1
Thorne R. Samurai films. Harpenden: : Kamera 2008.
2
Gerow AA. Kitano Takeshi. [London]: : British Film Institute 2007.
3
Karatsu R. Between Comedy and Kitsch: Kitano’s ‘Zatoichi’ and Kurosawa’s Traditions of ‘Jidaigeki’ Comedies. Published Online First: 2006.https://www.nottingham.ac.uk/scope/documents/2006/october-2006/karatsu.pdf
4
Taylor-Jones KE. Rising Sun, Divided Land: Japanese and South Korean Filmmakers. https://books.google.co.uk/books?id=SfaEAAAAQBAJ&pg=PA112&dq=Zatoichi+Kitano&hl=en&sa=X&ved=0ahUKEwih9cLn14LZAhViJMAKHZHxDGUQ6AEIQDAF#v=onepage&q=Zatoichi&f=false
5
Burch N. To the Distant Observer: Form and Meaning in the Japanese Cinema. https://books.google.co.uk/books?id=lLtyz275-GYC&printsec=frontcover&dq=to+the+distant+observer&hl=en&sa=X&ved=0ahUKEwih3srA1YLZAhVCCsAKHVjTAHYQ6AEIKDAA#v=onepage&q=zatoichi&f=false
6
Redmond S. The cinema of Takeshi Kitano: flowering blood. London: : Wallflower Press 2012.
7
Silver A. The samurai film. Expanded and rev. ed. Woodstock, NY: : Overlook Press 2005.
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Standish I. A new history of Japanese cinema: a century of narrative film. New York: : Continuum 2006. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781441161543&uid=^u
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Silver A. The samurai film. Expanded and rev. ed. Woodstock, NY: : Overlook Press 2005.
10
Toplin RB. Reel History: In Defense of Hollywood. Lawrence: : University Press of Kansas 2002. http://www.loc.gov/catdir/toc/fy036/2002005421.html
11
Burgoyne R. The Hollywood historical film. Malden, MA: : Blackwell Pub 2008. http://catdir.loc.gov/catdir/toc/ecip0720/2007024732.html
12
Rosenstone RA. History on film/film on history. Third edition. Abingdon, Oxon: : Routledge, an imprint of the Taylor & Francis Group 2018.
13
Stubbs J. Historical film: a critical introduction. New York: : Bloomsbury Academic 2013.
14
Dolski M, Edwards S, Sayer F. Histories on Screen: The Past and Present in Anglo-American Cinema and Television. Bloomsbury Academic 2018. http://web.b.ebscohost.com.ezproxy.library.qmul.ac.uk/ehost/detail/detail?vid=0&sid=233fb874-9db4-411d-add1-ae63de73e6f0%40pdc-v-sessmgr06&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#db=nlebk&AN=1659018
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Standish I. A new history of Japanese cinema: a century of narrative film. New York: : Continuum 2006. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781441161543&uid=^u
16
Bordwell D, Thompson K. Film Art: An Introduction. 9th ed. New York: : McGraw-Hill 2010. http://scans.hebis.de/HEBCGI/show.pl?25538592_toc.html
17
Giannetti LD. Understanding Movies. 10th edition. Pearson/Prentice Hall 2005.
18
Patricia White, Timothy Corrigan. The Film Experience. Palgrave Macmillan 2004.
19
Marcks G. ‘A Credible Witness’ [’Close-up’ column from Film Quarterly magazine]. Film Quarterly 2006;60:3–3. doi:10.1525/fq.2006.60.1.3
20
Prince S. Firestorm: American Film in the Age of Terrorism. Columbia University Press 2009. http://wt3cf4et2l.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.title=Firestorm&rft.au=Prince%2C+Stephen&rft.date=2009-01-01&rft.pub=Columbia+University+Press&rft.isbn=9780231148719&rft.externalDBID=n%2Fa&rft.externalDocID=362903&paramdict=en-UK
21
TERMS FOR FILM ANALYSIS: Mise en scene.
