1
Baudelaire C, Mayne J. The painter of modern life and other essays. New York, N.Y.: : Da Capo Press 1986.
2
Clark, T. J. The painting of modern life: Paris in the art of Manet and his followers. Rev. ed. Princeton, N.J.: : Princeton University Press
3
Green, Christopher. Art in France, 1900-1940. New Haven: : Yale University Press 2001.
4
Harrison, Charles, Wood, Paul, Gaiger, Jason. Art in theory, 1815-1900: an anthology of changing ideas. Oxford: : Blackwell 1998.
5
Berger, John. Ways of seeing. London: : Penguin 2008.
6
Harrison, Charles, Wood, Paul. Art in theory, 1900-2000: an anthology of changing ideas. 2nd ed. Malden, MA: : Blackwell Pub 2003.
7
D’Alleva A. How to write art history. 2nd ed. London: : Laurence King 2010.
8
Herbert RL. Impressionism: art, leisure, and Parisian society. New Haven, Conn: : Yale University Press 1988.
9
Frascina, Francis. Modernity and modernism: French painting in the nineteenth century. New Haven: : Yale University Press, in association with the Open University 1993.
10
Baudelaire, Charles. The painter of modern life. London: : Penguin 2010.
11
Burger, Peter. Theory of the avant-garde. Minneapolis, Minn: : Minnesota University Press 1984.
12
Clark, T. J. Farewell to an idea: episodes from a history of modernism. New Haven: : Yale University Press 1999.
13
Nelson, Robert S., Shiff, Richard. Critical terms for art history. 2nd ed. Chicago: : University of Chicago Press 2003. http://catdir.loc.gov/catdir/description/uchi051/2002035978.html
14
Greenberg C, O’Brian J. Clement Greenberg, the collected essays and criticism. Chicago: : University of Chicago Press 1988.
15
Thomson, Belinda. Impressionism: origins, practice, reception. London: : Thames & Hudson 2000.
16
House, John. Monet: nature into art. New Haven: : Yale University Press 1986.
17
Bourdieu P, Bordieu M-C, Charle C, et al. Manet: a symbolic revolution, Lectures at the Collè̀ge de France (1998-2000) followed by an unfinished manuscript by Pierre and Marie-Claire Bourdieu. English edition. Cambridge, UK: : Polity Press 2017.
18
Nancy Forgione. Everyday Life in Motion: The Art of Walking in Late-Nineteenth-Century Paris. The Art Bulletin 2005;87.https://www-jstor-org.ezproxy.library.qmul.ac.uk/stable/25067208?pq-origsite=summon&seq=1#metadata_info_tab_contents
19
Frascina F, Harris J. ‘The Intransigent Artist or How the Impressionists Got their Name’ in: Art in modern culture: an anthology of critical texts. London: : Phaidon Press, in association with the Open University 1992.
20
Fry, Roger, Reed, Christopher. A Roger Fry reader. 1996.
21
Ruth E. Iskin. Selling, Seduction, and Soliciting the Eye: Manet’s Bar at the Folies-Bergère. The Art Bulletin 1995;77:25–44.http://ezproxy.library.qmul.ac.uk/login?url=http://www.jstor.org/stable/3046078?seq=1#page_scan_tab_contents
22
Shiff, Richard, Collins, Bradford R. 12 Views of Manet’s Bar. Princeton, N.J: : Princeton University Press 1996.
23
Broude N, Garrard MD. The Expanding discourse: feminism and art history. New York, NY: : IconEditions 1992.
24
Pollock, Griselda. Vision and difference: feminism, femininity and the histories of art. London: : Routledge 2003.
25
Kendall, Richard, Pollock, Griselda. Dealing with Degas: representations of women and the politics of vision. New York: : Universe 1991.
26
Solomon-Godeau, Abigail. Male trouble: a crisis in representation. 1997.
27
Homer, William Innes. Seurat and the science of painting. Cambridge [Mass.]: : M.I.T. Press 1964.
28
Cézanne, Paul, House, John. The Courtauld Cézannes.
29
Shiff, Richard. Cézanne and the end of impressionism: a study of the theory, technique, and critical evaluation of modern art. Chicago: : University of Chicago Press 1984.
30
Garb, Tamar. Bodies of modernity: figure and flesh in fin-de-siècle France. 1998.
31
Pollock, Griselda, Orton, Fred, Gogh, Vincent van. Vincent van Gogh, artist of his time. New York: : Dutton 1978.
32
Higonnet A. Berthe Morisot: a biography. London: : Collins 1990. http://web.b.ebscohost.com.ezproxy.library.qmul.ac.uk/ehost/detail/detail?vid=0&sid=e8555a10-77cf-46b1-b176-79d8610cfb80%40pdc-v-sessmgr01&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=32728&db=nlebk
33
Knapp JF. Primitivism and the Modern. boundary 2 1986;15. doi:https://www.jstor.org/stable/303444?seq=1#metadata_info_tab_contents
34
Welten, R B J M. Paul Gauguin and the Complexity of the Primitivist Gaze. Journal of art historiography Published Online First: 2015.http://wt3cf4et2l.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Paul+Gauguin+and+the+Complexity+of+the+Primitivist+Gaze&rft.jtitle=Journal+of+Art+Historiography&rft.au=Welten%2C+R.B.J.M&rft.date=2015&rft.issn=2042-4752&rft.eissn=2042-4752&rft.externalDocID=uvt_oai_tilburguniversity_edu_publications_71d79340_78e2_440a_b91b_615553482038&paramdict=en-UK
35
Harrison C, Frascina F, Perry G. Primitivism, cubism, abstraction: the early twentieth century. Reprinted with corrections. New Haven: : Yale University Press, in association with the Open University 1994.
36
Thomson, Belinda. Gauguin. Revised edition. London: : Thames and Hudson 1987.
37
Herbert, James D. Fauve painting: the making of cultural politics. New Haven: : Yale University Press 1992.
38
Antliff, Mark, Leighten, Patricia. Cubism and culture. London: : Thames & Hudson 2001.
39
Apollinaire, Guillaume. The cubist painters.
40
Cottington D. Cubism in the shadow of war: the avant-garde and politics in Paris 1905-1914. New Haven: : Yale University Press
41
Green, Christopher. Picasso’s Les demoiselles d’Avignon.
42
Eisenman SF. Gauguin’s skirt. London: : Thames and Hudson 1997.
