1.
Baudelaire, C., Mayne, J.: The painter of modern life and other essays. Da Capo Press, New York, N.Y. (1986).
2.
Clark, T. J.: The painting of modern life: Paris in the art of Manet and his followers. Princeton University Press, Princeton, N.J.
3.
Green, Christopher: Art in France, 1900-1940. Yale University Press, New Haven (2001).
4.
Harrison, Charles, Wood, Paul, Gaiger, Jason: Art in theory, 1815-1900: an anthology of changing ideas. Blackwell, Oxford (1998).
5.
Berger, John: Ways of seeing. Penguin, London (2008).
6.
Harrison, Charles, Wood, Paul: Art in theory, 1900-2000: an anthology of changing ideas. Blackwell Pub, Malden, MA (2003).
7.
D’Alleva, A.: How to write art history. Laurence King, London (2010).
8.
Herbert, R.L.: Impressionism: art, leisure, and Parisian society. Yale University Press, New Haven, Conn (1988).
9.
Frascina, Francis: Modernity and modernism: French painting in the nineteenth century. Yale University Press, in association with the Open University, New Haven (1993).
10.
Baudelaire, Charles: The painter of modern life. Penguin, London (2010).
11.
Burger, Peter: Theory of the avant-garde. Minnesota University Press, Minneapolis, Minn (1984).
12.
Clark, T. J.: Farewell to an idea: episodes from a history of modernism. Yale University Press, New Haven (1999).
13.
Nelson, Robert S., Shiff, Richard: Critical terms for art history. University of Chicago Press, Chicago (2003).
14.
Greenberg, C., O’Brian, J.: Clement Greenberg, the collected essays and criticism. University of Chicago Press, Chicago (1988).
15.
Thomson, Belinda: Impressionism: origins, practice, reception. Thames & Hudson, London (2000).
16.
House, John: Monet: nature into art. Yale University Press, New Haven (1986).
17.
Bourdieu, P., Bordieu, M.-C., Charle, C., Collier, P.: Manet: a symbolic revolution, Lectures at the Collè̀ge de France (1998-2000) followed by an unfinished manuscript by Pierre and Marie-Claire Bourdieu. Polity Press, Cambridge, UK (2017).
18.
Nancy Forgione: Everyday Life in Motion: The Art of Walking in Late-Nineteenth-Century Paris. The Art Bulletin. 87, (2005).
19.
Frascina, F., Harris, J.: ‘The Intransigent Artist or How the Impressionists Got their Name’ in: Art in modern culture: an anthology of critical texts. Presented at the (1992).
20.
Fry, Roger, Reed, Christopher: A Roger Fry reader. (1996).
21.
Ruth E. Iskin: Selling, Seduction, and Soliciting the Eye: Manet’s Bar at the Folies-Bergère. The Art Bulletin. 77, 25–44 (1995).
22.
Shiff, Richard, Collins, Bradford R.: 12 Views of Manet’s Bar. Princeton University Press, Princeton, N.J (1996).
23.
Broude, N., Garrard, M.D.: The Expanding discourse: feminism and art history. IconEditions, New York, NY (1992).
24.
Pollock, Griselda: Vision and difference: feminism, femininity and the histories of art. Routledge, London (2003).
25.
Kendall, Richard, Pollock, Griselda: Dealing with Degas: representations of women and the politics of vision. Universe, New York (1991).
26.
Solomon-Godeau, Abigail: Male trouble: a crisis in representation. (1997).
27.
Homer, William Innes: Seurat and the science of painting. M.I.T. Press, Cambridge [Mass.] (1964).
28.
Cézanne, Paul, House, John: The Courtauld Cézannes.
29.
Shiff, Richard: Cézanne and the end of impressionism: a study of the theory, technique, and critical evaluation of modern art. University of Chicago Press, Chicago (1984).
30.
Garb, Tamar: Bodies of modernity: figure and flesh in fin-de-siècle France. (1998).
31.
Pollock, Griselda, Orton, Fred, Gogh, Vincent van: Vincent van Gogh, artist of his time. Dutton, New York (1978).
32.
Higonnet, A.: Berthe Morisot: a biography. Collins, London (1990).
33.
Knapp, J.F.: Primitivism and the Modern. boundary 2. 15, (1986). https://doi.org/https://www.jstor.org/stable/303444?seq=1#metadata_info_tab_contents.
34.
Welten, R B J M: Paul Gauguin and the Complexity of the Primitivist Gaze. Journal of art historiography. (2015).
35.
Harrison, C., Frascina, F., Perry, G.: Primitivism, cubism, abstraction: the early twentieth century. Yale University Press, in association with the Open University, New Haven (1994).
36.
Thomson, Belinda: Gauguin. Thames and Hudson, London (1987).
37.
Herbert, James D.: Fauve painting: the making of cultural politics. Yale University Press, New Haven (1992).
38.
Antliff, Mark, Leighten, Patricia: Cubism and culture. Thames & Hudson, London (2001).
39.
Apollinaire, Guillaume: The cubist painters.
40.
Cottington, D.: Cubism in the shadow of war: the avant-garde and politics in Paris 1905-1914. Yale University Press, New Haven.
41.
Green, Christopher: Picasso’s Les demoiselles d’Avignon.
42.
Eisenman, S.F.: Gauguin’s skirt. Thames and Hudson, London (1997).