22
Doherty T. ‘United 93’ [review in Cineaste magazine]. Cineaste 2006;31:73–5. doi:https://www.jstor.org/stable/i40079420
23
Gavin Smith. Mission Statement [interview with director Paul Greengrass in Film Comment magazine]. Film Comment;42:24–8.https://www.filmcomment.com/article/united-93-paul-greengrass-review/
24
Von Tunzelmann A. Reel history: the world according to the movies. London: : Atlantic Books 2016. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781782396475&uid=^u
25
Westwell G. Parallel lines: Post-9/11 American Cinema [chapter 4: ‘Return to Ground Zero’. New York: : Wallflower Press 2014.
26
Burgoyne R. The Hollywood historical film [chapter 6 on United 93]. Malden, MA: : Blackwell Pub 2008.
27
Ford E. ‘Let’s Roll: Hollywood Takes on 9/11’, in Briefel and Miller (eds), Horror After 9/11 [pp. 41-52 on United 93]. University of Texas Press 2011. 41–52.http://catalogue.library.qmul.ac.uk/uhtbin/cgisirsi/x/0/0/57/5/3?searchdata1=1350974%7BCKEY%7D&user_id=WEBSERVER#
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Gavron S. The Making of the Feature Film Suffragette, Women’s History Review. 2015;24:985–95.http://www-tandfonline-com.ezproxy.library.qmul.ac.uk/doi/abs/10.1080/09612025.2015.1074007
29
De Pascalis IA. Film review: Suffragette, in the European Journal of Women’s Studies. European Journal of Women’s Studies 2017;24:189–92. doi:10.1177/1350506817691866
30
Lewis H. "These were voiceless women. We gave them a voice.” Interview with screenwriter Abi Morgan in the New Statesman. 16AD.https://www.newstatesman.com/culture/film/2015/10/abi-morgan-these-were-voiceless-women-we-gave-them-voice
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Seabourne G. ‘Deeds, Words and Drama’ [review of Suffragette in Feminist Legal Studies]. Feminist Legal Studies 2016;24:115–9. doi:10.1007/s10691-015-9307-3
32
Smyth JE. ‘The Past, Present, and Future of Women’s History on Screen: An Interview with Sarah Gavron’ [article in Cineaste]. Cineaste 2015;41:18–21. doi:https://www.jstor.org/stable/i26356379
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Stevens I. ‘Militant Tendencies’ [an interview with Carey Mulligan in Sight and Sound]. 2015;25:32–4. doi:https://reader.exacteditions.com/issues/57835/spread/35
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Von Tunzelmann A. ‘Suffragette: Tough Questions Disenfranchised Despite Earnest Attempt’ [article in The Guardian]. 22AD.https://www.theguardian.com/film/2015/oct/22/suffragette-film-carey-mulligan-maud-watts-working-class-womens-suffrage-movement-violence
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Bartley P. Emmeline Pankhurst. Routledge https://ebookcentral-proquest-com.ezproxy.library.qmul.ac.uk/lib/gmul-ebooks/detail.action?docID=1075396
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Pankhurst S. The suffragette movement: an intimate account of persons and ideals. [1st ed. reprinted]. London: : Virago 1977.
37
Smith HL. The British women’s suffrage campaign, 1866-1928. 2nd ed. Harlow: : Pearson Longman 2007. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781408251034&uid=^u
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Tosh J. The Pursuit of History. Taylor & Francis 2013. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781408226087&uid=^u
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Latham B. Elizabeth I in Film and Television. McFarland 2011. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9780786485147&uid=^u
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Terms for Film Analysis: The Shot.
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Chapman J. Past and Present: National Identity and the British Historical Film [chapter 13 on Elizabeth]. Tauris 2005. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9780857715579&uid=^u
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Knowles S. Elizabeth [film review in the journal Film and History]. 2003;33:78–80.http://muse.jhu.edu.ezproxy.library.qmul.ac.uk/article/396092/pdf
43
Parrill S, Robison WB. The Tudors on film and television. Jefferson, N.C.: : McFarland 2013. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781476600314&uid=^u
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Sweet R. Elizabeth [film review in the American Historical Review]. American Historical Review. ;104:297–9.https://academic-oup-com.ezproxy.library.qmul.ac.uk/ahr/article/104/1/297/12821/Elizabeth-Produced-by-Tim-Bevan-Eric-Fellner-and
45
Von Tunzelmann A. Reel History: The World According to the Movies. 2016. http://reader.vlebooks.com/reader/open?accId=10102&cite=1&isbn=9781782396475&maxCopy=18&maxPrint=18&mmLimit=0&notes=1&pageLimit=0&shareLink=%2F%2FWWW.VLEBOOKS.COM%2FVLEWEB%2FPRODUCT%2FINDEX%2F723086&startPage=0&timestamp=2019-01-04T09%3A48%3A26&userId=985458&watermark=++++++++++++++++++++++++++++++QMUL%2FYHE0OR%2BZTMTIJXXSEGPVPJYRSNKQD8AH++++++++++++++++++++++++++++++&token=xy%2fe1qbtbxmf%2fcresnEyZHXKSnQ%3d
46
Betteridge T. ‘A Queen For All Seasons: Elizabeth I on Film’, in S. Doran and T.S. Freeman (eds), The Myth of Elizabeth. Basingstoke, Hampshire: : Palgrave Macmillan 2003. 242–59.
