp.2009.56.3.543.pdf
91.
Hughey MW. The White Savior Film: Content, Critics, and Consumption. Temple University Press; 2014. http://catalogue.library.qmul.ac.uk/uhtbin/ezproxy.pl?url=http://www.jstor.org/stable/j.ctt14bsx29
92.
Izzo (editor) DG. Movies in the Age of Obama: The Era of Post-Racial and Neo-Racist Cinema. (Izzo DG, ed.). Rowman & Littlefield; 2015. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781442241305&uid=^u
93.
Jones SW. ‘The Divided Reception of The Help’ [article in the journal Southern Cultures]. 20(1):7-25. http://muse.jhu.edu.ezproxy.library.qmul.ac.uk/article/536961/pdf
94.
Lott M. The Relationship Between the "Invisibility” of African American Women in the American Civil Rights Movement of the 1950s and 1960s and Their Portrayal in Modern Film. Journal of Black Studies. 2017;48(4):331-354. doi:10.1177/0021934717696758
95.
Cripps T. Making Movies Black: The Hollywood Message Movie from World War II to the Civil Rights Era. Oxford University Press; 1993.
96.
Williams MV, EBSCOhost. Medgar Evers: Mississippi Martyr. University of Arkansas Press; 2011. http://catalogue.library.qmul.ac.uk/uhtbin/ezproxy.pl?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=561079
97.
Dunak K. Review of Jackie in the Journal of American History. Published 2017. https://academic-oup-com.ezproxy.library.qmul.ac.uk/jah/article-lookup/104/1/305
98.
Lucia C. Review of Jackie in Cineaste. Cineaste. 2017;42(3):66-68. doi:https://www.jstor.org/stable/26356979?seq=1#metadata_info_tab_contents
99.
Dunak K. Jackie Reconsidered, again: Jacqueline Kennedy and 1960s-era American womanhood. The Sixties. 2018;11(1):46-68. doi:10.1080/17541328.2017.1381797
100.
Kaite B. The Pink Suit: Jacqueline Kennedy and celebrity defilement. ‘The Pink Suit: Jacqueline Kennedy and Celebrity Defilement’ in the journal, Celebrity Studies. Celebrity Studies 5(1 and 2):175-196. https://www-tandfonline-com.ezproxy.library.qmul.ac.uk/doi/full/10.1080/19392397.2013.817762
101.
Lucca V. ‘Review of “Jackie”’ in Sight & Sound magazine. :68-69. doi:https://reader.exacteditions.com/issues/56028/spread/71
102.
Perry BA. Jacqueline Kennedy: First Lady of the New Frontier. University Press of Kansas; 2004.
103.
Teodoro J. ‘The State That I Am In’: Interview with director Pablo Larrain [in Film Comment]. https://www.filmcomment.com/article/pablo-larrain-jackie-neruda-interview/
104.
White TH. ‘For President Kennedy: An Epilogue’, Life Magazine, 6 Dec 1963, pp. 158-159. https://books.google.co.uk/books?id=ZlIEAAAAMBAJ&pg=PT111&dq=kennedy+camelot&hl=en&sa=X&ved=0ahUKEwjz27HMv7TXAhUC6KQKHRAwDtcQ6AEIPDAF#v=onepage&q=kennedy%20camelot&f=false
105.
A Tour of the White House with Mrs. John F. Kennedy (Best Quality) - YouTube. doi:https://www.dailymotion.com/video/x74jyr0
106.
Frame G. The Myth of John F. Kennedy in Film and Television. Film & History: An Interdisciplinary Journal. 2016;46(2):21-34. http://muse.jhu.edu.ezproxy.library.qmul.ac.uk/article/643289
107.
Hogan MJ. The Afterlife of John Fitzgerald Kennedy: A Biography. Cambridge University Press; 2017.
108.
Onassis JK, Schlesinger AM, Beschloss MR, Kennedy C. Jacqueline Kennedy: Historic Conversations on Life with John F. Kennedy, Interviews with Arthur M. Schlesinger, Jr., 1964. 1st edition. Hyperion https://covers.openlibrary.org/b/id/6942483-M.jpg
109.
White M. Kennedy: A Cultural History of an American Icon. Published 2013. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781441191564&uid=^u
110.
Walters B. ‘Out of the Past: Gay Cinema and Nostalgia’, The Guardian. Published online 3AD. https://www.theguardian.com/film/2014/jul/03/out-of-past-gay-cinema-nostalgia-lgbt
111.
Griffiths R. ‘ ‘A journey without direction’: British Queer Cinema post-Jarman’ [article in the Journal of British Cinema and Television]. Journal of British Cinema and Television. 13(4):590-609. doi:10.3366/jbctv.2016.0342
112.
Kellaway K. When Miners and Gay Rights Activists United on the Front Line [article in The Observer newspaper]. The Observer. Published online 31AD. https://www.theguardian.com/film/2014/aug/31/pride-film-gay-activists-miners-strike-interview
113.
Kelliher D. Solidarity and Sexuality: Lesbians and Gays Support the Miners 1984-5 [article in History Workshop Journal]. History Workshop Journal. 2014;77(1):240-262. doi:10.1093/hwj/dbt012
114.
Romney J. Pride [review in Film Comment]. Published 2014. https://www.filmcomment.com/blog/film-of-the-week-pride-matthew-warchus/
115.
Tate T. Pride: The Inspiring True Story Behind the Hit Film. John Blake Publishing Ltd; 2017.
116.
Waters B. Pride [review in Sight & Sound]. http://www.bfi.org.uk/news-opinion/sight-sound-magazine/reviews-recommendations/film-week-pride
117.
Cook M. A Gay History of Britain: Love and Sex Between Men Since the Middle Ages. Greenwood World Pub; 2007. http://www.loc.gov/catdir/toc/ecip075/2006039653.html
118.
Griffiths R, ed. British Queer Cinema. Routledge; 2006. http://catdir.loc.gov/catdir/toc/ecip0519/2005027729.html
119.
Robinson L. Gay Men and the Left in Post-War Britain. Manchester University Press; 2011. https://ebookcentral-proquest-com.ezproxy.library.qmul.ac.uk/lib/gmul-ebooks/detail.action?docID=1069568
120.
Terms for Film Analysis.
121.
Terms for Film Analysis: The Angele.
122.
Von Tunzelmann A. Reel History: The World According to the Movies.; 2016. http://reader.vlebooks.com/reader/open?accId=10102&cite=1&isbn=9781782396475&maxCopy=18&maxPrint=18&mmLimit=0&notes=1&pageLimit=0&shareLink=%2F%2FWWW.VLEBOOKS.COM%2FVLEWEB%2FPRODUCT%2FINDEX%2F723086&startPage=0&timestamp=2019-01-04T09%3A48%3A26&userId=985458&watermark=++++++++++++++++++++++++++++++QMUL%2FYHE0OR%2BZTMTIJXXSEGPVPJYRSNKQD8AH++++++++++++++++++++++++++++++&token=xy%2fe1qbtbxmf%2fcresnEyZHXKSnQ%3d
123.
Karatsu R. Between Comedy and Kitsch: Kitano’s ‘Zatoichi’ and Kurosawa’s Traditions of ‘Jidaigeki’ Comedies. Published online 2006. https://www.nottingham.ac.uk/scope/documents/2006/october-2006/karatsu.pdf