47
Doran S, Freeman T. Tudors and Stuarts on Film: Historical Perspectives [pages 242-259]. Basingstoke: : Palgrave Macmillan 2009.
48
Ford E, Mitchell DC, Project Muse. Royal Portraits in Hollywood: Filming the Lives of Queens. Lexington, Ky: : University Press of Kentucky 2009. http://catalogue.library.qmul.ac.uk/uhtbin/ezproxy.pl?url=https://muse.jhu.edu/book/10022
49
Moss DG. A Queen for Whose Time? Elizabeth I as Icon for the Twentieth Century [article in the Journal of Popular Culture]. The Journal of Popular Culture 2006;39:796–816. doi:10.1111/j.1540-5931.2006.00306.x
50
Bronfen E, Straumann B. ‘Elizabeth I: The Cinematic Afterlife of an Early Modern Political Diva’, in Mandy Merck (ed.), The British Monarchy on Screen. In: Merck M, ed. . 2016. 132–54.http://oapen.org/search?identifier=605453
51
Kinzler J. Visualising Victoria: Gender, Genre and History in The Young Victoria [article in the Journal of Neo-Victorian Studies]. 2011;4:49–65. doi:http://www.neovictorianstudies.com/
52
Terms for Film Analysis: The Camera Angle.
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Fielding S. ‘The Heart of a Heartless Political World: Screening Victoria’, in Mandy Merck (ed.), The British Monarchy on Screen. ;:64–85.http://qmul.summon.serialssolutions.com/search?utf8=%E2%9C%93&s.q=mandy+merck#!/search/document?ho=t&l=en-UK&q=mandy%20merck&id=FETCHMERGED-qmul_360marc_ssib0241670023
54
Houston GT. The Young Victoria [review in Victorian Literature and Culture]. 2011;39:269–72.https://www-cambridge-org.ezproxy.library.qmul.ac.uk/core/journals/victorian-literature-and-culture/article/victorians-live/BE68AA3795C1A2238CB10174C4F9730D/core-reader
55
Von Tunzelmann A. Reel history: the world according to the movies. London: : Atlantic Books 2016. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781782396475&uid=^u
56
Williams K. Queen Victoria and the Palace Martyr. In: History Today. 2009. https://search-proquest-com.ezproxy.library.qmul.ac.uk/docview/202818044?pq-origsite=summon
57
Ford E, Mitchell DC, Project Muse. Royal Portraits in Hollywood: Filming the Lives of Queens. Lexington, Ky: : University Press of Kentucky 2009. http://catalogue.library.qmul.ac.uk/uhtbin/ezproxy.pl?url=https://muse.jhu.edu/book/10022
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Homans M. Royal representations: Queen Victoria and British culture, 1837-1876. University of Chicago Press 1998. https://quod-lib-umich-edu.ezproxy.library.qmul.ac.uk/cgi/t/text/text-idx?c=acls;idno=heb04512.0001.001
59
Plunkett J. Queen Victoria: First Media Monarch. New York: : Oxford University Press 2003. http://www.loc.gov/catdir/toc/fy038/2003271860.html
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Wilson AN. Victoria: A Life. London: : Atlantic Books 2014.
61
Higson A. Andrew Higson, ‘From Political Power to the Power of the Image’, in Mandy Merck (ed.), The British Monarchy on Screen. 339–62.https://babel.hathitrust.org/cgi/pt?id=ku01.r2_46;view=1up;seq=1
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Terms for Film Analysis: Camera Movement.
63
Foundas S. The King’s Speech [review in Film Comment]. Film Comment;46:68–9.https://www.filmcomment.com/article/the-kings-speech/
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Gardner E. The Making of ‘The King’s Speech’. Hollywood Reporter;416:118–21.https://www.hollywoodreporter.com/news/anatomy-contender-making-kings-speech-34610
65
Kemp P. The King’s Speech [review in Sight and Sound]. Sight and Sound;21.http://old.bfi.org.uk/sightandsound/review/5872
66
Pigeon R. Royal Renunciation: Edward VIII and the Problems of Representation [article in Film & History]. Film & History: An Interdisciplinary Journal 2015;45:13–23.http://muse.jhu.edu.ezproxy.library.qmul.ac.uk/article/604515
67
Roberts A. ‘How the King found his voice’ [article in The Daily Telegraph]. 6AD.http://www.telegraph.co.uk/news/uknews/theroyalfamily/8244564/How-the-King-found-his-voice.html
68
Von Tunzelmann A. Reel history: the world according to the movies. London: : Atlantic Books 2016. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781782396475&uid=^u
69
Bradford S. George VI: The Dutiful King. London: : Fontana 1991.
70
Logue M, Conradi P. The King’s speech: how one man saved the British monarchy. London: : Quercus
71
Rehling N. ‘When Words Fail’: The King’s Speech as Melodrama’ in Mandy Merck (ed.), The British Monarchy On Screen. Manchester: : Manchester University Press 2016. 384–405.http://www.oapen.org/search?identifier=605453
72
Roberts A. Eminent Churchillians [chapter 1: The House of Windsor and the Politics of Appeasement]. London: : Phoenix 1994.
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Rehling N. ‘When Words Fail: The King’s Speech as Melodrama’, in Mandy Merck (ed.), The British Monarchy On Screen. London: : Manchester University Press 2016. 384–405.http://www.oapen.org/search?identifier=605453
74
Carole Boyce Davies, ‘12 Years A Slave Fails to Represent Black Resistance to Enslavement’, The Guardian, 10 January 2014. https://www.theguardian.com/world/2014/jan/10/12-years-a-slave-fails-to-show-resistence
75
Doherty T. Bringing the Slave Narrative to Screen: Steve McQueen and John Ridley’s Searing Depiction of America’s ‘Peculiar Institution’ [article in Cineaste]. Cineaste;39:4–8. doi:https://www.jstor.org/stable/i40138991
76
Massood PJ. 12 Years a Slave [review in the Journal of American History]. 2014;101:357–60.https://academic-oup-com.ezproxy.library.qmul.ac.uk/jah/article-lookup/101/1/357
77
Gates HL. 12 Years a Slave: A Conversation with Steve McQueen [article in Transition]. Transition Published Online First: 2014. doi:10.2979/transition.114.185
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Stephanie Li. 12 Years a Slave as a Neo-Slave Narrative [article in American Literary History]. American Literary History 2014;26:326–31.http://muse.jhu.edu.ezproxy.library.qmul.ac.uk/article/544242
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Marsh C. 12 Years a Slave [review in Sight and Sound]. Sight and Sound 2014;24.http://www.bfi.org.uk/news-opinion/sight-sound-magazine/reviews-recommendations/film-week-12-years-slave
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Stauffer J. 12 Years between Life and Death [article in American Literary History]. American Literary History 2014;26:317–25.http://muse.jhu.edu.ezproxy.library.qmul.ac.uk/article/544241
81
Hughey MW, JSTOR (Organization). The white savior film: content, critics, and consumption. Philadelphia: : Temple University Press 2014. http://catalogue.library.qmul.ac.uk/uhtbin/ezproxy.pl?url=http://www.jstor.org/stable/j.ctt14bsx29
82
Izzo DG, editor. Movies in the Age of Obama: The Era of Post-racial and Neo-racist Cinema. Lanham, MD: : Rowman & Littlefield 2015. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781442241305&uid=^u
83
Chadwick B. The Reel Civil War: Mythmaking in American Film. 1st ed. New York: : Knopf 2001.
84
Cripps T. Making movies Black: the Hollywood message movie from World War II to the civil rights era. New York: : Oxford University Press 1993.
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Northup S. Twelve Years A Slave. https://ebookcentral-proquest-com.ezproxy.library.qmul.ac.uk/lib/gmul-ebooks/detail.action?docID=797770
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Dolski M, Edwards S, Sayer F. Histories on Screen : The Past and Present in Anglo-American Cinema and Television. Bloomsbury Academic 2018. doi:https://www.library.qmul.ac.uk/
87
Stokes M. American History through Hollywood Film. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781441177476&uid=^u
88
Graham A. "We Ain’t Doin’ Civil Rights”: The Life and Times of a Genre, as Told in The Help [article in Southern Cultures]. Southern Cultures 2014;20:51–64. doi:10.1353/scu.2014.0003
89
An Open Statement to the Fans of The Help by Association of Black Women Historians (ABWH). https://aalbc.com/reviews/the_help_historical_context.html
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Hughey MW. ‘Cinethetic Racism: White Redemption and Black Stereotypes in “Magical Negro” Films’ [article in Social Problems]. Social Problems [journal];56.http://www.jstor.org.ezproxy.library.qmul.ac.uk/stable/pdf/10.1525/sp.2009.56.3.543.pdf
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Hughey MW. The White Savior Film: Content, Critics, and Consumption. Philadelphia: : Temple University Press 2014. http://catalogue.library.qmul.ac.uk/uhtbin/ezproxy.pl?url=http://www.jstor.org/stable/j.ctt14bsx29
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Izzo (editor) DG. Movies in the Age of Obama: The Era of Post-racial and Neo-racist Cinema. Rowman & Littlefield 2015. http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781442241305&uid=^u
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Jones SW. ‘The Divided Reception of The Help’ [article in the journal Southern Cultures]. ;20:7–25.http://muse.jhu.edu.ezproxy.library.qmul.ac.uk/article/536961/pdf
94
Lott M. The Relationship Between the "Invisibility” of African American Women in the American Civil Rights Movement of the 1950s and 1960s and Their Portrayal in Modern Film. Journal of Black Studies 2017;48:331–54. doi:10.1177/0021934717696758
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Cripps T. Making movies Black: the Hollywood message movie from World War II to the civil rights era. New York: : Oxford University Press 1993.
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Williams MV, EBSCOhost. Medgar Evers: Mississippi martyr. Fayetteville: : University of Arkansas Press 2011. http://catalogue.library.qmul.ac.uk/uhtbin/ezproxy.pl?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=561079
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Dunak K. Review of Jackie in the Journal of American History. 2017;104:305–7.https://academic-oup-com.ezproxy.library.qmul.ac.uk/jah/article-lookup/104/1/305
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Lucia C. Review of Jackie in Cineaste. Cineaste 2017;42:66–8. doi:https://www.jstor.org/stable/26356979?seq=1#metadata_info_tab_contents
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Dunak K. Jackie Reconsidered, again: Jacqueline Kennedy and 1960s-era American womanhood. The Sixties 2018;11:46–68. doi:10.1080/17541328.2017.1381797
100
Kaite B. The Pink Suit: Jacqueline Kennedy and celebrity defilement. ‘The Pink Suit: Jacqueline Kennedy and Celebrity Defilement’ in the journal, Celebrity Studies;Celebrity Studies 5:175–96.https://www-tandfonline-com.ezproxy.library.qmul.ac.uk/doi/full/10.1080/19392397.2013.817762
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Lucca V. ‘Review of “Jackie”’ in Sight & Sound magazine. ;:68–9. doi:https://reader.exacteditions.com/issues/56028/spread/71
102
Perry BA. Jacqueline Kennedy: First Lady of the New Frontier. Lawrence: : University Press of Kansas 2004.
103
Teodoro J. ‘The State That I Am In’: Interview with director Pablo Larrain [in Film Comment]. https://www.filmcomment.com/article/pablo-larrain-jackie-neruda-interview/
104
White TH. ‘For President Kennedy: An Epilogue’, Life Magazine, 6 Dec 1963, pp. 158-159. https://books.google.co.uk/books?id=ZlIEAAAAMBAJ&pg=PT111&dq=kennedy+camelot&hl=en&sa=X&ved=0ahUKEwjz27HMv7TXAhUC6KQKHRAwDtcQ6AEIPDAF#v=onepage&q=kennedy%20camelot&f=false
105
A Tour of the White House with Mrs. John F. Kennedy (Best Quality) - YouTube. doi:https://www.dailymotion.com/video/x74jyr0
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Frame G. The Myth of John F. Kennedy in Film and Television. Film & History: An Interdisciplinary Journal 2016;46:21–34.http://muse.jhu.edu.ezproxy.library.qmul.ac.uk/article/643289
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Hogan MJ. The afterlife of John Fitzgerald Kennedy: a biography. New York, NY, USA: : Cambridge University Press 2017.
108
Onassis JK, Schlesinger AM, Beschloss MR, et al. Jacqueline Kennedy: historic conversations on life with John F. Kennedy, interviews with Arthur M. Schlesinger, Jr., 1964. 1st edition. New York: : Hyperion https://covers.openlibrary.org/b/id/6942483-M.jpg
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White M. Kennedy: A Cultural History of an American Icon. 2013.http://ezproxy.library.qmul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=QMUL&isbn=9781441191564&uid=^u
110
Walters B. ‘Out of the Past: Gay Cinema and Nostalgia’, The Guardian. Published Online First: 3AD.https://www.theguardian.com/film/2014/jul/03/out-of-past-gay-cinema-nostalgia-lgbt
111
Griffiths R. ‘ ‘A journey without direction’: British Queer Cinema post-Jarman’ [article in the Journal of British Cinema and Television]. Journal of British Cinema and Television;13:590–609. doi:10.3366/jbctv.2016.0342
112
Kellaway K. When Miners and Gay Rights Activists United on the Front Line [article in The Observer newspaper]. The Observer Published Online First: 31AD.https://www.theguardian.com/film/2014/aug/31/pride-film-gay-activists-miners-strike-interview
113
Kelliher D. Solidarity and Sexuality: Lesbians and Gays Support the Miners 1984-5 [article in History Workshop Journal]. History Workshop Journal 2014;77:240–62. doi:10.1093/hwj/dbt012
114
Romney J. Pride [review in Film Comment]. 2014.https://www.filmcomment.com/blog/film-of-the-week-pride-matthew-warchus/
115
Tate T. Pride: The Inspiring True Story Behind the Hit Film. London, England: : John Blake Publishing Ltd 2017.
116
Waters B. Pride [review in Sight & Sound]. http://www.bfi.org.uk/news-opinion/sight-sound-magazine/reviews-recommendations/film-week-pride
117
Cook M. A Gay History of Britain: Love and Sex Between Men Since the Middle Ages. Oxford: : Greenwood World Pub 2007. http://www.loc.gov/catdir/toc/ecip075/2006039653.html
118
Griffiths R, editor. British queer cinema. New York: : Routledge 2006. http://catdir.loc.gov/catdir/toc/ecip0519/2005027729.html
119
Robinson L. Gay Men and the Left in Post-War Britain. Manchester University Press 2011. https://ebookcentral-proquest-com.ezproxy.library.qmul.ac.uk/lib/gmul-ebooks/detail.action?docID=1069568
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Terms for Film Analysis.
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Terms for Film Analysis: The Angele.
122
Von Tunzelmann A. Reel History: The World According to the Movies. 2016. http://reader.vlebooks.com/reader/open?accId=10102&cite=1&isbn=9781782396475&maxCopy=18&maxPrint=18&mmLimit=0&notes=1&pageLimit=0&shareLink=%2F%2FWWW.VLEBOOKS.COM%2FVLEWEB%2FPRODUCT%2FINDEX%2F723086&startPage=0&timestamp=2019-01-04T09%3A48%3A26&userId=985458&watermark=++++++++++++++++++++++++++++++QMUL%2FYHE0OR%2BZTMTIJXXSEGPVPJYRSNKQD8AH++++++++++++++++++++++++++++++&token=xy%2fe1qbtbxmf%2fcresnEyZHXKSnQ%3d
123
Karatsu R. Between Comedy and Kitsch: Kitano’s ‘Zatoichi’ and Kurosawa’s Traditions of ‘Jidaigeki’ Comedies. Published Online First: 2006.https://www.nottingham.ac.uk/scope/documents/2006/october-2006/karatsu.pdf
